Part 15 (1/2)

INSECT STUDIES

b.u.t.tERFLIES

(1) Haiku.

[1] ”The modest nymph beheld her G.o.d, and blushed.” (Or, in a more familiar rendering: ”The modest water saw its G.o.d, and blushed.”) In this line the double value of the word nympha--used by cla.s.sical poets both in the meaning of fountain and in that of the divinity of a fountain, or spring--reminds one of that graceful playing with words which j.a.panese poets practice.

[2] More usually written nugi-kakeru, which means either ”to take off and hang up,” or ”to begin to take off,”--as in the above poem. More loosely, but more effectively, the verses might thus be rendered: ”Like a woman slipping off her haori--that is the appearance of a b.u.t.terfly.”

One must have seen the j.a.panese garment described, to appreciate the comparison. The haori is a silk upper-dress,--a kind of sleeved cloak,--worn by both s.e.xes; but the poem suggests a woman's haori, which is usually of richer color or material. The sleeves are wide; and the lining is usually of brightly-colored silk, often beautifully variegated. In taking off the haori, the brilliant lining is displayed,--and at such an instant the fluttering splendor might well be likened to the appearance of a b.u.t.terfly in motion.

[3] The bird-catcher's pole is smeared with bird-lime; and the verses suggest that the insect is preventing the man from using his pole, by persistently getting in the way of it,--as the birds might take warning from seeing the b.u.t.terfly limed. Jama suru means ”to hinder” or ”prevent.”

[4] Even while it is resting, the wings of the b.u.t.terfly may be seen to quiver at moments,--as if the creature were dreaming of flight.

[5] A little poem by Basho, greatest of all j.a.panese composers of hokku. The verses are intended to suggest the joyous feeling of spring-time.

[6] Literally, ”a windless day;” but two negatives in j.a.panese poetry do not necessarily imply an affirmative, as in English. The meaning is, that although there is no wind, the fluttering motion of the b.u.t.terflies suggests, to the eyes at least, that a strong breeze is playing.

[7] Alluding to the Buddhist proverb: Rakkwa eda ni kaerazu; ha-kyo futatabi terasazu (”The fallen flower returns not to the branch; the broken mirror never again reflects.”) So says the proverb--yet it seemed to me that I saw a fallen flower return to the branch... No: it was only a b.u.t.terfly.

[8] Alluding probably to the light fluttering motion of falling cherry-petals.

[9] That is to say, the grace of their motion makes one think of the grace of young girls, daintily costumed, in robes with long fluttering sleeves... And old j.a.panese proverb declares that even a devil is pretty at eighteen: Oni mo jiu-hachi azami no hana: ”Even a devil at eighteen, flower-of-the-thistle.”

[10] Or perhaps the verses might be more effectively rendered thus: ”Happy together, do you say? Yes--if we should be reborn as field-b.u.t.terflies in some future life: then we might accord!” This poem was composed by the celebrated poet Issa, on the occasion of divorcing his wife.

[11] Or, Tare no tama? [Digitizer's note: Hearn's note calls attention to an alternative reading of the ideogram for ”spirit” or ”soul.”]