Part 105 (1/2)
[”The whole contexture is manly; they don't occupy themselves with little flowers of rhetoric.”--Seneca, Ep., 33.]
'Tis not a soft eloquence, and without offence only; 'tis nervous and solid, that does not so much please, as it fills and ravishes the greatest minds. When I see these brave forms of expression, so lively, so profound, I do not say that 'tis well said, but well thought. 'Tis the sprightliness of the imagination that swells and elevates the words:
”Pectus est quod disertum Tacit.”
[”The heart makes the man eloquent.”--Quintilian, x. 7.]
Our people call language, judgment, and fine words, full conceptions.
This painting is not so much carried on by dexterity of hand as by having the object more vividly imprinted in the soul. Gallus speaks simply because he conceives simply: Horace does not content himself with a superficial expression; that would betray him; he sees farther and more clearly into things; his mind breaks into and rummages all the magazine of words and figures wherewith to express himself, and he must have them more than ordinary, because his conception is so. Plutarch says' that he sees the Latin tongue by the things: 'tis here the same: the sense illuminates and produces the words, no more words of air, but of flesh and bone; they signify more than they say. Moreover, those who are not well skilled in a language present some image of this; for in Italy I said whatever I had a mind to in common discourse, but in more serious talk, I durst not have trusted myself with an idiom that I could not wind and turn out of its ordinary pace; I would have a power of introducing something of my own.
The handling and utterance of fine wits is that which sets off language; not so much by innovating it, as by putting it to more vigorous and various services, and by straining, bending, and adapting it to them.
They do not create words, but they enrich their own, and give them weight and signification by the uses they put them to, and teach them unwonted motions, but withal ingeniously and discreetly. And how little this talent is given to all is manifest by the many French scribblers of this age: they are bold and proud enough not to follow the common road, but want of invention and discretion ruins them; there is nothing seen in their writings but a wretched affectation of a strange new style, with cold and absurd disguises, which, instead of elevating, depress the matter: provided they can but trick themselves out with new words, they care not what they signify; and to bring in a new word by the head and shoulders, they leave the old one, very often more sinewy and significant than the other.
There is stuff enough in our language, but there is a defect in cutting out: for there is nothing that might not be made out of our terms of hunting and war, which is a fruitful soil to borrow from; and forms of speaking, like herbs, improve and grow stronger by being transplanted.
I find it sufficiently abundant, but not sufficiently pliable and vigorous; it commonly quails under a powerful conception; if you would maintain the dignity of your style, you will often perceive it to flag and languish under you, and there Latin steps in to its relief, as Greek does to others. Of some of these words I have just picked out we do not so easily discern the energy, by reason that the frequent use of them has in some sort abased their beauty, and rendered it common; as in our ordinary language there are many excellent phrases and metaphors to be met with, of which the beauty is withered by age, and the colour is sullied by too common handling; but that nothing lessens the relish to an understanding man, nor does it derogate from the glory of those ancient authors who, 'tis likely, first brought those words into that l.u.s.tre.
The sciences treat of things too refinedly, after an artificial, very different from the common and natural, way. My page makes love, and understands it; but read to him Leo Hebraeus--[Leo the Jew, Ficinus, Cardinal Bembo, and Mario Equicola all wrote Treatises on Love.]-- and Ficinus, where they speak of love, its thoughts and actions, he understands it not. I do not find in Aristotle most of my ordinary motions; they are there covered and disguised in another robe for the use of the schools. Good speed them! were I of the trade, I would as much naturalise art as they artificialise nature. Let us let Bembo and Equicola alone.
When I write, I can very well spare both the company and the remembrance of books, lest they should interrupt my progress; and also, in truth, the best authors too much humble and discourage me: I am very much of the painter's mind, who, having represented c.o.c.ks most wretchedly ill, charged all his boys not to suffer any natural c.o.c.k to come into his shop; and had rather need to give myself a little l.u.s.tre, of the invention of Antigenides the musician, who, when he was asked to sing or play, took care beforehand that the auditory should, either before or after, be satiated with some other ill musicians. But I can hardly be without Plutarch; he is so universal and so full, that upon all occasions, and what extravagant subject soever you take in hand, he will still be at your elbow, and hold out to you a liberal and not to be exhausted hand of riches and embellishments. It vexes me that he is so exposed to be the spoil of those who are conversant with him: I can scarce cast an eye upon him but I purloin either a leg or a wing.
And also for this design of mine 'tis convenient for me for me to write at home, in a wild country, where I have n.o.body to a.s.sist or relieve me; where I hardly see a man who understands the Latin of his Paternoster, and of French a little less. I might have made it better elsewhere, but then the work would have been less my own; and its princ.i.p.al end and perfection is to be exactly mine. I readily correct an accidental error, of which I am full, as I run carelessly on; but for my ordinary and constant imperfections, it were a kind of treason to put them out. When another tells me, or that I say to myself, ”Thou art too thick of figures: this is a word of rough Gascon: that is a dangerous phrase (I do not reject any of those that are used in the common streets of France; they who would fight custom with grammar are triflers): this is an ignorant discourse: this is a paradoxical discourse: that is going too far: thou makest thyself too merry at times: men will think thou sayest a thing in good earnest which thou only speakest in jest.”--”Yes, I know, but I correct the faults of inadvertence, not those of custom. Do I not talk at the same rate throughout? Do I not represent myself to the life?
'Tis enough that I have done what I designed; all the world knows me in my book, and my book in me.”
Now I have an apish, imitative quality: when I used to write verses (and I never made any but Latin), they evidently discovered the poet I had last read, and some of my first essays have a little exotic taste: I speak something another kind of language at Paris than I do at Montaigne.
Whoever I steadfastly look upon easily leaves some impression of his upon me; whatever I consider I usurp, whether a foolish countenance, a disagreeable look, or a ridiculous way of speaking; and vices most of all, because they seize and stick to me, and will not leave hold without shaking. I swear more by imitation than by complexion: a murderous imitation, like that of the apes so terrible both in stature and strength, that Alexander met with in a certain country of the Indies, and which he would have had much ado any other way to have subdued; but they afforded him the means by that inclination of theirs to imitate whatever they saw done; for by that the hunters were taught to put on shoes in their sight, and to tie them fast with many knots, and to m.u.f.fle up their heads in caps all composed of running nooses, and to seem to anoint their eyes with glue; so did those poor beasts employ their imitation to their own ruin they glued up their own eyes, haltered and bound themselves.
The other faculty of playing the mimic, and ingeniously acting the words and gestures of another, purposely to make people merry and to raise their admiration, is no more in me than in a stock. When I swear my own oath, 'tis only, by G.o.d! of all oaths the most direct. They say that Socrates swore by the dog; Zeno had for his oath the same interjection at this time in use amongst the Italians, Cappari! Pythagoras swore By water and air. I am so apt, without thinking of it, to receive these superficial impressions, that if I have Majesty or Highness in my mouth three days together, they come out instead of Excellency and Lords.h.i.+p eight days after; and what I say to-day in sport and fooling I shall say the same to-morrow seriously. Wherefore, in writing, I more unwillingly undertake beaten arguments, lest I should handle them at another's expense. Every subject is equally fertile to me: a fly will serve the purpose, and 'tis well if this I have in hand has not been undertaken at the recommendation of as flighty a will. I may begin, with that which pleases me best, for the subjects are all linked to one another.
But my soul displeases me, in that it ordinarily produces its deepest and most airy conceits and which please me best, when I least expect or study for them, and which suddenly vanish, having at the instant, nothing to apply them to; on horseback, at table, and in bed: but most on horseback, where I am most given to think. My speaking is a little nicely jealous of silence and attention: if I am talking my best, whoever interrupts me, stops me. In travelling, the necessity of the way will often put a stop to discourse; besides which I, for the most part, travel without company fit for regular discourses, by which means I have all the leisure I would to entertain myself. It falls out as it does in my dreams; whilst dreaming I recommend them to my memory (for I am apt to dream that I dream), but, the next morning, I may represent to myself of what complexion they were, whether gay, or sad, or strange, but what they were, as to the rest, the more I endeavour to retrieve them, the deeper I plunge them in oblivion. So of thoughts that come accidentally into my head, I have no more but a vain image remaining in my memory; only enough to make me torment myself in their quest to no purpose.
Well, then, laying books aside, and more simply and materially speaking, I find, after all, that Love is nothing else but the thirst of enjoying the object desired, or Venus any other thing than the pleasure of discharging one's vessels, just as the pleasure nature gives in discharging other parts, that either by immoderation or indiscretion become vicious. According to Socrates, love is the appet.i.te of generation by the mediation of beauty. And when I consider the ridiculous t.i.tillation of this pleasure, the absurd, crack-brained, wild motions with which it inspires Zeno and Cratippus, the indiscreet rage, the countenance inflamed with fury and cruelty in the sweetest effects of love, and then that austere air, so grave, severe, ecstatic, in so wanton an action; that our delights and our excrements are promiscuously shuffled together; and that the supreme pleasure brings along with it, as in pain, fainting and complaining; I believe it to be true, as Plato says, that the G.o.ds made man for their sport:
”Quaenam ista jocandi Saevitia!”
[”With a sportive cruelty” (Or:) ”What an unkindness there is in jesting!”--Claudian in Eutrop. i. 24.]
and that it was in mockery that nature has ordered the most agitative of actions and the most common, to make us equal, and to put fools and wise men, beasts and us, on a level. Even the most contemplative and prudent man, when I imagine him in this posture, I hold him an impudent fellow to pretend to be prudent and contemplative; they are the peac.o.c.ks' feet that abate his pride:
”Ridentem dicere verum Quid vetat?”
[”What prevents us from speaking truth with a smile?”
--Horace, Sat., i. I, 24.]
They who banish serious imaginations from their sports, do, says one, like him who dares not adore the statue of a saint, if not covered with a veil. We eat and drink, indeed, as beasts do; but these are not actions that obstruct the functions of the soul, in these we maintain our advantage over them; this other action subjects all other thought, and by its imperious authority makes an a.s.s of all Plato's divinity and philosophy; and yet there is no complaint of it. In everything else a man may keep some decorum, all other operations submit to the rules of decency; this cannot so much as in imagination appear other than vicious or ridiculous: find out, if you can, therein any serious and discreet procedure. Alexander said, that he chiefly knew himself to be mortal by this act and sleeping; sleep suffocates and suppresses the faculties of the soul; the familiarity with women likewise dissipates and exhausts them: doubtless 'tis a mark, not only of our original corruption, but also of our vanity and deformity.
On the one side, nature pushes us on to it, having fixed the most n.o.ble, useful, and pleasant of all her functions to this desire: and, on the other side, leaves us to accuse and avoid it, as insolent and indecent, to blush at it, and to recommend abstinence. Are we not brutes to call that work brutish which begets us? People of so many differing religions have concurred in several proprieties, as sacrifices, lamps, burning incense, fasts, and offerings; and amongst others, in the condemning this act: all opinions tend that way, besides the widespread custom of circ.u.mcision, which may be regarded as a punishment. We have, peradventure, reason to blame ourselves for being guilty of so foolish a production as man, and to call the act, and the parts that are employed in the act, shameful (mine, truly, are now shameful and pitiful). The Essenians, of whom Pliny speaks, kept up their country for several ages without either nurse or baby-clouts, by the arrival of strangers who, following this pretty humour, came continually to them: a whole nation being resolute, rather to hazard a total extermination, than to engage themselves in female embraces, and rather to lose the succession of men, than to beget one. 'Tis said, that Zeno never had to do with a woman but once in his life, and then out of civility, that he might not seem too obstinately to disdain the s.e.x.
[Diogenes Laertius, vii. 13.--What is there said, however, is that Zeno seldom had commerce with boys, lest he should be deemed a very misogynist.]
Every one avoids seeing a man born, every one runs to see him die; to destroy him a s.p.a.cious field is sought out in the face of the sun, but, to make him, we creep into as dark and private a corner as we can: 'tis a man's duty to withdraw himself bashfully from the light to create; but 'tis glory and the fountain of many virtues to know how to destroy what we have made: the one is injury, the other favour: for Aristotle says that to do any one a kindness, in a certain phrase of his country, is to kill him. The Athenians, to couple the disgrace of these two actions, having to purge the Isle of Delos, and to justify themselves to Apollo, interdicted at once all births and burials in the precincts thereof: