Part 52 (1/2)
I seek, in the reading of books, only to please myself by an honest diversion; or, if I study, 'tis for no other science than what treats of the knowledge of myself, and instructs me how to die and how to live well.
”Has meus ad metas sudet oportet equus.”
[”My horse must work according to my step.”
--Propertius, iv.]
I do not bite my nails about the difficulties I meet with in my reading; after a charge or two, I give them over. Should I insist upon them, I should both lose myself and time; for I have an impatient understanding, that must be satisfied at first: what I do not discern at once is by persistence rendered more obscure. I do nothing without gaiety; continuation and a too obstinate endeavour, darkens, stupefies, and tires my judgment. My sight is confounded and dissipated with poring; I must withdraw it, and refer my discovery to new attempts; just as, to judge rightly of the l.u.s.tre of scarlet, we are taught to pa.s.s the eye lightly over it, and again to run it over at several sudden and reiterated glances. If one book do not please me, I take another; and I never meddle with any, but at such times as I am weary of doing nothing.
I care not much for new ones, because the old seem fuller and stronger; neither do I converse much with Greek authors, because my judgment cannot do its work with imperfect intelligence of the material.
Amongst books that are simply pleasant, of the moderns, Boccaccio's Decameron, Rabelais, and the Basia of Johannes Secundus (if those may be ranged under the t.i.tle) are worth reading for amus.e.m.e.nt. As to the Amadis, and such kind of stuff, they had not the credit of arresting even my childhood. And I will, moreover, say, whether boldly or rashly, that this old, heavy soul of mine is now no longer tickled with Ariosto, no, nor with the worthy Ovid; his facility and inventions, with which I was formerly so ravished, are now of no more relish, and I can hardly have the patience to read them. I speak my opinion freely of all things, even of those that, perhaps, exceed my capacity, and that I do not conceive to be, in any wise, under my jurisdiction. And, accordingly, the judgment I deliver, is to show the measure of my own sight, and not of the things I make so bold to criticise. When I find myself disgusted with Plato's 'Axiochus', as with a work, with due respect to such an author be it spoken, without force, my judgment does not believe itself: it is not so arrogant as to oppose the authority of so many other famous judgments of antiquity, which it considers as its tutors and masters, and with whom it is rather content to err; in such a case, it condemns itself either to stop at the outward bark, not being able to penetrate to the heart, or to consider it by sortie false light. It is content with only securing itself from trouble and disorder; as to its own weakness, it frankly acknowledges and confesses it. It thinks it gives a just interpretation to the appearances by its conceptions presented to it; but they are weak and imperfect. Most of the fables of AEsop have diverse senses and meanings, of which the mythologists chose some one that quadrates well to the fable; but, for the most part, 'tis but the first face that presents itself and is superficial only; there yet remain others more vivid, essential, and profound, into which they have not been able to penetrate; and just so 'tis with me.
But, to pursue the business of this essay, I have always thought that, in poesy, Virgil, Lucretius, Catullus, and Horace by many degrees excel the rest; and signally, Virgil in his Georgics, which I look upon as the most accomplished piece in poetry; and in comparison of which a man may easily discern that there are some places in his AEneids, to which the author would have given a little more of the file, had he had leisure: and the fifth book of his AEneids seems to me the most perfect. I also love Lucan, and willingly read him, not so much for his style, as for his own worth, and the truth and solidity of his opinions and judgments. As for good Terence, the refined elegance and grace of the Latin tongue, I find him admirable in his vivid representation of our manners and the movements of the soul; our actions throw me at every turn upon him; and I cannot read him so often that I do not still discover some new grace and beauty. Such as lived near Virgil's time complained that some should compare Lucretius to him. I am of opinion that the comparison is, in truth, very unequal: a belief that, nevertheless, I have much ado to a.s.sure myself in, when I come upon some excellent pa.s.sage in Lucretius.
But if they were so angry at this comparison, what would they say to the brutish and barbarous stupidity of those who, nowadays, compare him with Ariosto? Would not Ariosto himself say?
”O seclum insipiens et inficetum!”
[”O stupid and tasteless age.”--Catullus, xliii. 8.]
I think the ancients had more reason to be angry with those who compared Plautus with Terence, though much nearer the mark, than Lucretius with Virgil. It makes much for the estimation and preference of Terence, that the father of Roman eloquence has him so often, and alone of his cla.s.s, in his mouth; and the opinion that the best judge of Roman poets --[Horace, De Art. Poetica, 279.]--has pa.s.sed upon his companion. I have often observed that those of our times, who take upon them to write comedies (in imitation of the Italians, who are happy enough in that way of writing), take three or four plots of those of Plautus or Terence to make one of their own, and , crowd five or six of Boccaccio's novels into one single comedy. That which makes them so load themselves with matter is the diffidence they have of being able to support themselves with their own strength. They must find out something to lean to; and not having of their own stuff wherewith to entertain us, they bring in the story to supply the defect of language. It is quite otherwise with my author; the elegance and perfection of his way of speaking makes us lose the appet.i.te of his plot; his refined grace and elegance of diction everywhere occupy us: he is so pleasant throughout,
”Liquidus, puroque simillimus amni,”
[”Liquid, and likest the pure river.”
--Horace, Ep., ii. s, 120.]
and so possesses the soul with his graces that we forget those of his fable. This same consideration carries me further: I observe that the best of the ancient poets have avoided affectation and the hunting after, not only fantastic Spanish and Petrarchic elevations, but even the softer and more gentle touches, which are the ornament of all succeeding poesy.
And yet there is no good judgment that will condemn this in the ancients, and that does not incomparably more admire the equal polish, and that perpetual sweetness and flouris.h.i.+ng beauty of Catullus's epigrams, than all the stings with which Martial arms the tails of his. This is by the same reason that I gave before, and as Martial says of himself:
”Minus illi ingenio laborandum fuit, in cujus loc.u.m materia successerat:”
[”He had the less for his wit to do that the subject itself supplied what was necessary.”--Martial, praef. ad lib. viii.]
The first, without being moved, or without getting angry, make themselves sufficiently felt; they have matter enough of laughter throughout, they need not tickle themselves; the others have need of foreign a.s.sistance; as they have the less wit they must have the more body; they mount on horseback, because they are not able to stand on their own legs. As in our b.a.l.l.s, those mean fellows who teach to dance, not being able to represent the presence and dignity of our n.o.blesse, are fain to put themselves forward with dangerous jumping, and other strange motions and tumblers tricks; and the ladies are less put to it in dance; where there are various coupees, changes, and quick motions of body, than in some other of a more sedate kind, where they are only to move a natural pace, and to represent their ordinary grace and presence. And so I have seen good drolls, when in their own everyday clothes, and with the same face they always wear, give us all the pleasure of their art, when their apprentices, not yet arrived at such a pitch of perfection, are fain to meal their faces, put themselves into ridiculous disguises, and make a hundred grotesque faces to give us whereat to laugh. This conception of mine is nowhere more demonstrable than in comparing the AEneid with Orlando Furioso; of which we see the first, by dint of wing, flying in a brave and lofty place, and always following his point: the latter, fluttering and hopping from tale to tale, as from branch to branch, not daring to trust his wings but in very short flights, and perching at every turn, lest his breath and strength should fail.
”Excursusque breves tentat.”
[”And he attempts short excursions.”
--Virgil, Georgics, iv. 194.]
These, then, as to this sort of subjects, are the authors that best please me.
As to what concerns my other reading, that mixes a little more profit with the pleasure, and whence I learn how to marshal my opinions and conditions, the books that serve me to this purpose are Plutarch, since he has been translated into French, and Seneca. Both of these have this notable convenience suited to my humour, that the knowledge I there seek is discoursed in loose pieces, that do not require from me any trouble of reading long, of which I am incapable. Such are the minor works of the first and the epistles of the latter, which are the best and most profiting of all their writings. 'Tis no great attempt to take one of them in hand, and I give over at pleasure; for they have no sequence or dependence upon one another. These authors, for the most part, concur in useful and true opinions; and there is this parallel betwixt them, that fortune brought them into the world about the same century: they were both tutors to two Roman emperors: both sought out from foreign countries: both rich and both great men. Their instruction is the cream of philosophy, and delivered after a plain and pertinent manner.
Plutarch is more uniform and constant; Seneca more various and waving: the last toiled and bent his whole strength to fortify virtue against weakness, fear, and vicious appet.i.tes; the other seems more to slight their power, and to disdain to alter his pace and to stand upon his guard. Plutarch's opinions are Platonic, gentle, and accommodated to civil society; those of the other are Stoical and Epicurean, more remote from the common use, but, in my opinion, more individually commodious and more firm. Seneca seems to lean a little to the tyranny of the emperors of his time, and only seems; for I take it for certain that he speaks against his judgment when he condemns the action of the generous murderers of Caesar. Plutarch is frank throughout: Seneca abounds with brisk touches and sallies; Plutarch with things that warm and move you more; this contents and pays you better: he guides us, the other pushes us on.
As to Cicero, his works that are most useful to my design are they that treat of manners and rules of our life. But boldly to confess the truth (for since one has pa.s.sed the barriers of impudence, there is no bridle), his way of writing appears to me negligent and uninviting: for his prefaces, definitions, divisions, and etymologies take up the greatest part of his work: whatever there is of life and marrow is smothered and lost in the long preparation. When I have spent an hour in reading him, which is a great deal for me, and try to recollect what I have thence extracted of juice and substance, for the most part I find nothing but wind; for he is not yet come to the arguments that serve to his purpose, and to the reasons that properly help to form the knot I seek. For me, who only desire to become more wise, not more learned or eloquent, these logical and Aristotelian dispositions of parts are of no use. I would have a man begin with the main proposition. I know well enough what death and pleasure are; let no man give himself the trouble to anatomise them to me. I look for good and solid reasons, at the first dash, to instruct me how to stand their shock, for which purpose neither grammatical subtleties nor the quaint contexture of words and argumentations are of any use at all. I am for discourses that give the first charge into the heart of the redoubt; his languish about the subject; they are proper for the schools, for the bar, and for the pulpit, where we have leisure to nod, and may awake, a quarter of an hour after, time enough to find again the thread of the discourse. It is necessary to speak after this manner to judges, whom a man has a design to gain over, right or wrong, to children and common people, to whom a man must say all, and see what will come of it. I would not have an author make it his business to render me attentive: or that he should cry out fifty times Oyez! as the heralds do. The Romans, in their religious exercises, began with 'Hoc age' as we in ours do with 'Sursum corda'; these are so many words lost to me: I come already fully prepared from my chamber. I need no allurement, no invitation, no sauce; I eat the meat raw, so that, instead of whetting my appet.i.te by these preparatives, they tire and pall it. Will the licence of the time excuse my sacrilegious boldness if I censure the dialogism of Plato himself as also dull and heavy, too much stifling the matter, and lament so much time lost by a man, who had so many better things to say, in so many long and needless preliminary interlocutions? My ignorance will better excuse me in that I understand not Greek so well as to discern the beauty of his language.
I generally choose books that use sciences, not such as only lead to them. The two first, and Pliny, and their like, have nothing of this Hoc age; they will have to do with men already instructed; or if they have, 'tis a substantial Hoc age; and that has a body by itself. I also delight in reading the Epistles to Atticus, not only because they contain a great deal of the history and affairs of his time, but much more because I therein discover much of his own private humours; for I have a singular curiosity, as I have said elsewhere, to pry into the souls and the natural and true opinions of the authors, with whom I converse. A man may indeed judge of their parts, but not of their manners nor of themselves, by the writings they exhibit upon the theatre of the world.
I have a thousand times lamented the loss of the treatise Brutus wrote upon Virtue, for it is well to learn the theory from those who best know the practice.