Part 30 (1/2)

_Under the shade_. ”As You Like It,” ii, 7, 111.

P. 59. _See, boys_. ”Stoop, boys,” iii, 3, 2.

_Nay, Cadwell_. iv, 2, 255.

_Stick to your journal course_. iv, 2, 10.

_Your highness_. i, 5, 23.

MACBETH

P. 60. _The poet's eye_. ”Midsummer Night's Dream,” v, 1, 12.

_your only tragedy-maker_. An adaptation of ”your only jig-maker,”

”Hamlet,” iii, 2, 132.

_the air smells wooingly, the temple-haunting martlet_. i, 6, 4-6.

_blasted heath_. i, 3, 77.

_air-drawn dagger_. iii, 4, 62.

_the gracious Duncan_. iii, 1, 66.

P. 61. _blood-boultered Banquo_. iv, 1, 123.

_What are these_. i, 3, 39.

_bends up_. i, 7, 80.

P. 62. _The deed_. Cf. ii, 2, 11: ”The attempt and not the deed confounds us.”

_preter_[super]_natural solicitings_. i, 3, 130.

_Bring forth_. i, 7, 73.

P. 63. _Screw his courage_. i, 7, 60.

_lost so poorly_. Cf. ii, 2, 71: ”Be not lost so poorly in your thoughts.”

_a little water_. ii, 2, 68.

_the sides of his intent_. i, 7, 26.

_for their future days and nights_. Cf. i, 5, 70: ”To all our days and nights to come.” The next five quotations are from the same scene.

P. 64. _Mrs. Siddons_. Sarah Siddons (1775-1831), ”The Tragic Muse,” the most celebrated actress in the history of the English stage. Hazlitt wrote this pa.s.sage for the Examiner (June 16, 1816) immediately after seeing a performance of the part by Mrs. Siddons. See Works, VIII, 312-373.

P. 65. _There is no art_. i, 4, 11.