Part 15 (1/2)

Arlt shook his head.

”It is for you they are calling.”

”Nonsense. This is your success; not mine.”

Arlt demurred; but in the end he yielded and played one or two numbers of Schumann's _Papillon_, played them like a true artist. As he listened, Thayer held his breath. At last, Arlt's chance had come, and he was making the most of it. The furore of a moment before had been for Arlt more than for himself. Sad experience had taught him the futility of _Danny_, unless it were adequately accompanied, and the audience were discerning enough to give honor to whom honor was due. Standing in the wings, Thayer exulted in each note which fell from the boy's fingers, round and mellow and weighted with pa.s.sionate meaning. Arlt was betraying his hopes and fears more than he realized, just then, and Thayer grew impatient for his closing phrase, that he might hear the storm of applause which was bound to follow. He had not counted upon the veering wind of popular interest which scattered the storm, leaving only the gentle patter of a summer shower. The critics applauded; but society applied its lorgnette to its eye and discovered that, in his excitement, Arlt had neglected to make sure that his tie was mathematically straight. The patter died away into silence. Then the wind veered again and the storm broke out afresh, mingled with cries of Thayer's name.

Arlt's lips worked nervously, as he joined Thayer in the wings.

”It was you they wanted, after all,” he said, with a pitiful attempt at a smile.

”Then they are d.a.m.ned fools,” Thayer replied savagely; but his hand was gentle, as he rested it on Arlt's shoulder.

The boy braced himself at the touch.

”We must go back,” he said.

Thayer hesitated, while his thoughts worked swiftly. There would be a certain cruelty, to his mind, in forcing Arlt to appear again before the audience which had just cut him so mercilessly. On the other hand, it would be the part of childish pique for him to refuse to show himself.

Nevertheless, he needed Arlt's support. He disliked to play his own accompaniments, and he felt that, in doing so, he risked possible disaster. The hesitation lasted only for a moment. Then his jaw stiffened.

”It's all right, Arlt,” he said briefly. ”I am going to accompany myself, this time.”

As he crossed the stage, he glanced hastily from Bobby to Bobby's cousin. Bobby was glowering at the audience and grumbling into Sally's ear. Four rows in front of them, Beatrix sat silent at Lorimer's side.

The color had left her face again, and her eyes drooped heavily. It was as if, in watching Arlt's overthrow, her old prescience of impending disaster had come back upon her in fourfold measure, heightened by the intensity of her exhilaration of a few moments before. When a quiet woman is stirred from her usual poise, the pendulum of her nerves swings in a long arc. The Dvorak dance had not deepened Sally's color; the Damrosch song had not caused her to draw her white ostrich boa more closely about her throat.

Thayer struck a vigorous major chord or two; then, with a sudden memory of the dry glitter in Arlt's eyes, he modulated thoughtfully. His own eyes rested again upon Beatrix during the few notes of the introduction, and his mind went swiftly back to the day when he had sung the same little song in her parlor. Half absently, his eyes were still upon her face, as he came again to the closing words,--

”_I kiss each bead, and strive at last to learn To kiss the cross, sweetheart, to kiss the cross._”

Unconsciously, uncontrollably, his eyes held hers, and he could see the two great drops gather there, as she listened, her lips parted with her deep, swift breathing. Then their eyes dropped apart, and the color rushed into her cheeks while, with a sudden, impulsive gesture, she slipped her hand into Lorimer's arm and pressed it until she felt the returning, rea.s.suring pressure.

Lorimer looked down at her with a smile.

”Spooky again, dear girl?” he asked, under cover of the applause which had broken out madly once more. ”He is singing superbly, to-night; but this last was wonderful. Something has rubbed him the wrong way; I know that set of his jaw, and it always means that he will be inspired to do his best. Queer thing; isn't it? If I were angry or hurt, I should go to pieces completely; but it brings Thayer to his feet, every time.”

”What do you think was the reason?” Beatrix asked, with as great a show of interest as she could command. The first lesson Mrs. Dane had taught her child in preparation for her coming-out tea had been the simple and obvious one that men were rarely minded to sympathize with feminine moods; but that under all conditions a woman who seeks to please, must adapt herself to the mental vagaries of her masculine companion. Even Lorimer, tender and loving as he invariably showed himself, was no exception to the rule.

”It was Arlt's snubbing,” Lorimer returned, as he rose. ”It was a beastly thing to do. Arlt played superbly, and they might have treated him with common courtesy. But there is no accounting for tastes. Thayer is the hero of the evening, and people are too busy applauding him, to have any time for lesser lights.”

”Do you think Mr. Arlt will ever succeed?” she asked anxiously for, through Thayer's efforts to bring them together, she had become genuinely interested in the boy.

”G.o.d knows,” Lorimer answered, with a sudden gravity that became him well.

Later, that evening, Thayer joined Lorimer and Beatrix in a corner of the Lloyd Avalons's music-room. Beatrix greeted him half shyly.

”It was a new experience,” she said, with an effort to speak lightly. ”I thought I had learned to know your voice long ago; but I have decided that I never really knew it, until to-night.”

He stood looking down at her with a grave smile.