Part 2 (1/2)

I know no name for this but Chinese. It calls up the mental picture of some archaic and changeless Eastern Court, in which men with dried faces and stiff ceremonial costumes perform some atrocious cruelty to the accompaniment of formal proverbs and sentences of which the very meaning has been forgotten. In both cases the only thing in the whole farrago that can be called real is the wrong. If we apply the lightest touch of reason to the whole Epping prosecution it dissolves into nothing.

I here challenge any person in his five wits to tell me what that woman was sent to prison for. Either it was for being poor, or it was for being ill. n.o.body could suggest, n.o.body will suggest, n.o.body, as a matter of fact, did suggest, that she had committed any other crime.

The doctor was called in by a Society for the Prevention of Cruelty to Children. Was this woman guilty of cruelty to children? Not in the least. Did the doctor say she was guilty of cruelty to children? Not in the least. Was these any evidence even remotely bearing on the sin of cruelty? Not a rap. The worse that the doctor could work himself up to saying was that though the children were ”exceedingly” well, the conditions would be serious in case of illness. If the doctor will tell me any conditions that would be comic in case of illness, I shall attach more weight to his argument.

Now this is the worst effect of modern worry. The mad doctor has gone mad. He is literally and practically mad; and still he is quite literally and practically a doctor. The only question is the old one, Quis docebit ipsum doctorem? Now cruelty to children is an utterly unnatural thing; instinctively accursed of earth and heaven. But neglect of children is a natural thing; like neglect of any other duty, it is a mere difference of degree that divides extending arms and legs in calisthenics and extending them on the rack. It is a mere difference of degree that separates any operation from any torture. The thumb-screw can easily be called Manicure. Being pulled about by wild horses can easily be called Ma.s.sage. The modern problem is not so much what people will endure as what they will not endure. But I fear I interrupt.... The boiling oil is boiling; and the Tenth Mandarin is already reciting the ”Seventeen Serious Principles and the Fifty-three Virtues of the Sacred Emperor.”

THE ENCHANTED MAN

When I arrived to see the performance of the Buckinghams.h.i.+re Players, who acted Miss Gertrude Robins's POT LUCK at Naphill a short time ago, it is the distressing, if scarcely surprising, truth that I entered very late. This would have mattered little, I hope, to any one, but that late comers had to be forced into front seats. For a real popular English audience always insists on crowding in the back part of the hall; and (as I have found in many an election) will endure the most unendurable taunts rather than come forward. The English are a modest people; that is why they are entirely ruled and run by the few of them that happen to be immodest. In theatrical affairs the fact is strangely notable; and in most playhouses we find the bored people in front and the eager people behind.

As far as the performance went I was quite the reverse of a bored person; but I may have been a boring person, especially as I was thus required to sit in the seats of the scornful. It will be a happy day in the dramatic world when all ladies have to take off their hats and all critics have to take off their heads. The people behind will have a chance then. And as it happens, in this case, I had not so much taken off my head as lost it. I had lost it on the road; on that strange journey that was the cause of my coming in late. I have a troubled recollection of having seen a very good play and made a very bad speech; I have a cloudy recollection of talking to all sorts of nice people afterwards, but talking to them jerkily and with half a head, as a man talks when he has one eye on a clock.

And the truth is that I had one eye on an ancient and timeless clock, hung uselessly in heaven; whose very name has pa.s.sed into a figure for such bemused folly. In the true sense of an ancient phrase, I was moonstruck. A lunar landscape a scene of winter moonlight had inexplicably got in between me and all other scenes. If any one had asked me I could not have said what it was; I cannot say now. Nothing had occurred to me; except the breakdown of a hired motor on the ridge of a hill. It was not an adventure; it was a vision.

I had started in wintry twilight from my own door; and hired a small car that found its way across the hills towards Naphill. But as night blackened and frost brightened and hardened it I found the way increasingly difficult; especially as the way was an incessant ascent.

Whenever we topped a road like a staircase it was only to turn into a yet steeper road like a ladder.

At last, when I began to fancy that I was spirally climbing the Tower of Babel in a dream, I was brought to fact by alarming noises, stoppage, and the driver saying that ”it couldn't be done.” I got out of the car and suddenly forgot that I had ever been in it.

From the edge of that abrupt steep I saw something indescribable, which I am now going to describe. When Mr. Joseph Chamberlain delivered his great patriotic speech on the inferiority of England to the Dutch parts of South Africa, he made use of the expression ”the illimitable veldt.”

The word ”veldt” is Dutch, and the word ”illimitable” is Double Dutch.

But the meditative statesman probably meant that the new plains gave him a sense of largeness and dreariness which he had never found in England.

Well, if he never found it in England it was because he never looked for it in England. In England there is an illimitable number of illimitable veldts. I saw six or seven separate eternities in cresting as many different hills. One cannot find anything more infinite than a finite horizon, free and lonely and innocent. The Dutch veldt may be a little more desolate than Birmingham. But I am sure it is not so desolate as that English hill was, almost within a cannon-shot of High Wycombe.

I looked across a vast and voiceless valley straight at the moon, as if at a round mirror. It may have been the blue moon of the proverb; for on that freezing night the very moon seemed blue with cold. A deathly frost fastened every branch and blade to its place. The sinking and softening forests, powdered with a gray frost, fell away underneath me into an abyss which seemed unfathomable. One fancied the world was soundless only because it was bottomless: it seemed as if all songs and cries had been swallowed in some unresisting stillness under the roots of the hills. I could fancy that if I shouted there would be no echo; that if I hurled huge stones there would be no noise of reply. A dumb devil had bewitched the landscape: but that again does not express the best or worst of it. All those h.o.a.ry and frosted forests expressed something so inhuman that it has no human name. A horror of unconsciousness lay on them; that is the nearest phrase I know. It was as if one were looking at the back of the world; and the world did not know it. I had taken the universe in the rear. I was behind the scenes. I was eavesdropping upon an unconscious creation.

I shall not express what the place expressed. I am not even sure that it is a thing that ought to be expressed. There was something heathen about its union of beauty and death; sorrow seemed to glitter, as it does in some of the great pagan poems. I understood one of the thousand poetical phrases of the populace, ”a G.o.d-forsaken place.” Yet something was present there; and I could not yet find the key to my fixed impression.

Then suddenly I remembered the right word. It was an enchanted place. It had been put to sleep. In a flash I remembered all the fairy-tales about princes turned to marble and princesses changed to snow. We were in a land where none could strive or cry out; a white nightmare. The moon looked at me across the valley like the enormous eye of a hypnotist; the one white eye of the world.

There was never a better play than POT LUCK; for it tells a tale with a point and a tale that might happen any day among English peasants. There were never better actors than the local Buckinghams.h.i.+re Players: for they were acting their own life with just that rise into exaggeration which is the transition from life to art. But all the time I was mesmerised by the moon; I saw all these men and women as enchanted things. The poacher shot pheasants; the policeman tracked pheasants; the wife hid pheasants; they were all (especially the policeman) as true as death. But there was something more true to death than true to life about it all: the figures were frozen with a magic frost of sleep or fear or custom such as does not cramp the movements of the poor men of other lands. I looked at the poacher and the policeman and the gun; then at the gun and the policeman and the poacher; and I could find no name for the fancy that haunted and escaped me. The poacher believed in the Game Laws as much as the policeman. The poacher's wife not only believed in the Game Laws, but protected them as well as him. She got a promise from her husband that he would never shoot another pheasant. Whether he kept it I doubt; I fancy he sometimes shot a pheasant even after that.

But I am sure he never shot a policeman. For we live in an enchanted land.

THE SUN WORs.h.i.+PPER

There is a shrewd warning to be given to all people who are in revolt.

And in the present state of things, I think all men are revolting in that sense; except a few who are revolting in the other sense. But the warning to Socialists and other revolutionaries is this: that as sure as fate, if they use any argument which is atheist or materialistic, that argument will always be turned against them at last by the tyrant and the slave. To-day I saw one too common Socialist argument turned Tory, so to speak, in a manner quite startling and insane. I mean that modern doctrine, taught, I believe, by most followers of Karl Marx, which is called the materialist theory of history. The theory is, roughly, this: that all the important things in history are rooted in an economic motive. In short, history is a science; a science of the search for food.

Now I desire, in pa.s.sing only, to point out that this is not merely untrue, but actually the reverse of the truth. It is putting it too feebly to say that the history of man is not only economic. Man would not have any history if he were only economic. The need for food is certainly universal, so universal that it is not even human. Cows have an economic motive, and apparently (I dare not say what ethereal delicacies may be in a cow) only an economic motive. The cow eats gra.s.s anywhere and never eats anything else. In short, the cow does fulfill the materialist theory of history: that is why the cow has no history.

”A History of Cows” would be one of the simplest and briefest of standard works. But if some cows thought it wicked to eat long gra.s.s and persecuted all who did so; if the cow with the crumpled horn were wors.h.i.+pped by some cows and gored to death by others; if cows began to have obvious moral preferences over and above a desire for gra.s.s, then cows would begin to have a history. They would also begin to have a highly unpleasant time, which is perhaps the same thing.

The economic motive is not merely not inside all history; it is actually outside all history. It belongs to Biology or the Science of Life; that is, it concerns things like cows, that are not so very much alive. Men are far too much alive to get into the science of anything; for them we have made the art of history. To say that human actions have depended on economic support is like saying that they have depended on having two legs. It accounts for action, but not for such varied action; it is a condition, but not a motive; it is too universal to be useful. Certainly a soldier wins the Victoria Cross on two legs; he also runs away on two legs. But if our object is to discover whether he will become a V.C. or a coward the most careful inspection of his legs will yield us little or no information. In the same way a man will want food if he is a dreamy romantic tramp, and will want food if he is a toiling and sweating millionaire. A man must be supported on food as he must be supported on legs. But cows (who have no history) are not only furnished more generously in the matter of legs, but can see their food on a much grander and more imaginative scale. A cow can lift up her eyes to the hills and see uplands and peaks of pure food. Yet we never see the horizon broken by crags of cake or happy hills of cheese.

So far the cow (who has no history) seems to have every other advantage.

But history—the whole point of history—precisely is that some two legged soldiers ran away while others, of similar anatomical structure, did not. The whole point of history precisely is: some people (like poets and tramps) chance getting money by disregarding it, while others (such as millionaires) will absolutely lose money for the fun of bothering about it. There would be no history if there were only economic history. All the historical events have been due to the twists and turns given to the economic instinct by forces that were not economic. For instance, this theory traces the French war of Edward III to a quarrel about the French wines. Any one who has even smelt the Middle Ages must feel fifty answers spring to his lips; but in this case one will suffice. There would have been no such war, then, if we all drank water like cows. But when one is a man one enters the world of historic choice. The act of drinking wine is one that requires explanation. So is the act of not drinking wine.