Part 22 (1/2)

Exorcism

The Kayans, as well as most of the peoples, regard madness as due to possession by an evil spirit,[123] but the Malanaus extend this theory to many other forms of disease, and practise an elaborate rite of exorcism. This will be described in the chapter (XVI.) dealing with charms and magical practices.

It will be gathered from what has been said in the foregoing pages that the life after death is regarded as not in any way very different from this life, as neither a very superior nor an inferior condition; although, as we have said, those who die a violent death are believed to have a rather better lot, and suicides a worse fate, than others. Social distinction and consideration, especially such as is achieved by the taking of heads in war, is carried over into the life after death; and men are anxious that outward marks of such distinction should go with them. This is undoubtedly one of the grounds for tatuing the body. Among the Kayans a man's hands are only fully tatued when he has taken a head; while the social status of a woman is marked by the degree of fineness of the tatuing.[124]

It follows that death is neither greatly feared nor desired; but an old man will sometimes affirm that he is quite ready or even desirous to die, although he may seem cheerful and fairly vigorous.

The Kayans believe in the reincarnation of the soul, although this belief is not clearly harmonised with the belief in the life in another world. It is generally believed that the soul of a grandfather may pa.s.s into one of his grandchildren, and an old man will try to secure the pa.s.sage of his soul to a favourite grandchild by holding it above his head from time to time. The grandfather usually gives up his name to his eldest grandson, and rea.s.sumes the original name of his childhood with the prefix or t.i.tle LAKI, and the custom seems to be connected with this belief or hope. There is no means of discovering whether the hope is realised. The human soul may also, in the belief of all the peoples, be reincarnated in the body of almost any animal; but opinions in regard to this matter are very vague. Thus the Kayans believe that the objection of the Mohammedan Malays to the eating of pig is due to reincarnation of their souls in animals of that species, which belief naturally causes some vexation to the Malay traders.

Among the Kayans and other peoples sceptics are to be found, and, as no inquisitorial methods are in vogue among them, such persons will on occasion give expression to their doubts about the accepted dogmas, although speech about such topics is generally repressed by some touch of awe. One man, for example, argued in our hearing that he could hardly believe that man continues to exist after death, for, said he, if men and women still lived after death, some of those who have been very fond of their children would surely return to see them, and would be in some way perceived by the living. But all such discussions are usually terminated with the remark, ”NUSI JAM?” (”Who knows?”)

The Kenyahs' disposal of their dead is very similar in all respects to the Kayan practice. But the burial customs of most of the Klemantan tribes are different. Their usual practice is to keep the coffin containing the corpse in the gallery of the house until the period of mourning is terminated. A bamboo tube carried down through the floor to the ground permits the escape of fluids resulting from decomposition. The coffin itself is sealed closely with wax, and elaborately decorated with carved and painted wood-work. After several months or even years have elapsed a feast is made (the feast of the bones); the coffin is opened and the bones taken out and cleaned. They are then packed into a smaller coffin or a large ovoid jar, which is carried to the village cemetery. There it is placed either in the hollowed upper end of a ma.s.sive post, or into a large wooden chamber containing, or to contain, the remains of several persons, generally near relatives. These tombs are in many cases very elaborately decorated with painted woodwork.

Since the Klemantans who use the jar to contain the bones are not capable of making such large jars, but procure jars of Indo-Chinese and Chinese manufacture, it seems probable that the jars are comparatively modern subst.i.tutes for the smaller wooden coffin or bone-box. Only the richer folk can afford the luxury of a jar.

A rather different procedure is sometimes adopted by the same Klemantans who use the wooden coffins, namely, the corpse is placed in a jar a few days after death. Since the mouth of the jar is generally too small to admit the corpse the jar is broken horizontally into two parts by the following ingenious procedure. The jar is sunk in the water of the river until it is full of water and wholly submerged; it is held horizontally by two men, one at either end, just beneath the surface of the water. A third man strikes a sharp downward blow with an axe upon the widest circ.u.mference of the jar; it is then turned over and he strikes a second blow upon the same circ.u.mference at a spot opposite to the first. At the second stroke the jar falls in two, sometimes as cleanly and nicely broken as though cut with a saw.[125] The corpse is then packed in with its knees tied closely under the chin; the upper part of the jar is replaced and sealed on with wax. When the time of the feast of the bones arrives, the jar is reopened, the bones cleaned, and replaced in the jar.

This mode of jar burial is commonly practised by the Muruts, and is commoner in the northern parts of the island than elsewhere. It may be added that the jars used are generally valuable old jars, and that the cheap modern copies of them find little favour.

The Klemantans put selected pieces of the property of the deceased within the tomb, but do not generally hang them on it externally as the Kayans and Kenyahs do.

The Sea Dayaks bury their dead in the earth, generally in a village graveyard on the river banks not far from the house. The body, together with personal property, is merely wrapped in mats and laid in a grave some three feet in depth. It is not usual to keep it in the house for some days as the Kayans do, and the burial is effected with comparatively little ceremony. The grave of the common man is not marked with any monument, but that of a chief may be marked by a SUNGKUP; this consists of two pairs of stout posts, at head and feet respectively; each pair is erected in the form of an oblique cross; the upper end of each post is carved in decorative fas.h.i.+on. Two broad planks laid between the lower parts of these crossed posts form a roof to the grave. In the case of a man noted for great success in farming or fighting, a bamboo tube may be sunk through the earth to the spot just above the root of the nose, and through this they speak to him and pour rice spirit in order to strengthen their appeal.

The Land Dayaks of upper Sarawak, as well as some other Klemantan tribes in South Borneo, are peculiar in that they burn the dead, or the bones alone after the flesh has dropped away. The burning of the whole body is in some tribes carried out by the richer families only; the bodies that are not burned are buried in the earth.

CHAPTER 15

Animistic Beliefs Connected with Animals and Plants[126]

Many of the animals, both wild and domesticated, are held by the Kenyahs in peculiar regard; those that most influence their conduct are the omen-birds, and among the omen-birds the common white-headed carrion-hawk (HALIASTER INTERMEDIUS) is by far the most important. The Kenyahs always observe the movements of this hawk with keen interest, for by a well-established code of rules they interpret his movements in the heavens as signs by which they must be guided in many matters of moment, especially in the conduct of warlike or any other dangerous expeditions.[127] The hawk is always spoken of and addressed as BALI FLAKI, and is formally consulted before any party of Kenyahs sets out from home for distant parts.

To ill.u.s.trate the formalities with which they read the omens we will transcribe here a pa.s.sage from a journal kept by one of us. The occasion of the incidents described was the setting out of a large body of Kenyahs from the house of Tama Bulan (Pl. 27), a chief who by his personal merits had attained to a position of great influence among the other Kenyah chiefs, and who had been confirmed in his authority by His Highness the Rajah of Sarawak. The object of the expedition was to visit and make peace with another great fighting tribe, the Madangs, who live in the remotest interior of Borneo.[128]

Tama Bulan, whose belief in the value of the omens had been slightly shaken, was willing to start without ceremonies, and to make those powers which he believed to protect us responsible for himself and his people also. But the people had begged him not to neglect the traditional rites, and he had yielded to their wishes.

At break of day, before I was up, Tama Bulan was washed by the women at the river's brink with water and the blood of pigs to purify him for his journey, and later in the morning the people set to work to seek omens and a guarantee of their safety on the journey from the hawks that are so numerous here. A small shelter of sticks and leaves was made on the river-bank before the house, and the women having been sent to their rooms, three men of the upper cla.s.s[129]

sat under this leaf-shelter beside a small fire, and searched the sky for hawks. After sitting there silently for about an hour the three men suddenly became animated; one of them took in his right hand a small chick and a stick frayed by many deep cuts with a knife, and waved them repeatedly from left to right, at the same time pouring out a rapid flood of words. They had caught sight of a hawk high up and far away from them, and they were trying to persuade it to fly towards the right. Presently the hawk, a tiny speck in the sky, sailed slowly out of sight behind a hill on the right, and the men settled themselves to watch for a second hawk which must fly towards the left, and a third which must circle round and round. In the course of about half-an-hour two hawks had obligingly put in an appearance, and behaved just as it was hoped and desired that they should behave; and so this part of the business was finished, and about a score of men bustled about preparing for the next act. They brought many fowls and several young pigs, and a bundle of long poles pointed at either end. Before the house stand upright two great boles of timber; the upper end of each of them is carved into a rude face and crowned with a bra.s.s gong (Pl. 157). These are two images of the one Supreme Being, Bali Penyalong, and they seem to be at the same time the altars of the G.o.d. A tall young tree, stripped of all but its topmost twigs, stands beside one of them, and is supposed to reach to heaven or, at least, by its greater proximity to the regions above, to facilitate intercourse. As to the meaning of this and many other features of these rites it is impossible to form any exact idea, for the opinions of these people in such matters are hardly less vague and diversified than those of more civilized wors.h.i.+ppers. Tama Bulan, in his character of high priest,[130] took his stand before one of these images, while a nephew, one of the three men who had watched the hawks, officiated before the other and went through exactly the same ceremonies as his uncle, at the same time with him. Tama Bulan held a small bamboo water-vessel in his left hand, and with a frayed stick in his right hand sprinkled some of the water on the image, all the time looking up into its face and rapidly repeating a set form of words. Presently he took a fowl, snipped off its head and sprinkled its blood upon the image, and so again with another and another fowl. Then he held a young pig while a follower gashed its throat, and as the blood leapt out he scattered it on the image, while the score of men standing round about put their hands, some on him, some on one another; maintaining in this way physical contact with one another and with their leader, they joined in the prayer or incantation which he kept pouring forth in the same rapid mechanical fas.h.i.+on in which many a curate at home reads the Church service. In the house, meanwhile, four boys were pounding at two big drums to keep away from the wors.h.i.+ppers all sounds but the words of their own prayers.[131]

Then another fowl and another pig were sacrificed in similar fas.h.i.+on at each altar, and the second part of the rite was finished by the men sticking the carcases of the slaughtered beasts each one on the point of a pole, and fixing the poles upright in the earth before the images.

Tama Bulan now came up into the house to perform the third and last act. A pig was brought and laid bound upon the floor, and Tama Bulan, stooping, with a sword in his right hand, kept punching the pig gently behind the shoulder as though to keep its attention, and addressed it with a rapid flow of words, each phrase beginning ”O Bali Bouin.” The pig's throat was then cut by an attendant, and Tama Bulan, standing up, diluted its blood with water and scattered it abroad over all of us as we stood round about him, while he still kept up the rapid patter of words. Then he pulled off the head of a fowl and concluded the rites by once more sprinkling us all with blood and water. Everyone seemed relieved and well satisfied to have got through this important business, and to have secured protectors for all the party during the forthcoming journey. For the three hawks will watch over them, and are held to have given them explicit guarantees of safety. The frayed stick that had figured so largely in the rites was stuck under the rafters of the roof among a row of others previously used, and there it will remain, a sign and a pledge of the piety of the people, as long as the house shall stand. And then as Tama Bulan, pretty well covered with blood, went away to wash himself, I felt as though I had just lived through a book of the AENEID, and was about to follow Father Aeneas to the sh.o.r.es of Latium.

This elaborate rite, so well fitted to set agoing the speculative fancy of any one acquainted with the writings of Robertson Smith and Messrs. Jevons and Frazer, was one of the first that we witnessed together. After giving all our facts we shall return to discuss some of the interesting questions raised by it, but it will be seen that we are far from having discovered satisfactory explanations of all its features. Obscure features to which we would direct attention are the use of the fire and the frayed stick, for these figure in almost all rites in which the omen-birds are consulted or prayers and sacrifices made. The Kenyahs seem to feel that the purpose of fire is to carry up the prayers to heaven by means of the ascending flame and smoke, in somewhat the same way as the tall pole planted by the side of the image of Bali Penyalong facilitates communion with the spirit; for they conceive him as dwelling somewhere above the earth.

Before going out to attack an enemy, omens are always sought in the way we have described, and if the expedition is successful the warriors bring home not only the heads of the slain enemy, but also pieces of their flesh, which they fix upon poles before the house, one for each family, as a thank-offering to Bali Flaki for his guidance and protection. It seldom occurs that a hawk actually takes or eats these pieces of flesh, and that does not seem to be expected. Without favourable omens from the hawks Kenyahs will not set out on any expedition, and even when they have secured them, they still anxiously look out for further guidance, and may be stopped or turned back at any time by unfavourable omens. Thus, should a hawk fly over their boat going in the same direction as themselves, this is a good omen; but if one should fly towards them as they travel, and especially if it should scream as it does so, this is a terribly bad omen, and only in case they can obtain other very favourable omens to counteract the impression made by it will they continue their journey. If one of a party dies on the journey, they will stop for one whole day for fear of offending Bali Flaki. If a hawk should scream just as they are about to deliver an attack, that means that some of the elder men will be killed in the battle.

Bali Flaki is also consulted before sowing and harvesting the rice crop, but besides being appealed to publicly on behalf of the whole community, his aid may be sought privately by any man who wishes to injure another. For this purpose a man makes a rough wooden image in human form, and retires to some quiet spot on the river bank where he sets up a TEGULUN, a horizontal pole supported about a yard above the ground by a pair of vertical poles. He lights a small fire beside the TEGULUN, and, taking a fowl in one hand, he sits on the ground behind it so as to see through it a square patch of sky,[132] and so waits until a hawk becomes visible upon this patch. As soon as a hawk appears he kills the fowl, and with a frayed stick smears its blood on the wooden image, saying, ”Put fat in his mouth” (which means ”Let his head be taken and fed with fat in the usual way”), and he puts a bit of fat in the mouth of the image. Then he strikes at the breast of the image with a small wooden spear, and throws it into a pool of water reddened with red earth, and then takes it out and buries it in the ground. While the hawk is visible, he waves it towards the left; for he knows that if it flies to the left he will prevail over his enemy, but that if it goes to the right his enemy is too strong for him.