Part 13 (2/2)
”You are not, then, a citizen of this country?”
Jake Vodell laughed contemptuously. ”Oh, sure I am a citizen of this country--this great America of fools and cowards that talk all the time so big about freedom and equality, while the capitalist money hogs hold them in slavery and rob them of the property they create. I had to become a citizen when the war came, you see, or they would have sent me away. But for that I would make myself a citizen of some cannibal country first.” The old basket maker's dark eyes blazed with quick fire and he lifted himself with sudden strength to a more erect position in his wheel chair. But when he spoke his deep voice was calm and steady. ”You have been in our little city nearly a month, I understand.”
”Just about. I have been looking around, getting acquainted, studying the situation. One must be very careful to know the right men, you understand. It pays, I find, to go a little slow at first. We will go fast enough later.” His thick lips parted in a meaning grin.
The Interpreter's hands gripped the wheels of his chair.
”Everybody tells me I should see you,” the agitator continued.
”Everywhere it is the same. They all talk of the Interpreter. 'Go to the Interpreter,' they say. When they told me that this great Interpreter is an old white-headed fellow without any legs, I laughed and said, 'What can he do to help the laboring man? He is not good for anything but to sit in a wheel chair and make baskets all the day. I need _men_.' But they all answer the same thing, 'Go and see the Interpreter.' And so I am here.”
When the Interpreter was silent, his guest demanded, harshly, ”They are all right, heh? You are a friend to the workingman? Tell me, is it so?”
The old basket maker spoke with quiet dignity. ”For twenty-five years Millsburgh has been my home, and the Millsburgh people have been my friends. You, sir, have been here less than a month; I have known you but a few minutes.”
Jake Vodell laughed understandingly. ”Oh-ho, so that is it? Maybe you like to see my credentials before we talk?”
The Interpreter held up a hand in protest. ”Your reputation is sufficient, Mr. Vodell.”
The man acknowledged the compliment--as he construed it--with a shrug and a pleased laugh. ”And all that is said of you by the laboring cla.s.s in your little city is sufficient,” he returned. ”Even the men in McIver's factory tell me you are the best friend that labor has ever had in this place.” He paused expectantly.
The man in the wheel chair bowed his head.
”And then,” continued Jake Vodell, with a frown of displeasure, ”when I come to see you, to ask some questions about things that I should know, what do I hear? The daughter of this old slave-driver and robber--this capitalist enemy of the laboring cla.s.s--Adam Ward, she comes also to see this Interpreter who is such a friend of the people.”
The Interpreter laughed. ”And Sam Whaley's children, they come too.”
”Oh, yes, that is better. I know Sam Whaley. He is a good man who will be a great help to me. But I do not understand this woman business.”
”I have known Miss Ward ever since she was born; I worked in the Mill at the same bench with her father and Peter Martin,” said the man in the wheel chair, with quiet dignity.
”I see. It is not so bad sometimes to have a friend or two among these millionaires when there is no danger of it being misunderstood. But this man, who was once a workman and who deserted his cla.s.s--this traitor, her father--does he also call on you, Mr. Interpreter?”
”Once in a great while,” answered the Interpreter.
Jake Vodell laughed knowingly. ”When he wants something, heh?” Then, with an air of taking up the real business of his visit to the little hut on the cliff, he said, ”Suppose now you tell me something about this son of Adam Ward. You have known him since he was a boy too--the same as the girl?”
”Yes,” said the Interpreter, ”I have known John Ward all his life.”
Something in the old basket maker's voice made Jake Vodell look at him sharply and the agitator's black brows were scowling as he said, ”So--you are friends with him, too, I guess, heh?”
”I am, sir; and so is Captain Charlie Martin, who is the head of our Mill workers' union, as you may have heard.”
”Exactly. That is why I ask. So many of the poor fools who slave for this son of Adam Ward in the Mill say that he is such a fine man--so kind. Oh, wonderful! Bah! When was the wolf whelped that would be kind to a rabbit? You shall tell me now about the friends.h.i.+p between this wolf cub of the capitalist Mill owner and this poor rabbit, son of the workman Peter Martin who has all his life been a miserable slave in the Mill. They were in the army together, heh?”
”They enlisted in the same company when the first call came and were comrades all through the worst of the fighting in France.”
”And before that, they were friends, heh?”
”They had been chums as boys, when the family lived in the old house next door to the Martins. But during the years that John was away in school and college Adam moved his family to the place on the hill where they live now. When John was graduated and came home to stay, he naturally found his friends in another circle. His intimacy with Pete Martin's boy was not renewed--until the war.”
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