Part 2 (1/2)

This peninsula was formed by the junction of two rivers, between which intervened a narrow point of land, with a background of steep hills, covered with a growth of black-jack and yellow-pine to the summit. Here was a ferry with its Charon-like boat, of the primitive sort--flat barge, poled-over by negroes, and capable of containing at one time many bales of cotton, a stagecoach or wagon with four horses, besides pa.s.sengers _ad libitum_.

This ferry const.i.tuted the chief source of revenue of Madame Grambeau, an old French lady, remarkable in many ways. She kept the stage-house hard by, with its neat picketed inclosure, its overhanging live-oak trees and small trim parterre, gay at this season with various annual flowers, scarce worth the cultivation, one would think, in that land of gorgeous perennial bloom. But Queen Margarets, ragged robins, variegated balsams, and tawny marigolds, have their a.s.sociations, doubtless, to make them dear and valuable to the foreign heart, to which they seem essential, wherever a plot of ground be in possession.

Mignonette, I have observed, is a special pa.s.sion with the French exile, recalling, doubtless, the narrow boxes, fitted to the stone window-sill of certain former lofty lodgings across the sea, perhaps, situated in the heart of some great city, and overlooking roofs and court-yards--the street being quite out of the question in such a view, distant, as it seems, from them, as the sky itself, though in an opposite direction.

I have used the word ”exile” advisedly with regard to Madame Grambeau, and not figuratively at all. She was, I had been told, a _bourgeoise_, of good cla.s.s, who had taken part in the early revolution, but who, when the _canaille_ triumphed and drenched the land in blood, in the second phase of that fearful outburst of volcanic feeling, had fled before the whirlwind with her child and husband to embark for America. At the point of embarcation--like Evangeline--the husband and wife had been separated accidentally, and on her arrival in a strange land she found herself alone and penniless with her son, scarce six years old. Her husband had been carried to a Southern port, she learned by the merest chance, and, disguising herself in man's attire, and leading her little son by the hand, she set forth in quest of him, carrying with her a violin, which, together with the clothes she wore, had been found in the trunk of Monsieur Grambeau, brought on the vessel in which she came, but which depository she had been obliged to abandon, when setting forth on her pilgrimage.

She was no unskillful performer on this instrument, and solely by such aid she gained her food and lodging to the interior of Georgia. Reaching her destination after a long and painful journey and delays of many kinds, she found her husband living in a log-hut, on the border of Talupa River, a hut which he had built himself, and earning his bread by ferrying travellers across that stream.

Yet here, with the characteristic contentment of her people under all circ.u.mstances, she settled down quietly to aid him and make his home happy; bore him many children (most of whom were dead at the time I saw her, as those living were separated from her at that period), reared and educated them herself, toiled for and with them, late and early, strained every nerve in the arduous cause of duty, and found herself, in extreme old age, widowed and alone, having ama.s.sed but little of the world's lucre, yet cheerful and energetic even if dependent still on her own exertions.

All this and much more I had heard before I saw Madame Grambeau or her abode--a picturesque affair in itself, however humble--consisting originally of a log-house, to which more recently white frame wings had been attached, projecting a few feet in front of the primitive building, and connected thereto by a shed-roofed gallery, which embraced the whole front of the log-cottage, along which ran puncheon steps the entire length of the grand original tree-trunk, as of the porch itself. It was a triumph of rural art.

Over this portico, so low in front as barely to admit the pa.s.sage of a tall man beneath its eaves, without stooping, a wild multiflora rose, then in full flower, was artistically trained so as to present a series of arches to the eye as the wayfarer approached the dwelling; no tapestry was ever half so lovely.

The path which led from the little white gate, with its swinging chain and ball, was covered with river-pebbles and sh.e.l.ls, and bordered by box, trimly clipped and kept low, and the two broad steps, that led to the porch, bore evidence of recent scouring, though rough and unpainted.

Framed in one of those pointed natural cathedral-windows of vivid green, gemmed with red roses, of which the division-posts of the porch formed the white outlines, stood the most remarkable-looking aged woman I have ever seen. At a first glance, indeed, the question of s.e.x would have arisen, and been found difficult to decide. Her attire seemed that of a friar, even to the small scalloped cape that scantily covered her shoulders, and the coa.r.s.e black serge, of which her strait gown was composed, leaving exposed her neatly though coa.r.s.ely clad feet, with their snow-white home-knit stockings, and low-quartered, well-polished calf-skin shoes, confined with steel buckles, and elevated on heels, then worn by men alone.

She wore a white habit s.h.i.+rt, the collar, bosom, and wristbands of which were visible; but no cap covered her silver hair, which was cropped in the neck, and divided at one side in true manly fas.h.i.+on. It was brushed well back from her expansive, fair, and unwrinkled forehead, beneath which large blue eyes looked out with that strange solemnity we see alone in the orbs of young, thoughtful children, or the very old.

Scott's description of the ”Monk of Melrose Abbey” occurred to me, as I gazed on this calm and striking figure!

”And strangely on the knight looked he, And his blue eyes gleamed wild and wide.”

She stood watching our approach, leaning with both hands on her ebony, silver-headed cane, above which she stooped slightly, her aged and somewhat severe, but serene face fully turned toward us, in the clear light of morning, with a grave majesty of aspect.

Above her head in its wicker cage swung the gray and crimson parrot, of which Sylphy had spoken, and to which, it may be remembered, she had so irreverently likened her master on one occasion; bursting forth, as it saw us coming, into a shrill, stereotyped phrase of welcome--”_Bien venu, compatriote_,” that was irresistibly ludicrous and irrelevant.

”Tremble, France! we come--we come,” said Major Favraud; ”there's your quotation well applied this time, Miss Harz! It is impressive, after all.”

”Hus.h.!.+ she will hear you,” I remonstrated, quite awed in that still, majestic presence, for now we stood before our aged hostess, who, with a cold but stately politeness after Major Favraud's salutation and introduction, waved us in and across her threshold. As for Major Favraud, he had turned to leave us on the door-sill, to see to the comfort and safety of his horses; not liking, perhaps, the appearance of the superannuated ostler, who lounged near the stable of the inn, if such might be called this rustic retreat without sign, lodging, or bar-rooms.

”Are we in the mansion of a decayed queen, or the log-hut of a wayside innkeeper?” I questioned low of Marion.

”Both in one, it seems to me,” was the reply. ”But Madame Grambeau is no curiosity, no novelty to me, I have stopped here so frequently. I ought to have told you, before we came, not to be surprised.”

Pausing at the door of a large, square room, from which voices proceeded, she invited us with a singularly graceful though formal courtesy to enter, smiling and pointing forward silently as she did so, and then, like Major Favraud, she turned and abandoned us at the door-sill, on which we stood riveted for a moment by the sound of a vibrant and eager voice speaking some never-to-be-forgotten words.

”For the slave is the coral-insect of the South,” said the voice within; ”insignificant in himself, he rears a giant structure--which will yet cause the wreck of the s.h.i.+p of state, should its keel grate too closely on that adamantine wall. '_L'etat c'est moi_,' said Louis XIV., and that 'slavery is the South' is as true an utterance. Our staple--our patriarchal inst.i.tution--our prosperity--are one and indissoluble, and the sooner the issue comes the better for the nation!”

Standing with his hand on the back of a chair near the cas.e.m.e.nt-window of the large, low apartment, in close conversation with two other gentlemen, was the speaker of these remarkable words, which embraced the whole genius and policy of the South as it then existed, and which were delivered in those clear and perfectly modulated tones that bespeak the practised orator and the man of dominant energies.

I felt instinctively that I stood in the presence of one of the anointed princes of the earth--felt it, and was thrilled.

”Do you know that gentleman, Marion?” I whispered, as we seated ourselves on the old-fas.h.i.+oned settle, or rather sofa, in one corner of the room, gazing admiringly, as I spoke, on the tall, slight figure, with its air of power and poise, that stood at some distance, with averted face.

”No, I have no idea who it is, or who are his companions either,” she replied; ”unless”--hesitating with scrutiny in her eyes--

”His companions, I do not care to question of them!--but that man himself--the speaker--has a sovereign presence! Can it be possible--”

The entrance of Major Favraud interrupted further conjecture, for at the sound of those emphatic boots the stranger turned, and for one moment the splendor of his large dark eyes, in their iron framing, met my own, then pa.s.sed recognizingly on to rest on the face of Major Favraud, and advancing with extended hands, made more cordial by his voice and smile, he greeted him familiarly as ”Victor.”