Part 26 (1/2)

”In ten seconds,” Pu-Yi whispered, ”by pressing that bell b.u.t.ton, Mulligan could have the room full of armed guards, and as you see, this steel fence is impa.s.sable without the key. There are only three keys, of which I have one.”

He produced it as he spoke, inserting it in a gleaming, complicated lock, slid back a portion of the steel-work, and we stepped into the guard-room.

”We are now,” said my guide, ”on the platform immediately under that on which the City rests, and about a hundred feet below it. This platform is entirely occupied by this guard-room, a range of store and dwelling houses, the elaborate electric installation, power for which is supplied from below, Turkish baths, a swimming bath, and so forth. Please follow me.”

With a glance of repulsion at the drugged giant on the couch I went after Pu-Yi, through a door on the opposite side of the room, and down a long corridor with windows on one side and arched recesses on the other.

At the end of this we came out again into the open air, that is to say that we were s.h.i.+elded by walls and buildings, walking as it were in a sleeping town upon streets paved with wood blocks, while instead of the vault of heaven above, about the height of a tallish church tower were the great beams and girders which supported the City itself, and from which, at regular intervals, hung arc lamps which threw a blue and stilly radiance upon the streets and roofs of the buildings.

It was colossal, amazing, this great colony in the sky. Now and then we heard voices, the rattle of dice thrown upon a board, and the wailing music of Chinese violins. Two or three times silent figures pa.s.sed us with a low bow, and without a glimmer of curiosity in their impa.s.sive faces, until at length we came to a long row of lift doors, with an inscription above each one, and in the center, dividing them into sections, a large, vaulted stairway mounting upwards till it was lost to sight. It was lined with white tiles like a subway in some great railway terminus.

Pu-Yi unlocked the door of a small lift. We got into it, it rushed up for a few seconds and then we came out of a small white kiosk upon a scene so wonderful, so enchanted that I forgot all else for a second, caught hold of my conductor's thin arm and gave a cry of admiration and wonder. A ma.s.s of clouds had just raced before the moon, leaving it free to shed its light until another should envelop it.

The pure radiance, unspoiled by smoke, mist, or the miasma which hangs above the roofs of earthly cities, poured down in floods of light upon a vast quadrangle of buildings, white as snow and with roofs that seemed of gold.

I had the impression of immensity, though magnified a dozen times, that the great quadrangle of Christ Church, Oxford, or the court of Trinity, Cambridge, give to one who sees them for the first time. But that impression was only fleeting. These buildings seemed to obey no architectural law. They were tossed up like foam in the upper air, marvelous, fantastic, beautiful beyond words.

We hurried along by the side of a great green lawn which might have been a century growing, past bronze dragons supporting fountain basins, down an arcade, where the broad leaves of palms clicked together and there was a scent of roses, until we hurried through a little postern door and up some steps and came out in what Pu-Yi whispered was the library.

Wonder upon wonders! My brain reeled as we stepped out of the door in the wall into a great Gothic room with groined roof of stone, an oriel window at one end, and thousands upon thousands of books in the embayed shelves of ancient oak. It was exactly like the library of some great college or castle; one expected to see learned men in gowns and hoods moving slowly from shelf to shelf, or writing at this or that table.

”But, but,” I stammered, ”this might have been here for seven hundred years!” and indeed there was all the deep scholastic charm and dignity of one of the great libraries of the past.

For answer he turned to me, and I saw that his thin hand clutched at his heart.

”It's all illusion,” he whispered, ”all cunning and wonderful illusion.

The walls of this place are not of ancient stone. They are plates of toughened steel. The old oak was made yesterday at great expense. 'Tis all a picture in a dream.”

I saw that he was powerfully affected for a moment, but for just that moment I did not understand why.

”But the books!” I cried, looking round me in amazement--”surely the books--?”

”Ah, yes,” he sighed, ”they are the collection of Mr. Gideon Morse, which is second to very few in the world. They were all brought over from Rio nearly two years ago. We cannot compete with the British Museum, or some of the great American collectors in certain ways, but there are treasures here--”

We had by now walked half-way up the great hall. He stopped, went to part of the wall covered with books, withdrew one, turned a little handle which its absence revealed, and a whole section of the shelves swung outwards.

”In here, please,” said Pu-Yi, ”this is a little room where I sometimes do secretarial work. At any rate it is hidden, and you will be quite safe here while I go to the Senorita and tell her that you await her.”

The door clicked. I sat down on a low couch and waited.

The experiences of the night had been so strange, the intense longing of months seemed now so near fruition, that every artery in my body pulsed and drummed, and it was only by a tremendous effort of will that I sat down and forced myself to think.

Here I was, at her own invitation, to rescue my love. As my mind began to work I saw that I must be guided in my course of action by what she told me. Juanita obviously thought that her father's aberration was a form of madness without foundation. She did not know what I had discovered. If she did she might realize that her father was possibly not so mad as she imagined. For myself, after this s.p.a.ce of time, I can say that I was very seriously disturbed by Arthur Winstanley's revelations in regard to the unspeakable Midwinter and the news that he was now in England. Perhaps you will remember that in Bill Rolston's telegram to me he hinted at some suspicious strangers having been seen in the private bar of the ”Golden Swan.” One of them, I had ascertained, answered to the description of Midwinter in every detail, and the two men were seen by Sliddim to drive away through Richmond Park in a large, private car.

Certainly I must tell Juanita something of this and help her to warn her father, perhaps....

And then I remembered the elaborate precautions of my ascent, the literal impossibility of any stranger or strangers ever getting to where I was, and I breathed again.

The place--one couldn't call it a room--in which I sat, was simply a little s.e.xagonal nook or retreat, masked from the great library by its great door of books. Three of the panels which went from the floor to the vaulted ceiling were of dead black silk. The other three were of Chinese embroidery, stiff, with raised gold, and gems, which I realized must be from the choicest examples of their kind in the world. Still, I wasn't interested in dragons of tarnished gold, with opal eyes, ivory teeth, and scales of lapislazuli. I was getting restive when the black panel, which was the back of the entrance door, swung towards me, and I saw Juanita.