Part 2 (1/2)
”It was next morning that I entered the library rather quietly and found Dr. Morse with a heap of mail before him; in his hand he held a square of white paper at which he looked fixedly. Upon this was a roughly drawn device done in brown crayon. I could make nothing of it.
When he discovered me looking over his shoulder he uttered an impatient exclamation, tore the sheet into strips and tossed them into the waste basket. That same day I opened some mail matter, as was my habit when the doctor was not about; and in one of the envelopes I came upon a duplicate of the drawing that I had seen in my employer's hands. When I handed this to him a little later I fancied that I caught a gleam of the old haunted look which I had so often noted at Sharsdale.”
”Have you, by any chance, one of these drawings?” asked Ashton-Kirk.
”I have.” Philip Warwick took out a wallet and from it selected a paper.
”It is the third that came--and in every respect like the other two.”
The secret agent looked at the paper carefully; it bore a rough, hurried tracing done with a brown material--and looked much like this:
[Ill.u.s.tration]
Attentively Ashton-Kirk examined the drawing. But if it bore any meaning for him, he gave no indication of it; for placing the paper upon the table, he said:
”Go on.”
”As I had suspected upon sight of Karkowsky,” resumed Warwick, ”the persecution of Dr. Morse was resumed. But, so it seemed, the matter had entered into a new phase. There was no more mysterious prowling, waylaying and housebreaking; the mail only was used. But, so far as I know, duplicates of this drawing,” pointing to the one which the secret agent had just laid down, ”were the only things sent up to yesterday.
The outline of the thing never varied; but, oddly enough, the color has.”
”Ah!”
”At first the design was always in brown. Then, finally, one came in light blue, and for a s.p.a.ce they were all of that color. The next change was to black, then to red, and finally to white--drawn upon neutral tinted paper. But yesterday,” and once more the young Englishman opened the wallet and took out a paper, ”this came.”
Ashton-Kirk took the sheet and glanced at it. In the same brown material that had been used in making the other drawing he found the picture of a woman.
”Apparently meant to represent a person of some consequence,” he said.
”There is a sort of tiara, or coronet upon the head.” He laid the drawing upon the table with the other. ”Was there never any accompanying writing with these?”
”None that I ever heard of.”
”Have you any of the envelopes in which they came?”
”No.”
Ashton-Kirk arose and took a few turns up and down the long room; then pausing at a stand he opened a case of heavy looking cigars, one of which he offered Warwick.
”Thank you, no,” said the young man.
The secret agent, however, selected one, lighted it and resumed his pacing.
”That is about all I can tell you,” said Warwick. ”And now if you can offer any explanation of it all, I beg that you do so. I shall be perfectly frank and say that I am not greatly interested in the matter beyond natural curiosity. But,” and here the strong fingers began to intertwine once more, ”Miss Corbin is filled with fear, and it is for her sake that I appeal to you.”
Ashton-Kirk shot a quick look at him.
”Your personal regard for Dr. Morse's possible safety is not very great, then?”
”I wish him no harm. But there is no warm feeling between us. If you knew him you would understand the reason for this readily enough.” He paused for a moment and then went on. ”Perhaps,” he said, ”the matter, as I set it before you, seems absurd. But to Miss Corbin it is a continuous menace--a thing which throws its shadow across her uncle's daily path. To her, it is impossible that what has happened and is happening has not a deep significance; the apparent resolution behind it inspires her with awe. It is her firm conviction that if something is not soon done, unspeakable things will happen.”
Ashton-Kirk paused by the table; the smoke from the heavy cigar curled pungently upward.