Part 1 (2/2)

Every one who came to the first floor front talked about a play. It seemed to be something of great moment to the American. It was only a bundle of leaves printed in red and black inks and bound in brown paper covers. There were two of them, and the American called them by different names: one was his comedy and one was his tragedy.

”They are both likely to be tragedies,” the Lion heard one of the visitors say to another, as they drove away together. ”Our young friend takes it too seriously.”

The American spent most of his time by his desk at the window writing on little blue pads and tearing up what he wrote, or in reading over one of the plays to himself in a loud voice. In time the number of his visitors increased, and to some of these he would read his play; and after they had left him he was either depressed and silent or excited and jubilant.

The Lion could always tell when he was happy because then he would go to the side table and pour himself out a drink and say, ”Here's to me,” but when he was depressed he would stand holding the gla.s.s in his hand, and finally pour the liquor back into the bottle again and say, ”What's the use of that?”

After he had been in London a month he wrote less and was more frequently abroad, sallying forth in beautiful raiment, and coming home by daylight.

And he gave suppers too, but they were less noisy than the Captain's had been, and the women who came to them were much more beautiful, and their voices when they spoke were sweet and low. Sometimes one of the women sang, and the men sat in silence while the people in the street below stopped to listen, and would say, ”Why, that is So-and-So singing,” and the Lion and the Unicorn wondered how they could know who it was when they could not see her.

The lodger's visitors came to see him at all hours. They seemed to regard his rooms as a club, where they could always come for a bite to eat or to write notes; and others treated it like a lawyer's office and asked advice on all manner of strange subjects. Sometimes the visitor wanted to know whether the American thought she ought to take L10 a week and go on tour, or stay in town and try to live on L8; or whether she should paint landscapes that would not sell, or racehorses that would; or whether Reggie really loved her and whether she really loved Reggie; or whether the new part in the piece at the Court was better than the old part at Terry's, and wasn't she getting too old to play ”ingenues” anyway.

The lodger seemed to be a general adviser, and smoked and listened with grave consideration, and the Unicorn thought his judgment was most sympathetic and sensible.

Of all the beautiful ladies who came to call on the lodger the one the Unicorn liked the best was the one who wanted to know whether she loved Reggie and whether Reggie loved her. She discussed this so interestingly while she consumed tea and thin slices of bread that the Unicorn almost lost his balance in leaning forward to listen. Her name was Marion Cavendish and it was written over many photographs which stood in silver frames in the lodger's rooms. She used to make the tea herself, while the lodger sat and smoked; and she had a fascinating way of doubling the thin slices of bread into long strips and nibbling at them like a mouse at a piece of cheese. She had wonderful little teeth and Cupid's-bow lips, and she had a fas.h.i.+on of lifting her veil only high enough for one to see the two Cupid-bow lips. When she did that the American used to laugh, at nothing apparently, and say, ”Oh, I guess Reggie loves you well enough.”

”But do I love Reggie?” she would ask sadly, with her tea-cup held poised in air.

”I am sure I hope not,” the lodger would reply, and she would put down the veil quickly, as one would drop a curtain over a beautiful picture, and rise with great dignity and say, ”if you talk like that I shall not come again.”

She was sure that if she could only get some work to do her head would be filled with more important matters than whether Reggie loved her or not.

”But the managers seem inclined to cut their cavendish very fine just at present,” she said. ”If I don't get a part soon,” she announced, ”I shall ask Mitch.e.l.l to put me down on the list for recitations at evening parties.”

”That seems a desperate revenge,” said the American; ”and besides, I don't want you to get a part, because some one might be idiotic enough to take my comedy, and if he should, you must play Nancy.”

”I would not ask for any salary if I could play Nancy,” Miss Cavendish answered.

They spoke of a great many things, but their talk always ended by her saying that there must be some one with sufficient sense to see that his play was a great play, and by his saying that none but she must play Nancy.

The Lion preferred the tall girl with ma.s.ses and folds of brown hair, who came from America to paint miniatures of the British aristocracy.

Her name was Helen Cabot, and he liked her because she was so brave and fearless, and so determined to be independent of every one, even of the lodger--especially of the lodger, who it appeared had known her very well at home. The lodger, they gathered, did not wish her to be independent of him and the two Americans had many arguments and disputes about it, but she always said, ”It does no good, Philip; it only hurts us both when you talk so. I care for nothing, and for no one but my art, and, poor as it is, it means everything to me, and you do not, and, of course, the man I am to marry, must.” Then Carroll would talk, walking up and down, and looking very fierce and determined, and telling her how he loved her in such a way that it made her look even more proud and beautiful. And she would say more gently, ”It is very fine to think that any one can care for like that, and very helpful. But unless I cared in the same way it would be wicked of me to marry you, and besides--” She would add very quickly to prevent his speaking again--”I don't want to marry you or anybody, and I never shall. I want to be free and to succeed in my work, just as you want to succeed in your work. So please never speak of this again.” When she went away the lodger used to sit smoking in the big arm-chair and beat the arms with his hands, and he would pace up and down the room while his work would lie untouched and his engagements pa.s.s forgotten.

Summer came and London was deserted, dull, and dusty, but the lodger stayed on in Jermyn Street. Helen Cabot had departed on a round of visits to country houses in Scotland, where, as she wrote him, she was painting miniatures of her hosts and studying the game of golf. Miss Cavendish divided her days between the river and one of the West End theatres. She was playing a small part in a farce-comedy.

One day she came up from Cookham earlier than usual, looking very beautiful in a white boating frock and a straw hat with a Leander ribbon. Her hands and arms were hard with dragging a punting pole and she was sunburnt and happy, and hungry for tea.

”Why don't you come down to Cookham and get out of this heat?” Miss Cavendish asked. ”You need it; you look ill.”

”I'd like to, but I can't,” said Carroll. ”The fact is, I paid in advance for these rooms, and if I lived anywhere else I'd be losing five guineas a week on them.”

Miss Cavendish regarded him severely. She had never quite mastered his American humor.

”But five guineas--why that's nothing to you,” she said. Something in the lodger's face made her pause. ”You don't mean----”

”Yes, I do,” said the lodger, smiling. ”You see, I started in to lay siege to London without sufficient ammunition. London is a large town, and it didn't fall as quickly as I thought it would. So I am economizing. Mr. Lockhart's Coffee Rooms and I are no longer strangers.”

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