Part 19 (1/2)

One picture here, of especial interest, was painted at his summer home at Poissy, when his house was crowded with German soldiers in the war of 1871. ”To escape their company,” says M. Claretie, ”in the rage that he experienced at the national defeat, he shut himself up in his studio, and threw upon the canvas the most striking, the most vivid, the most avenging of allegories: he painted Paris, enveloped in a veil of mourning, defending herself against the enemy, with her soldiers and her dying grouped round a tattered flag; sailors, officers, and fusiliers, soldiers, national guards, suffering women, and dying children; and, hovering in the air above them, with the Prussian eagle by her side, was Famine, wan and haggard Famine, accomplis.h.i.+ng the work that the bombardment had failed to achieve.”

His summer home, like the one in Paris, is fitted up luxuriously. He designed most of the furniture and the silver service for his table.

Flowers, especially geraniums and tea roses, blossom in profusion about the grounds, while great trees and fountains make it a restful and inviting place. The walls of the dining-room are hung with crimson and gold satin damask, against which are several of his own pictures. An engraver at work, clad in a red dressing-gown, and seated in a room hung with ancient tapestry, has the face of his son Charles, also an artist, looking out from the frame. One of Madame Meissonier also adorns this room.

Near by are his well-filled stables, his favorite horse, Rivoli, being often used for his model. He is equally fond of dogs, and has several expensive hounds. How strange all this, compared with those early days of pinching poverty! He is rarely seen in public, because he has learned--what, alas! some people learn too late in life--that there is no success without one commands his or her time. It must be frittered away neither by calls nor parties; neither by idle talk nor useless visits. Painting or writing for an hour a day never made greatness. Art and literature will give no masters.h.i.+ps except to devotees. The young lady, sauntering down town to look at ribbons, never makes a George Eliot. The young man, sauntering down town to look at the buyers of ribbons, never makes a Meissonier. Nature is rigid in her laws. Her gifts only grow to fruitage in the hands of workers.

Meissonier is now seventy-four, with long gray beard and hair, round, full face, and bright hazel eyes. His friend, Claretie, says of him, ”This man, who lives in a palace, is as moderate as a soldier on the march. This artist, whose canvases are valued by the half-million, is as generous as a nabob. He will give to a charity sale a picture worth the price of a house. Praised as he is by all, he has less conceit in his nature than a wholesale painter.”

January 31, 1891, at his home in Paris, the great artist pa.s.sed away.

His illness was very brief. The funeral services took place at the Church of the Madeleine, which was thronged with the leaders of art and letters. An imposing military cortege accompanied the body to its last resting-place at Poissy, the summer home of the artist, on the Seine, ten miles from Versailles.

[Ill.u.s.tration: GEORGE WILLIAM CHILDS.]

GEORGE W. CHILDS.

The ”Public Ledger” of Philadelphia, and its owner, are known the world over. Would we see the large-hearted, hospitable millionaire, who has come to honor through his own industry, let us enter the elegant building occupied by his newspaper.

Every portion is interesting. The rooms where editors and a.s.sistants work are large, light, and airy, and as tasteful as parlors. Alas! how unhomelike and barren are some of the newspaper offices, where gifted men toil from morning till night, with little time for sleep, and still less for recreation. Mr. Childs has thought of the comfort and health of his workmen, for he, too, was a poor boy, and knows what it is to labor.

He has also been generous with his men in the matter of wages. ”He refused to reduce the rate of payment of his compositors, notwithstanding that the Typographical Union had formerly sanctioned a reduction, and notwithstanding that the reduced scale was operative in every printing-office in Philadelphia except his own. He said, 'My business is prosperous; why should not my men share in my prosperity?'

This act of graciousness, while it endeared him to the hearts of his beneficiaries, was commented on most favorably at home and abroad. That his employes, in a formal interview with him, expressed their willingness to accept the reduced rates, simply augments the generosity of his act.” Strikes among laborers would be few and far between if employers were like George W. Childs.

Each person in his employ has a summer vacation of two or more weeks, his wages being continued meantime, and paid in advance, with a liberal sum besides. On Christmas every man, woman, and boy receives a present, amounting, of course, to many thousands of dollars annually. Mr. Childs has taken care of many who have become old or disabled in his service.

The foreman of his composing-room had worked for him less than twelve months before he failed in health. For years this man has drawn his weekly pay, though never going to the establishment. This is indeed practical Christianity.

Besides caring for the living, in 1868 this wise employer of labor purchased two thousand feet in Woodlands for a printers' cemetery, and gave it to the Philadelphia Typographical Society, with a sum of money to keep the grounds in good order yearly. The first person buried beyond the handsome marble gothic gateway was a dest.i.tute and aged printer who had died at the almshouse and whose dying message to Mr. Childs was that he could not bear to fill a pauper's grave. His wish was cordially granted.

But after seeing the admirable provision made for his workmen, we must enter the private office of Mr. Childs. He is most accessible to all, with no airs of superior position, welcoming persons from every clime daily, between the hours of eleven and one. He listens courteously to any requests, and then bids you make yourself at home in this elegant office, that certainly has no superior in the world, perhaps no rival.

The room itself in the Queen Anne style, with exquisite wood-carving, marble tiles, bra.s.s ornaments, and painted gla.s.s, is a gem. Here is his motto, a n.o.ble one, and thoroughly American, ”Nihil sine labore,” and well his life has ill.u.s.trated it. All honor to every man or woman who helps to make labor honored in this country. The design of the ceiling was suggested by a room in Coombe Abbey, Warwicks.h.i.+re, the seat of the Earls Craven, fitted up by one of its lords for the reception of Queen Elizabeth. Over a dozen valuable clocks are seen, one made in Amsterdam over two hundred years ago, which, besides the time of day, gives the phases of the moon, the days of the week, and the month; another, a clock constructed by David Rittenhouse, the astronomer of the Revolution, in the old colonial days, which plays a great variety of music, has a little planetarium attached, and nearly six thousand teeth in wheels. It was made for Joseph Potts, who paid six hundred and forty dollars for it. The Spanish Minister in 1778 offered eight hundred for it, that he might present it to his sovereign. Mr. Childs has about fifty rare clocks in his various homes, one of these costing six thousand dollars.

Here is a marble statuette of Savonarola, the Florentine preacher of the fifteenth century; the little green harp which belonged to Tom Moore, and on which he used to play in the homes of the great; a colossal suit of antique French armor, one hundred and fifty years old; a miniature likeness of George Was.h.i.+ngton, handsomely encased in gold, bequeathed by him to a relative, a lock of his hair in the back of the picture; a miniature s.h.i.+p, made from the wood of the _Alliance Frigate_, the only one of our first navy, of the cla.s.s of frigates, which escaped capture or destruction during the Revolutionary war. This boat, and a silver waiter, presented after the famous battle of New Orleans, were both the property of President Jackson, and were taken by him to the Hermitage.

Here, also, is a photograph of ”Old Ironsides” Stewart, in a frame made from the frigate _Const.i.tution_, in which great victories were achieved, besides many portraits given by famous people, with their autographs.

After a delightful hour spent in looking at these choice things, Mr.

Childs bids us take our choice of some rare china cups and saucers. We choose one dainty with red birds, and carry it away as a pleasant remembrance of a princely giver, in a princely apartment.

Mr. Childs has had a most interesting history. Born in Baltimore, he entered the United States navy at thirteen, where he remained for fifteen months. At fourteen he came to Philadelphia, poor, but with courage and a quick mind, and found a place to work in a bookstore. Here he remained for four years, doing his work faithfully, and to the best of his ability. At the end of these years he had saved a few hundred dollars, and opened a little store for himself in the Ledger Building, where the well-known newspaper, the ”Public Ledger,” was published.

He was ambitious, as who is not, that comes to prominence; and one day he made the resolution that he would sometime be the owner of this great paper and its building! Probably had this resolution been known, his acquaintances would have regarded the youth as little less than crazy.

But the boy who willed this had a definite aim. Besides, he was never idle, he was economical, his habits were the best, and why should not such a boy succeed?

In three years, when he was twenty-one, he had become the head of a publis.h.i.+ng house,--Childs & Peterson. He had a keen sense of what the public needed. He brought out Kane's ”Arctic Expedition,” from which the author, Dr. Kane, realized seventy thousand dollars. Two hundred thousand copies of Peterson's ”Familiar Science” were sold. Allibone dedicated his great work, ”Dictionary of English and American Authors,”