Part 25 (1/2)

Forms of G.o.ds and heroes more distinctly seen, and with eyes of nearer love then than now!--our true uncle, Sir Roger de Coverley, and ye, fair realms of Nature's history, whose pictures we tormented all grown persons to ill.u.s.trate with more knowledge, still more,--how we bless the chance that gave to us your great realities, which life has daily helped us, helps us still, to interpret, instead of thin and baseless fictions that would all this time have hampered us, though with only cobwebs!

Children need some childish talk, some childish play, some childish books. But they also need, and need more, difficulties to overcome, and a sense of the vast mysteries which the progress of their intelligence shall aid them to unravel. This sense is naturally their delight, as it is their religion, and it must not be dulled by premature explanations or subterfuges of any kind. There has been too much of this lately.

Miss Edgeworth is an excellent writer for children. She is a child herself, as she writes, nursed anew by her own genius. It is not by imitating, but by reproducing childhood, that the writer becomes its companion. Then, indeed, we have something especially good, for,

”Like wine, well-kept and long, Heady, nor harsh, nor strong, With each succeeding year is quaffed, A richer, purer, mellower draught.”

Miss Edgeworth's grown people live naturally with the children; they do not talk to them continually about angels or flowers, but about the things that interest themselves. They do not force them forward, nor keep them back. The relations are simple and honorable; all ages in the family seem at home under one roof and sheltered by one care.

The _Juvenile Miscellany_, formerly published by Mrs. Child, was much and deservedly esteemed by children. It was a healthy, cheerful, natural and entertaining companion to them.

We should censure too monotonously tender a manner in what is written for children, and too constant an attention to moral influence. We should prefer a larger proportion of the facts of natural or human history, and that they should speak for themselves.

WOMAN IN POVERTY.

Woman, even less than Man, is what she should be as a whole. She is not that self-centred being, full of profound intuitions, angelic love, and flowing poesy, that she should be. Yet there are circ.u.mstances in which the native force and purity of her being teach her how to conquer where the restless impatience of Man brings defeat, and leaves him crushed and bleeding on the field.

Images rise to mind of calm strength, of gentle wisdom learning from every turn of adverse fate,--of youthful tenderness and faith undimmed to the close of life, which redeem humanity and make the heart glow with fresh courage as we write. They are mostly from obscure corners and very private walks. There was nothing s.h.i.+ning, nothing of an obvious and sounding heroism to make their conduct doubtful, by tainting their motives with vanity. Unknown they lived, untrumpeted they died. Many hearts were warmed and fed by them, but perhaps no mind but our own ever consciously took account of their virtues.

Had Art but the power adequately to tell their simple virtues, and to cast upon them the light which, s.h.i.+ning through those marked and faded faces, foretold the glories of a second spring! The tears of holy emotion which fell from those eyes have seemed to us pearls beyond all price; or rather, whose price will be paid only when, beyond the grave, they enter those better spheres in whose faith they felt and acted here.

From this private gallery we will, for the present, bring forth but one picture. That of a Black Nun was wont to fetter the eyes of visitors in the royal galleries of France, and my Sister of Mercy, too, is of that complexion. The old woman was recommended as a laundress by my friend, who had long prized her. I was immediately struck with the dignity and propriety of her manner. In the depth of winter she brought herself the heavy baskets through the slippery streets; and, when I asked her why she did not employ some younger person to do what was so entirely disproportioned to her strength, simply said, ”she lived alone, and could not afford to hire an errand-boy.” ”It was hard for her?” ”No, she was fortunate in being able to get work at her age, when others could do it better. Her friends were very good to procure it for her.” ”Had she a comfortable home?” ”Tolerably so,--she should not need one long.” ”Was that a thought of joy to her?” ”Yes, for she hoped to see again the husband and children from whom she had long been separated.”

Thus much in answer to the questions, but at other times the little she said was on general topics. It was not from her that I learnt how the great idea of Duty had held her upright through a life of incessant toil, sorrow, bereavement; and that not only she had remained upright, but that her character had been constantly progressive. Her latest act had been to take home a poor sick girl who had no home of her own, and could not bear the idea of dying in a hospital, and maintain and nurse her through the last weeks of her life. ”Her eye-sight was failing, and she should not be able to work much longer,--but, then, G.o.d would provide. _Somebody_ ought to see to the poor, motherless girl.”

It was not merely the greatness of the act, for one in such circ.u.mstances, but the quiet matter-of-course way in which it was done, that showed the habitual tone of the mind, and made us feel that life could hardly do more for a human being than to make him or her the _somebody_ that is daily so deeply needed, to represent the right, to do the plain right thing.

”G.o.d will provide.” Yes, it is the poor who feel themselves near to the G.o.d of love. Though he slay them, still do they trust him.

”I hope,” said I to a poor apple-woman, who had been drawn on to disclose a tale of distress that, almost in the mere hearing, made me weary of life, ”I hope I may yet see you in a happier condition.”

”With G.o.d's help,” she replied, with a smile that Raphael would have delighted to transfer to his canvas; a Mozart, to strains of angelic sweetness. All her life she had seemed an outcast child; still she leaned upon a Father's love.

The dignity of a state like this may vary its form in, more or less richness and beauty of detail, but here is the focus of what makes life valuable. It is this spirit which makes poverty the best servant to the ideal of human nature. I am content with this type, and will only quote, in addition, a ballad I found in a foreign periodical, translated from Chamisso, and which forcibly recalled my own laundress as an equally admirable sample of the same cla.s.s, the Ideal Poor, which we need for our consolation, so long as there must be real poverty.

”THE OLD WASHERWOMAN.

”Among yon lines her hands have laden, A laundress with white hair appears, Alert as many a youthful maiden, Spite of her five-and-seventy years; Bravely she won those white hairs, still Eating the bread hard toll obtained her, And laboring truly to fulfil The duties to which G.o.d ordained her.

”Once she was young and full of gladness, She loved and hoped,--was wooed and won; Then came the matron's cares,--the sadness No loving heart on earth may shun.

Three babes she bore her mate; she prayed Beside his sick-bed,--he was taken; She saw him in the church-yard laid, Yet kept her faith and hope unshaken.

”The task her little ones of feeding She met unfaltering from that hour; She taught them thrift and honest breeding, Her virtues were their worldly dower.

To seek employment, one by one, Forth with her blessing they departed, And she was in the world alone-- Alone and old, but still high-hearted.