Part 7 (1/2)

But there is a G.o.d--there is! I have seen the stark horror of war. I know, as none can know until he has seen it at close quarters, what a thing war is as it is fought to-day. And I believe as I do believe, and as I shall believe until the end, because I know G.o.d's comfort and His grace. I know that my boy is surely waiting for me. In America, now, there are mothers and fathers by the scores of thousands who have bidden their sons good-by; who water their letters from France with their tears--who turn white at the sight of a telegram and tremble at the sudden clamor of a telephone. Ah, I know--I know!

I suffered as they are suffering! And I have this to tell them and to beg them. They must believe as I believe--then shall they find the peace and the comfort that I have found.

So it was that there, on the Clyde, John's mother and I came out of the blackness of our first grief. We began to be able to talk to one another. And every day we talked of John. We have never ceased to do that, his mother and I. We never shall. We may not have him with us bodily, but his spirit is never absent. And each day we remember some new thing about him that one of us can call to the other's mind. And it is as if, when we do that, we bring back some part of him out of the void.

Little, trifling memories of when he was a baby, and when he was a boy, growing up! And other memories, of later days. Often and often it was the days that were furthest away that we remembered best of all, and things connected with those days.

But I had small wish to see others. John's mother was enough for me.

She and the peace that was coming to me on the Clyde. I could not bear to think of London. I had no plans to make. All that was over.

All that part of my life, I thought, had ended with the news of my boy's death. I wanted no more than to stay at home on the Clyde and think of him. My wife and I did not even talk about the future. And no thing was further from all my thoughts than that I should ever step upon a stage again.

What! Go out before an audience and seek to make it laugh? Sing my songs when my heart was broken? I did not decide not to do it. I did not so much as think of it as a thing I had to decide about.

CHAPTER IX

And then one thing and another brought the thought into my mind, so that I had to face it and tell people how I felt about it. There were neighbors, wanting to know when I would be about my work again. That it was that first made me understand that others did not feel as I was feeling.

”They're thinking I'll be going back to work again,” I told John's mother. ”I canna'!”

She felt as I did. We could not see, either one of us, in our grief, how anyone could think that I could begin again where I had left off.

”I canna'! I will not try!” I told her, again and again. ”How can I tak up again with that old mummery? How can I laugh when my heart is breaking, and make others smile when the tears are in my eyes?”

And she thought as I did, that I could not, and that no one should be asking me. The war had taken much of what I had earned, in one way or another. I was not so rich as I had been, but there was enough. There was no need for me to go back to work, so far as our living was concerned. And so it seemed to be settled between us. Planning we left for the future. It was no time for us to be making plans. It mattered little enough to us what might be in store for us. We could take things as they might come.

So we bided quiet in our home, and talked of John. And from every part of the earth and from people in all walks and conditions of life there began to pour in upon us letters and telegrams of sympathy and sorrow. I think there were four thousand kindly folk who remembered us in our sorrow, and let us know that they could think of us in spite of all the other care and trouble that filled the world in those days. Many celebrated names were signed to those letters and telegrams, and there were many, too, from simple folk whose very names I did not know, who told me that I had given them cheer and courage from the stage, and so they felt that they were friends of mine, and must let me know that they were sorry for the blow that had befallen me.

Then it came out that I meant to leave the stage. They sent word from London, at last, to ask when they might look for me to be back at the Shaftesbury Theatre. And when they found what it was in my mind to do all my friends began to plead with me and argue with me. They said it was my duty to myself to go back.

”You're too young a man to retire, Harry,” they said. ”What would you do? How could you pa.s.s away your time if you had no work to do? Men who retire at your age are always sorry: They wither away and die of dry rot.”

”There'll be plenty for me to be doing,” I told them. ”I'll not be idle.”

But still they argued. I was not greatly moved. They were thinking of me, and their arguments appealed to my selfish interests and needs, and just then I was not thinking very much about myself.

And then another sort of argument came to me. People wrote to me, men and women, who, like me, had lost their sons. Their letters brought the tears to my eyes anew. They were tender letters, and beautiful letters, most of them, and letters to make proud and glad, as well as sad, the heart of the man to whom they were written. I will not copy those letters down here, for they were written for my eyes, and for no others. But I can tell you the message that they all bore.

”Don't desert us now, Harry!” It was so that they put it, one after another, in those letters. ”Ah, Harry--there is so much woe and grief and pain in the world that you, who can, must do all that is in your power to make them easier to bear! There are few forces enough in the world to-day to make us happy, even for a little s.p.a.ce. Come back to us, Harry--make us laugh again!”

It was when those letters came that, for the first time, I saw that I had others to consider beside myself, and that it was not only my own wishes that I might take into account. I talked to my wife, and I told her of those letters, and there were tears in both our eyes as we thought about those folks who knew the sorrow that was in our hearts.

”You must think about them, Harry,” she said.

And so I did think about them. And then I began to find that there were others still about whom I must think. There were three hundred people in the cast of ”Three Cheers,” at the Shaftesbury Theatre, in London. And I began to hear now that unless I went back the show would be closed, and all of them would be out of work. At that season of the year, in the theatrical world, it would be hard for them to find other engagements, and they were not, most of them, like me, able to live without the salaries from the show. They wrote to me, many of them, and begged me to come back. And I knew that it was a desperate time for anyone to be without employment. I had to think about those poor souls. And I could not bear the thought that I might be the means, however innocent, of bringing hards.h.i.+p and suffering upon others. It might not be my fault, and yet it would lie always upon my conscience.

Yet, even with all such thoughts and prayers to move me, I did not see how I could yield to them and go back. Even after I had come to the point of being willing to go back if I could, I did not think I could go through with it. I was afraid I would break down if I tried to play my part. I talked to Tom Valiance, my brother-in-law.

”It's very well to talk, Tom,” I said. ”But they'd ring the curtain down on me! I can never do it!”

”You must!” he said. ”Harry, you must go back! It's your duty! What would the boy be saying and having you do? Don't you remember, Harry?

John's last words to his men were--'Carry On!' That's what it is they're asking you to do, too, Harry, and it's what John would have wanted. It would be his wish.”