Part 26 (2/2)
FURTHER TEMPTATION.--ETIDORHPA.
Then, as my voice reverberated from the outer recesses, I caught a sound as of music in the distance. I raised my head and listened--yes, surely there was music. The melody became clearly distinct, and soon my senses were aware that both vocal and instrumental music were combined. The airs which came floating were sweet, simple, and beautiful. The voices and accompanying strains approached, but I could distinguish no words.
By and by, from the corridors of the cavern, troops of bright female forms floated into view. They were clad in robes ranging from pure white to every richest hue, contrasting strangely, and in the distance their rainbow brilliancy made a gorgeous spectacle. Some were fantastically attired in short gowns, such as I imagine were worn by the dancing girls of sacred history, others had kirtles of a single bright color, others of many shades intermingled, while others still were dressed in gauze-like fabrics of pure white.
As they filed into the cavern, and approached me, they formed into platoons, or into companies, and then, as dissolving views come and go, they presented first one and then another figure. Sometimes they would stretch in great circling lines around the hall, again they would form into squares, and again into geometrical figures of all shades and forms, but I observed that with every change they drew nearer to the stone on which I rested.
They were now so near that their features could be distinguished, and never before had I seen such loveliness in human mold. Every face was as perfect as a master's picture of the Madonna, and yet no two seemed to possess the same type of beauty. Some were of dark complexion with glossy, raven hair, others were fair with hair ranging from light brown to golden. The style of head dress, as a rule, was of the simplest description. A tinted ribbon, or twisted cord, over the head, bound their hair with becoming grace, and their silken locks were either plaited into braids, curled into ringlets, or hung loosely, flowing in wavelets about their shoulders. Some held curious musical instruments, others beautiful wands, and altogether they produced a scenic effect of rare beauty that the most extravagant dream of fairyland could not surpa.s.s. Thus it was that I became again the center of a throng, not of repulsive monsters, but of marvelously lovely beings. They were as different from those preceding as darkness is from daylight.
Could any man from the data of my past experiences have predicted such a scene? Never before had the semblance of a woman appeared, never before had an intimation been given that the gentle s.e.x existed in these silent chambers. Now, from the grotesque figures and horrible cries of the former occupants of this same cavern, the scene had changed to a conception of the beautiful and artistic, such as a poetic spirit might evolve in an extravagant dream of higher fairy land. I glanced above; the great hall was clothed in brilliant colors, the bare rocks had disappeared, the dome of that vast arch reaching to an immeasurable height, was decorated in all the colors of the rainbow. Flags and streamers fluttered in breezes that also moved the garments of the angelic throng about me, but which I could not sense; profiles of enchanting faces pervaded the glimmering s.p.a.ce beyond; I alone was but an onlooker, not a partic.i.p.ant of the joys about me.
The movements of the seraph-like figures continued, innumerable forms and figures followed forms and figures innumerable, and music indescribable blended with the poetry of motion. I was rapt, the past disappeared, my former mind was blotted from existence, the world vanished, and I became a thrill of joy, a sensation of absolute delight.
The band of spirits or fairy forms reached the rock at my feet, but I did not know how long a time they consumed in doing this; it may have been a second, and it may have been an eternity. Neither did I care. A single moment of existence such as I experienced, seemed worth an age of any other pleasure.
Circling about me, these ethereal creatures paused from their motions, and, as the music ceased, I stood above them, and yet in their midst, and gazed out into a distance illimitable, but not less beautiful in the expanse than was the adjacent part. The cavern had altogether disappeared, and in the depths about me as far as the eye could reach, seemingly into the broad expanse of heaven, I saw the exquisite forms that I have so imperfectly described.
Then a single band from the throng lightly sprung upon the stony terrace where I stood, and sung and danced before me. Every motion was perfect as imagination could depict, every sound was concentrated extract of melody. This band retired to be replaced by another, which in turn gave way to another, and still another, until, as in s.p.a.ce we have no standard, time vanished, and numbers ceased to be numbers.
No two of the band of dancers were clothed alike, no two songs were similar, though all were inexpressibly enchanting. The first group seemed perfect, and yet the second was better, and each succeeding band sung sweeter songs, were more beautiful, and richer in dress than those preceding. I became enveloped in the aesthetic atmosphere, my spirit seemed to be loosened from the body, it was apparently upon the point of escaping from its mortal frame; suddenly the music ceased, the figures about became pa.s.sive, and every form standing upright and graceful, gazed upon my face, and as I looked at the radiant creatures, each successive face, in turn, seemed to grow more beautiful, each form more exquisite than those about.
Then, in the distance, I observed the phalanx divide, forming into two divisions, separated by a broad aisle, stretching from my feet to the limit of s.p.a.ce without, and down this aisle I observed a single figure advancing toward me.
As she approached, the phalanx closed in behind her, and when at last she reached the stone on which I stood, she stepped, or was wafted to my side, and the phalanx behind moved together and was complete again.
[Ill.u.s.tration: ETIDORHPA.]
”My name is Etidorhpa. In me you behold the spirit that elevates man, and subdues the most violent of pa.s.sions. In history, so far back in the dim ages as to be known now as legendary mythology, have I ruled and blessed the world. Unclasp my power over man and beast, and while heaven dissolves, the charms of Paradise will perish. I know no master. The universe bows to my authority. Stars and suns enamored pulsate and throb in s.p.a.ce and kiss each other in waves of light; atoms cold embrace and cling together; structures inanimate affiliate with and attract inanimate structures; bodies dead to other n.o.ble pa.s.sions are not dead to love. The savage beast, under my enchantment, creeps to her lair, and gently purrs over her offspring; even man becomes less violent, and sheathes his weapon and smothers his hatred as I soothe his pa.s.sions beside the loved ones in the privacy of his home.
”I have been known under many t.i.tles, and have comforted many peoples.
Strike my name from Time's record, and the lovely daughters of Zeus and Dione would disappear; and with them would vanish the grace and beauty of woman; the sweet conception of the Froth Child of the Cyprus Sea would be lost; Venus, the G.o.ddess of Love, would have no place in song, and Love herself, the holiest conception of the poet, man's superlative conception of Heaven's most precious charms, would be buried with the myrtle and the rose. My name is Etidorhpa; interpret it rightly, and you have what has been to humanity the essence of love, the mother of all that enn.o.bles. He who loves a wife wors.h.i.+ps me; she, who in turn makes a home happy, is typical of me. I am Etidorhpa, the beginning and the end of earth. Behold in me the ant.i.thesis of envy, the opposite of malice, the enemy of sorrow, the mistress of life, the queen of immortal bliss.
”Do you know,” she continued, and her voice, soft and sweet, carried with it a pleasurable sense of truthfulness indescribable, ”do you know that man's idea of heaven, places me, Etidorhpa, on the highest throne?
With the charm of maiden pure, I combine the devotion of wife and the holiness of mother. Take from the life of man the treasures I embody, and he will be homeless, childless, loveless. The thought of Heaven will in such a case be as the dismal conception of a dreary plat.i.tude. A life in such a Heaven, a Heaven devoid of love (and this the Scriptures teach), is one of endless torment.
”Love, by whatever name the conception is designated, rules the world.
Divest the cold man of science, of the bond that binds him to his life-thought, and his work is ended. Strike from the master in music the chord that links his soul to the voice he breathes, and his songs will be hushed. Deaden the sense of love which the artist bears his art, and as the spirit that underlies his thought-scenes vanishes, his touch becomes chilled, and his brush inexpressive. The soldier thinks of his home and country, and without a murmur sheds his life blood.
”And yet there are debasing phases of love, for as love of country builds a nation, so love of pillage may destroy it. Love of the holy and the beautiful stands in human life opposed to love of the debasing and vicious, and I, Etidorhpa, am typical of the highest love of man. As the same force binds the molecules of the rose and the violet as well as those of noxious drugs, so the same soul conception may serve the love of good or the love of evil. Love may guide a tyrant or actuate a saint, may make man torture his fellow, or strive to ease his pain.
”Thus, man's propensity to serve his holy or his evil pa.s.sion may each be called a degree in love, and in the serving of that pa.s.sion the love of one heart may express itself as the ant.i.thesis of love in another. As bitter is to some men's taste more pleasant than sweet, and sour is yet more grateful to others, so one man may love the beautiful, another delight in the grotesque, and a third may love to see his neighbor suffer. Amid these, the phase of love that enn.o.bles, brings the greatest degree of pleasure and comfort to mankind, but the love that degrades is love nevertheless, by whatever name the expression of the pa.s.sion may be called. Love rules the world, and typical of man's intensest, holiest love, I, Etidorhpa, stand the Soul of Love Supreme.” She hesitated.
”Go on.”
”I have already said, and in saying this have told the truth, I come from beyond the empty sh.e.l.l of a materialistic gold and silver conception of Heaven. Go with me, and in my home you will find man's soul devotion, regardless of material surroundings. I have said, and truly, the corridors of the Heaven mansion, enriched by precious stones and metals fine, but dest.i.tute of my smiles and graces, are deserted.
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