Part 10 (1/2)

You just can't find this outside a football ground; there is nowhere else you can be in the entire country that will make you feel as though you are at the heart of things. Because whichever nightclub you go to, or play, or film, or whichever concert you see, or restaurant you eat at, life will have been going on elsewhere in your absence, as it always does; but when I am at Highbury for games like these, I feel that the rest of the world has stopped and is gathered outside the gates, waiting to hear the final score.

WELCOME TO ENGLAND

ENGLAND v HOLLAND

March 1988

In 1988 I began working for a Far Eastern trading company. I started out as a teacher, but it soon became clear that my middle-management pupils were more perplexed by the bizarre requests they received from their head office than they were by the English language. So the teaching vanished, and instead I did what I can only describe as Other Things, since a generic description of my duties is beyond me. I wrote countless letters to solicitors, and a long essay on Jonathan Swift which was translated and faxed back to base; I ascertained to my employers' satisfaction what const.i.tuted drinking water; I pored over the landscape plans for Hampton Court and took photographs of Beaulieu Motor Museum; I went to see Directors of Social Services to talk about orphanages; I became involved in protracted negotiations for equestrian centres in Warwicks.h.i.+re and pedigree dogs in Scotland. It was varied work.

The managers worked astonis.h.i.+ngly hard: their contracted hours were from 8 a.m. to 8 p.m. on Monday to Friday, and from 8 a.m. to 2 p.m. on Sat.u.r.day, but these were nominal a twelve-hour day, like Gordon Gekko's lunch, was for wimps. But when I told three of my students that Gullit and Van Basten were coming to town to pit their wits against Lineker and s.h.i.+lton, the temptation was too much even for them, and I was instructed to buy tickets and act as their chaperon and inductor for the evening.

Every couple of years I forget what a miserable experience it is to go to Wembley to watch England play, and give it another try. In '85 I went to watch a World Cup qualifier a couple of weeks after Scotland's Jock Stein had died, and listened to the most mind-bogglingly obscene celebratory songs; four years later I went to another one, and sat among people who gave drunken n.a.z.i salutes during the National Anthem. Why I thought that things would be any different for a friendly against Holland I can't remember, but it turned out to be an embarra.s.sing misapprehension.

Our timing was just right. We were walking down Wembley Way about fifteen minutes before kick-off, with reserved seats in our pockets, and I was feeling pleased with my expert organisation. As we approached our entrance, however, we were met by a determined and indiscriminate mounted police charge, and we were forced back down the road with hundreds of other ticket holders, and my colleagues began to panic. We regrouped and started again; this time our 12.00 tickets were regarded, reluctantly, as certificates of legitimate interest, and we were allowed to approach the stadium. As we did so, the game kicked off and England scored almost immediately, but we missed all that we were still negotiating admission. One of the entrance doors was hanging off its hinges, and an official told us that large numbers of people had forced their way into the ground.

Once inside, it was obvious that our seats had gone. The gangways were packed with people like us, all clutching now-worthless ticket stubs, all too afraid to confront the crop-headed, thick-necked people sitting in our seats. There wasn't a steward in sight. ”Here come the f.u.c.king Wongs”, remarked one of a group of young men, as I led my charges down the steps to find a position from which we could see at least a square of the pitch. I didn't bother translating. We stood and watched for about half an hour, during which time Holland took a 2-1 lead; the dreadlocked Gullit, the main reason why the game had sold out in the first place, provoked monkey noises every time he touched the ball. Just before half-time we gave up and went home. I got back to my flat just in time to watch the highlights on TV.

People have told me that they're beginning to turn things round at Wembley now, and post-Italia '90, what with Gazzamania and Lineker charm, the composition of the average England crowd is changing. This often happens when a team is doing well, and in itself it doesn't offer much cause for hope, because when they play badly again you lose that lot. It seems to me, and this is not a theory that I can support with any hard evidence, but never mind, that bad teams attract an ugly following.

Only boneheads entertain serious doubts nowadays about the link between social and economic conditions and football violence, but why is it that, say, Birmingham City fans have a markedly worse reputation than Sunderland fans? Even if we accept, for the sake of argument, that the West Midlands suffers from the same kind of social and economic deprivation that plagues the North-East, then how does one explain the impeccable behaviour of the Villa supporters? Two teams from the same city; but one plays in the First Division, and the other languishes in the Third. When Leeds, Chelsea and Manchester United were in the Second Division their fans terrified everybody; when Millwall came up to the First their reputation for monstrous, evil violence evaporated a little. And I don't think that poor football actually changes the way people behave; it's not that, although there is an element of compensatory pride involved (”We might not be much good at football, but we can give you a good kicking”); it's more that how can I put this tactfully? there is a higher proportion of nutters among the never-say-die, we'll-support-you-evermore hardcore than among the sod-that-for-a-lark floating punter.

So among crowds of twenty-five thousand, you'll find a few hundred troublemakers; when you're getting crowds of five or six thousand, the same few hundred will still be turning up, and suddenly the tiny minority have become much more significant, and the club are landed with a reputation. And once you've got a reputation, you start to appeal to those who are attracted by the promise of violence inherent in that reputation. That, I think, is what happened with Chelsea and Millwall in the late seventies and early eighties; it is also what happened with England between elimination from the World Cup in 1974 and qualification for Italy in 1990. For most of that time they were a desperate side, and they attracted a pretty desperate crowd.

The problem here is that unless a team is playing well, winning things, filling their stadia, clubs simply cannot afford to alienate the very people they are supposed to be purging. I can think of at least one club chairman who has in the past been conspicuously ambivalent about some of the unpleasant characters that keep his club afloat, and I have not been aware of any particularly strident campaigning on the part of the England authorities to drive out one crowd and bring in another (any campaigning of that kind has been done by the fans themselves); they know, deep down, which side their bread is b.u.t.tered on.

I tried to compensate for the evening by offering to take my new workmates to Highbury, where I knew that we would be left undisturbed whether we stood on the terraces or sat in the seats. But every time I suggested it, they just looked at me and smiled, as if the invitation was an extreme example of the famously incomprehensible English sense of humour. I guess they still think I spend every Sat.u.r.day afternoon being charged by police horses and then cowering in a gangway somewhere, too frightened to claim the seat I have paid for, and on the evidence of the Holland game it would be an obvious a.s.sumption to make; in their position, I would have been on the phone back to Head Office first thing on Thursday morning, begging and pleading for a posting somewhere, anywhere, else in the world.

GUS CAESAR

a.r.s.eNAL v LUTON

(at Wembley) 24.4.88

The Littlewoods Cup Final that year was a disaster, and sometimes I still find myself drifting back to it: 2-1 up with ten minutes left, and at the end of one of the most one-sided periods of football I have ever seen (Hayes. .h.i.ts the post, Smith hits the bar, Smith one-on-one with Dibble but doesn't beat him), the ball is on the penalty spot after Rocky has been brought down and Winterburn is about to ...

No. He's missed it again, for the fortieth or fiftieth time since that April afternoon. My daydreams are so vivid that I really do find it hard to believe that he won't get another chance sometime, and my re-emergence back into my underground journey, or the book I am reading, is ludicrously slow, only achievable once I have forced myself to recognise, sometimes by saying the words under my breath, that the game is over, finished, and will never be played again. But you see, if Winterburn had scored (and why did none of the others volunteer to take it? A Wembley final isn't the place to take your first one), we would have won 3-1, no question, and retained the Cup we had won the year before; but he didn't, and Luton went up the other end and scored twice in the last seven minutes and won 3-2. Fairly or unfairly, the a.r.s.enal fans I have spoken to blame one man: Augustus Caesar.

There have been so many players that the crowd have rubbished over the years, and not all of them were bad: Ure, Sammels, Blockley, Rix, Chapman, Hayes, Groves, even Michael Thomas for the second half of the first Champions.h.i.+p season and a good chunk of the following year. But Gus was different. There was no debate whatsoever about his talents. Hayes, Groves, Thomas, and Rix all had their defenders among the fans, but Gus had none, or none that I ever came across; the nadir of his a.r.s.enal career was probably during a horrible 1-0 defeat at Wimbledon in January 1990, when every back-pa.s.s or clearance he accomplished without disaster was greeted with ironic cheers and applause for the entire game. I can't begin to imagine how anyone could ever cope with that kind of public humiliation.

Soon after I had stopped teaching and begun to try to write, I read a book called The Hustler The Hustler by Walter Tevis. I was much taken by Fast Eddie, the character played by Paul Newman in the film, just as I had been much taken with the notion that I was the Cannonball Kid when Charlie Nicholas moved down from Celtic. And as the book seemed to be about anything you wanted to do that was difficult writing, becoming a footballer, whatever I paid it extra special attention. At one point (oh G.o.d oh G.o.d oh G.o.d) I typed these words out on a piece of paper and pinned it above my desk: by Walter Tevis. I was much taken by Fast Eddie, the character played by Paul Newman in the film, just as I had been much taken with the notion that I was the Cannonball Kid when Charlie Nicholas moved down from Celtic. And as the book seemed to be about anything you wanted to do that was difficult writing, becoming a footballer, whatever I paid it extra special attention. At one point (oh G.o.d oh G.o.d oh G.o.d) I typed these words out on a piece of paper and pinned it above my desk:

”That's what the whole G.o.dd.a.m.ned thing is: you got to commit yourself to the life you picked. And you picked it most people don't even do that. You're smart and you're young and you've got, like I said before, talent.”

As the rejection slips piled up, these words comforted me; and as I began to panic about the way things that everybody else had, like careers and nice flats and a bit of cash for the weekend, seemed to be slipping out of arm's reach, friends and family began to try to rea.s.sure me. ”You know you're good,” they said. ”You'll be OK. Just be patient.” And I did did know I was good, and I know I was good, and I had had committed myself to the life I had picked, and my friends, and Fast Eddie's friends, couldn't all be wrong, so I sat back and waited. I know now that I was wrong, stupid, to do so, and I know because Gus Caesar told me so. committed myself to the life I had picked, and my friends, and Fast Eddie's friends, couldn't all be wrong, so I sat back and waited. I know now that I was wrong, stupid, to do so, and I know because Gus Caesar told me so.

Gus is living proof that this self-belief, this driven sense of vocation (and I am not talking about arrogance here, but the simple healthy self-confidence that is absolutely necessary for survival), can be viciously misleading. Did Gus commit himself to the life he had picked? Of course he did. You don't get anywhere near the first team of a major First Division football club without commitment. And did he know he was good? He must have done, and justifiably so. Think about it. At school he must have been much, much better than his peers, so he gets picked for the school team, and then some representative side, South London Boys or what have you; and he's still better than anyone else in the team, by miles, so the scouts come to watch, and he's offered an apprentices.h.i.+p not with Fulham or Brentford or even West Ham but with the mighty a.r.s.enal. And it's still not over, even then, because if you look at any First Division youth team of five years ago you won't recognise most of the names, because most of them have disappeared. (Here's the a.r.s.enal youth team of April 1987, from a randomly plucked programme: Miller, Hannigan, McGregor, Hillier, Scully, Carstairs, Connelly, Rivero, Cagigao, S. Ball, Esqulant. Of those, only Hillier has come through, although Miller is still with us as a highly rated reserve goalkeeper; Scully is still playing professional football somewhere, though not for a.r.s.enal or any other First Division team. The rest have gone, and gone from a club famous for giving its own players a fair crack.) But Gus survives, and goes on to play for the reserves. And suddenly, it's all on for him: Don Howe is in trouble, and flooding the first team with young players Niall Quinn, Hayes, Rocastle, Adams, Martin Keown. And when Viv Anderson is suspended over Christmas 1985 Gus makes his debut, as a right-back, at of all places Old Trafford, and we win 1-0 up there, so he's part of a back four that's kept a clean sheet away at Manchester United.

Howe gets the sack, and George Graham keeps him on, and he's used as a sub in quite a few games over George's first season, so things are still going well for him not as well as they are for Rocky and Hayes and Adams and Quinn, but then these players are having an exceptional first full season, and when the squad for the England Under-21s is announced it's full of a.r.s.enal players, and Gus Caesar is one of them. and Gus Caesar is one of them. The England selectors, like the a.r.s.enal fans, are beginning to trust a.r.s.enal's youth policy implicitly, and Gus gets a call-up even though he isn't in the first team regularly. But never mind why, he's in, he's recognised as one of the best twenty or so young players in the whole country. The England selectors, like the a.r.s.enal fans, are beginning to trust a.r.s.enal's youth policy implicitly, and Gus gets a call-up even though he isn't in the first team regularly. But never mind why, he's in, he's recognised as one of the best twenty or so young players in the whole country.

Now at this point Gus could be forgiven for relaxing his guard a little. He's young, he's got talent, he's committed to the life he's picked, and at least some of the self-doubt that plagues everyone with long-shot dreams must have vanished by now. At this stage you have to rely on the judgement of others (I was relying on the judgements of friends and agents and anyone I could find who would read my stuff and tell me it was OK); and when those others include two a.r.s.enal managers and an England coach then you probably reckon that there isn't much to worry about.

But as it turns out, they are all wrong. So far he has leaped over every hurdle in his path comfortably, but even at this late stage it is possible to be tripped up. Probably the first time we notice that things aren't right is in January 1987, in that first-leg semi-final against Tottenham: Caesar is painfully, obviously, out of his depth against those Spurs forwards. In truth he looks like a rabbit caught in headlights, frozen to the spot until Waddle or Allen or somebody runs him over, and then he starts to thrash about, horribly and pitifully, and finally George and Theo Foley put him out of his misery by subst.i.tuting him. He doesn't get another chance for a while. The next time I remember him turning out is against Chelsea at Stamford Bridge in a 1-1 draw, a week or two before the Luton final, but again there is a moment in the first half where Dixon runs at him, turns him one way, then the other, then back again, like your dad used to do to you when you were a really little kid in the back garden, and eventually strolls past him and puts the ball just the wrong side of the post. We knew that there was going to be trouble at Wembley, when O'Leary was out injured and Gus was the only candidate to replace him. Caesar leaves it late, but when the ball is knocked into the box seven minutes from time, he miskicks so violently that he falls over; at this point he looks like somebody off the street who has won a compet.i.tion to appear as a centre-half in a Wembley final, and not like a professional footballer at all, and in the ensuing chaos Danny Wilson stoops to head the ball over the line for Luton's equalising goal.

That's it. End of story. He's at the club for another three or four years, but he's very much the last resort centre-back, and he must have known, when George bought Bould and then Linighan and then Pates, with Adams and O'Leary already at the club, that he didn't have much of a future he was the sixth in line for two positions. He was given a free transfer at the end of the 90/91 season, to Cambridge United; but within another couple of months they let him go too, to Bristol City, and a couple of months after that Bristol City let him go to Airdrie. To get where he did, Gus Caesar clearly had more talent than nearly everyone of his generation (the rest of us can only dream about having his kind of skill) and it still wasn't quite enough.

Sport and life, especially the arty life, are not exactly a.n.a.logous. One of the great things about sport is its cruel clarity: there is no such thing, for example, as a bad one-hundred-metre runner, or a hopeless centre-half who got lucky; in sport, you get found out. Nor is there such a thing as an unknown genius striker starving in a garret somewhere, because the scouting system is foolproof. (Everyone gets watched.) There are, however, plenty of bad actors or musicians or writers making a decent living, people who happened to be in the right place at the right time, or knew the right people, or whose talents have been misunderstood or overestimated. Even so, I think there is a real resonance in the Gus Caesar story: it contains a terrifying lesson for any aspirants who think that their own unshakeable sense of destiny (and again, this sense of destiny is not to be confused with arrogance Gus Caesar was not an arrogant footballer) is significant. Gus must have known he was good, just as any pop band who has ever played the Marquee know they are destined for Madison Square Garden and an gets watched.) There are, however, plenty of bad actors or musicians or writers making a decent living, people who happened to be in the right place at the right time, or knew the right people, or whose talents have been misunderstood or overestimated. Even so, I think there is a real resonance in the Gus Caesar story: it contains a terrifying lesson for any aspirants who think that their own unshakeable sense of destiny (and again, this sense of destiny is not to be confused with arrogance Gus Caesar was not an arrogant footballer) is significant. Gus must have known he was good, just as any pop band who has ever played the Marquee know they are destined for Madison Square Garden and an NME NME front cover, and just as any writer who has sent off a completed ma.n.u.script to Faber and Faber knows that he is two years away from the Booker. You trust that feeling with your life, you feel the strength and determination it gives you coursing through your veins like heroin ... and it doesn't mean anything at all. front cover, and just as any writer who has sent off a completed ma.n.u.script to Faber and Faber knows that he is two years away from the Booker. You trust that feeling with your life, you feel the strength and determination it gives you coursing through your veins like heroin ... and it doesn't mean anything at all.

WALKING DISTANCE

a.r.s.eNAL v SHEFFIELD WEDNESDAY

21.1.89

It made sense to move into the area, for other reasons too: your money goes a lot further in decrepit areas of north London than it does in Shepherd's Bush or Notting Hill, and the public transport up here is good (five minutes from King's Cross, two tube lines, millions of buses). But really, living within walking distance of the ground was the fulfilment of a pitiful twenty-year ambition, and it's no use trying to dress it up in logic.