Part 46 (2/2)

Newman dashed past them. He was running round the house, hurling more grenades from the holdall slung over his shoulder. He aimed one well clear of Kent, crouched by the front wall at the top of the steps. There was a fresh detonation. More gla.s.s sprayed the outside, none of it coming near Tweed and Nield. He didn't stop running.

Half a minute earlier, the door at the top of the steps at the side of the house where Paula waited, was thrown open. Three thugs rushed out, down the steps, firing at random. Paula elevated her machine-pistol. She fired one long burst, lowering the weapon. The thugs on the steps tumbled over each other, fell in a heap, very still. She was reloading, expecting more, when Newman rushed round the corner, took in the situation at a glance.

'Great work. Don't go inside!'

He ran on. Paula waited. No one else emerged. She laid her machine-pistol on the ground. It would be difficult to manipulate inside the confines of the house. Holding her Walther gripped in both hands, she walked to the foot of the steps. Slowly she began to climb them, threading her way between the strewn corpses. Then she disappeared inside.

At the rear of the house Marler waited well back at the edge of the trees, holding his Armalite. Butler was standing nearby, crouched low behind some wild shrubbery.

'Keep your eyes on that door, Marler called out. 'They're doing that.'

When the a.s.sault came it was in an unexpected way - and from an unexpected direction. Without warning -they had heard, had seen, no sign of activity - a hail of smoke bombs arrived from inside the shattered windows. Marler and Butler were lost in a dense, choking fog.

The door opened quietly. Ronstadt led the way out, followed by Leo Madison, Chuck Venacki and Vernon Kolkowski. They had guns in their hands but they did not fire them. Instead they ran for Ronstadt's Audi, now parked in front and facing the track. Ronstadt opened the driver's door quietly, sat behind the wheel as he was joined by Chuck at his side with Madison and Vernon in the back. He started the engine, accelerated.

Marler, coughing, emerged from the smoke. He saw Newman appear round the side of the house. Ronstadt drove the car straight at him. Newman jumped clear just in time. Then the car had gone, vanis.h.i.+ng down 'the gulley.

Newman clambered to his feet, realized he had sprained his ankle. He stared at the flat-topped rock where Paula had been sitting. He looked quickly up at the open door at the top of the steps, beyond the piled bodies.

'Marler!' he shouted. 'Paula's gone inside. Up those steps. For G.o.d's sake go after her.'

'On my way.'

When Paula reached the open doorway she paused, listened, then peered inside. She was looking up and down a lighted corridor. Deserted. She frowned. She could hear a strange noise. Clatter... clatter... clatter...

It went on and on and was coming from an open door further down the corridor to her right. As she walked down the corridor the noise became louder and louder. A slab-like door was open, pushed back against the wall. As she came closer she saw it was made of solid steel. She peered round it and suppressed a gasp of surprise. She was looking down into a vast bas.e.m.e.nt which must run under the entire house.

She understood the noise now. The bas.e.m.e.nt was occupied by an array of machines working like mad. Illumination came from fluorescent tubes suspended from the ceiling. Beyond the door a flight of concrete steps led down into the bas.e.m.e.nt, with a metal rail on one side. She scanned the area as far as she could. No sign of anyone. Step by step she began to descend the flight. The noise of the clattering machines was h.e.l.lish, trapped inside the bas.e.m.e.nt.

Walking down stealthily, she caught glimpses of the battery of machines. At one end large reels of paper were being fed in. They became perfectly flat sheets as the first machine carried them along. Then they pa.s.sed under a series of huge revolving rollers. They emerged, still flat, but now printed with what, at first, she thought were outsize postage stamps. A moment later she realized they were banknotes, row upon row of them. They continued their journey until they reached a series of very large metal plates which jumped up and down, slicing them.

She had almost reached the bottom step when she slipped on some spilt oil. Her legs collapsed under her as she grabbed for the rail. The hand was still holding the Walther and she bruised herself, dropping the gun. Picking herself up, she flexed her hands and legs. No damage - she always fell limply. But where was the Walther?

The light was bright enough for her to see clearly but there was no sign of the weapon. It must have slid under one of the machines. She swore. Shaking her head to clear her mind, she began walking towards where the printing process started. Near the end was a concrete platform, elevated about a foot high. She a.s.sumed it was an observation platform so a printer could check to make sure everything was functioning properly.

Suddenly she sensed a presence behind her. She swung round and let out a gasp of fear. The most hideous man she had ever seen was close to her. A gnome with a hunchback, his evil face twisted in a leer of antic.i.p.ation of a pleasure to come. In his right hand, raised high, he held a ferocious-looking black spike.

'I am Bernhard Yorcke,' he called out above the noise of the machinery. 'The greatest printer in the world. You have come to sabotage my beautiful work.'

'I think your work is the most beautiful I've ever seen,' she said quickly.

'No, you don't. You have been sent to destroy it. So I will destroy you.'

'You're a genius,' she babbled.

'I am the greatest genius of them all,' he said, coming closer.

'That's why I came here. To see your wonderful work.'

'You lie,' he snarled. 'You came to destroy. Instead, I am going to destroy you.'

She knew he was going to drive the dreadful spike into her face. As she backed away her right hand was feeling desperately inside her shoulder bag. Her fall had pushed it behind her back. She missed the special pocket sewn in which held her Browning. Her hand plunged deep, felt a canister of hair spray. He was very close to her as she brought out the spray, aimed it, her own eyes dosed, ejected the spray.

'You foul wh.o.r.e.'

She opened her eyes, then realized the spray had only hit his left eye. His right eye stared into hers as he lifted the spike higher to jab it forward. Backing away from him she had come up against the wall. There was nowhere to go, to escape.

Marler came bounding down the steps like a rocket, Armalite in his right hand. He hadn't been able to shoot from the top for fear of hitting Paula. He saw the oil on the step which had brought down Paula, leapt over it.

'You ugly deformed little b.a.s.t.a.r.d!' he shouted.

The insult had the effect he had prayed for. Yorcke, about to jab the spike forward, turned round. Marler used the barrel of his Armalite like a club,, smas.h.i.+ng it across Yorcke's forehead. Yorcke staggered back, still clutching the spike. He felt his legs press against the concrete platform. With incredible agility he jumped up on to the platform to give himself extra height. He was waving the spike when the Armalite hammered into him again, catching him across the hooked nose.

He lost his balance, fell backwards on to the moving machine. Sprawled on the paper, he was carried along to the rollers. They had a safety device, jumping up when something large hit them. The large object was Yorcke's head. The roller came cras.h.i.+ng down and Marler turned Paula away so she couldn't see. Yorcke let out a ghastly scream, heard clearly above the noise of the machinery. His shoulders reached the roller which jumped up again, then down. There was no further scream and the rest of his body swept under as the immensely heavy roller crashed down again. The paper was stained with a spreading pool of blood. Marler spoke quickly.

'Don't look.'

He heard someone call down from the top of the steps. Newman stood there with Tweed. Newman, followed by Tweed, hobbled down the steps, stopped when Marler warned him about the oil. Marler, his arm round Paula, guided her to Newman.

'Take her to the car. Stay with her.'

'You've hurt your foot,' Paula observed. 'I'll tend to it in the car. I've got a first-aid kit. Let's go. Take your time.'

Tweed stared at the printed sheets still proceeding along the battery of machines. Then he looked at Marler.

'British twenty-pound notes, ten-pound notes and fivers. It was Lenin who said, ”If you want to destroy a 'country debauch the currency.” Something like that. It's quite fiendish. The Americans were going to flood Britain with forged banknotes. We'd lose all faith in the pound. Then the Americans would persuade the population to switch to dollars. Then they would have taken us over.'

He looked up. At the top of the staircase Kent, Butler and Nield were gazing down. He shouted up to them.

'The three of you move as a unit. Check every room in this house. Make sure no one else is here. If it's all clear come back and tell me. But be careful.'

'I imagine you'd like all this to be wiped out?' Marler suggested.

'As soon as possible. Trouble is, the ceiling's concrete.'

'I think not.'

Marler climbed a ladder perched against a wall. Reaching up, he tapped at the ceiling. Looking down he shook his head.

'Not concrete at all. Some kind of polystyrene - to match the concrete floor. Above it will be wood flooring. And wood burns. I need to go back to my car for extra supplies. Don't go round the end of this battery of machines. Something very unpleasant will be there.'

When Marler had gone Tweed started to walk to the end of the conveyor belt of machines. He had a Walther in his right hand. Seeing what the last machine had spewed out onto the floor he skirted the remains of Bernhard Yorcke. His stomach churned. He walked on, past large packed bales piled to the ceiling, reaching a very wide door which was open. Beyond the door steps led up to a lighted area. He found himself inside the huge garage with the automatic door at the front still open.

It was freezing cold. He saw a switch on the wall, pressed it. The automatic door lowered swiftly. More fluorescent tubes lit the interior of the garage and three more white Mercedes trucks stood parked, replicas of the truck he had seen driven away. He looked inside the open backs. Empty. He went back down the steps into the machine room.

Inside a drawer he found a collection of knives. Selecting one, he bent down to rip open one of several bales on the floor. He stared at its contents - stack after stack of British twenty-pound notes, each neatly held together with an elastic band. He heard footsteps running down the steps from the house. Kent was in the forefront with Nield and Butler behind him.

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