Part 2 (1/2)
APPROACHING THE CRISIS
The first one-third of this book of 770 pages is devoted to proving the Mosaic authors.h.i.+p of the Pentateuch, its inspiration and infallible truth. On the subject of inspiration generally the author follows the _ideal_ rather than the _verbal_ theory. His theory of the _necessity_ of inspiration is based upon the idea that the Bible contains records that could not otherwise have been known at the time they were written; for example, the account of Creation ”must have been divinely revealed to Moses, as he could not otherwise have known it.” The _extent_ of inspiration he limits to those matters that were ”not otherwise known”
to the writers. Things of which they had personal knowledge were therefore not the subjects of inspiration. For example, the advice of Jethro, concerning the division in the burdens of the government, was _not_ inspired, because Moses got it directly from the mouth of Jethro himself. Nevertheless the author was ”divinely guided” in writing of matters of his personal knowledge, in order that the ”sacred record”
might be preserved from error. As to the _proofs_ of inspiration, I quote verbatim: ”The inspiration of the Bible is evident from its sublime doctrines concerning G.o.d, the purity of its moral precepts, and from the wonderful fulfillment of its prophecies.” When I read this I confess I felt a little disappointed. I had understood this before. I wanted something more specific, material, tangible.
Then follows a lengthy treatise on the Hebrew language, the original characters in which the Pentateuch was written, without vowels or punctuation marks; how it was preserved by copying from generation to generation; how errors crept into various copies; an account of the Samaritan Pentateuch, and the Septuagint; how these all differ the one from the other in many details; of the ancient ma.n.u.scripts that are still extant, and how these all differ more or less from each other,--not in anything fundamental, but in many minor details; and finally winds up with the statement that ”the original text is uncertain”!
This was all new to me. I had naturally supposed that not only the original text was divinely inspired and infallibly correct, but that by some sort of divine supervision, it had been so preserved and kept down thru the ages. And now I was not only disappointed, but alarmed. I wondered what would come next. And I soon learned.
Before this I had never discovered, nor had any one pointed them out to me, the many discrepancies and contradictions in the early Biblical records,--the two stories of creation, the two accounts of the flood that are so intricately woven together, the changes in the law in Deuteronomy from those in Exodus and Leviticus; and others. My simple, blind faith had completely obscured all these until now. It is true the author pointed them out only to explain or reconcile them. But in practically every instance, the explanation failed to explain, or reconcile, and was only an apology or an excuse; and I was left with a clear vision of the discrepancy, and with no adequate explanation. The differences between some parts of the law, as recorded in Deuteronomy and in the earlier books, was explained as a ”progressive development according to the changing conditions and needs of the Hebrews.” From a purely human viewpoint, I considered this explanation satisfactory.
But from that of ”divine revelation,” I wondered why G.o.d did not reveal it correctly at the first; or why he found it necessary to change his own law.
Concerning the ritual law of the tabernacle and the priesthood, the author confesses that, in all probability, Moses was educated at Heliopolis, in Egypt, for the Egyptian priesthood, and was therefore perfectly familiar with all the priestly regulations of the religion of Egypt; and that _the tabernacle service, its priesthood, their dress, sacred utensils, etc., were doubtless all patterned after Egyptian models, but devoted to Jehovah instead of the G.o.ds of Egypt; and he cites this as a proof of the Mosaic authors.h.i.+p of the Pentateuch_.
And in support of this view, he quotes the opinion of the Abbe Victor Ancessi! And I had always been taught that the tabernacle, the priesthood, and all that pertained to both, were divinely revealed to Moses on Mt. Sinai! ”According to the pattern shown thee in the mount.”
Then on the question of interpolations, our author confesses that there are many of them in the Pentateuch, most of them showing that they belong to a much later age than Moses; yet he denies that any of them are material, or in any way change the original meaning or sense of the text.
Thus I went thru over 250 pages, devoted, not so much to the questions of divine inspiration and supernatural revelation, as these seemed to be very largely taken for granted; but to the defense of the Mosaic authors.h.i.+p of the Pentateuch upon which seemed to hinge the whole question of its authenticity and infallible authority. As the author puts it, ”If the Pentateuch was not written by Moses it is a forgery.”
To do this he quotes quite elaborately from the higher critics, Bauer, Davidson, Bleek, Ewald, Kuenen, Wellhausen, and others, for the ostensible purpose of answering and refuting them.
Now I had, up to this time, never read a line of such Biblical criticism, except that quoted by this author. Naturally, I not only had no sympathy with it, but was strongly prejudiced against it. But I could not fail to note that the refutations and explanations of my author very often failed to either refute or explain.
To sum the whole thing up, when I had gone thus far, I could not avoid the impression that from the standpoint of logical argument, based upon any _known facts_, the whole thing was a failure. It was simply a continued series of apologetics; in legal parlance, a sort of ”confession and avoidance.” I began in the firm _belief_ that Moses wrote the Pentateuch, and that he was divinely inspired in doing it. I expected to find the definite proofs that this was true. When I got thru I didn't know who wrote it. I was equally certain the author I was reading didn't know; and I doubted if any one else did. I felt the incipient doubts of my school days returning, only in much larger volume and greater force. If the reader will pardon the phrase: ”I felt myself slipping.”
Then followed a study of the authors.h.i.+p, origin, character, and purpose of the remaining canonical books of the Old Testament. These may all be grouped into two or three divisions. Of the historical books of Joshua, Judges, First and Second Samuel, First and Second Kings and First and Second Chronicles, I found to my surprise, that n.o.body knows who wrote any of them; nor anything definite about the time, or circ.u.mstances under which they were written. Joshua was merely _believed_ to have been written not later than twenty-five years after the death of Joshua, by some person or persons who were personally familiar with the events therein narrated. As the book is clearly divided into two distinct parts, the first ending with the twelfth chapter and the second beginning with the thirteenth, it is _supposed_ that it was written by Eleazar and Phinehas. But this is admitted to be mere conjecture.
The Book of Judges is placed after that of Joshua, because it takes up the narrative where Joshua closes. It is a.s.sumed that it _must have been written_ sometime before the close of David's reign. ”Respecting the Authors.h.i.+p of Judges, nothing is known.” The date of both books of Samuel--originally one book--is wholly unknown, as is also that of the Kings and Chronicles. It is conjectured from internal evidence, that Chronicles was _probably_ compiled by Ezra, from Samuel, Kings, and possibly other doc.u.ments, sometime after the return from the exile.
As to the Book of Ezra, it was shown that it is probably one of the most authentic books of the Old Testament, and written by the man whose name it bears. Nehemiah was also placed in the thoroly authentic cla.s.s, with the admission that about one-fourth of the total contents of the book, appearing in the middle of it, is _very probably_ an interpolation by a later, and unknown author. But this, he insists, does not detract from the divine inspiration and authenticity of the book as a whole.
Ruth and Esther also belong to the cla.s.s of the unknown. n.o.body knows who wrote either, nor when, nor where. Ruth is placed ”probably sometime during the reign of David.” Esther is much later; in fact it is one of the latest books in the Old Testament Canon, from which it was long excluded because the name of G.o.d nowhere appears in it. The historical events narrated in it are admitted to be of very doubtful authenticity, as they are nowhere else mentioned in the Bible, and are wholly unknown to secular history; and such events, if they occurred at all, were of such transcendent importance to the Jewish nation, that mention of them in the Chronicles, or by some of the prophets, could hardly have been omitted. But our author gets around all these difficulties by the Feast of Purim. He insists that such a memorial as this, that has been and still is celebrated annually by the Jews in all parts of the world, ”since the memory of man runneth not to the contrary,” could not possibly have originated in a mere fiction, and been perpetuated so long. Therefore, the Book of Esther must be true, and divinely inspired!
When I had read thus far, in spite of my former simple faith in the divine inspiration and infallible truth of the Bible, I found myself clearly on the toboggan; and I was deeply disturbed in mind. I was studying a thoroly orthodox author, a distinguished professor in one of our leading colleges, whose book was approved by the bishops of my church; a book clearly written for the purpose of defending the traditional position of the church concerning the Bible, on almost every page of which that I had thus far read, I found a series of apologetics rather than arguments; with constant admissions of the world's total ignorance of the origin, authors.h.i.+p and date of most of the books of the Bible thus far reviewed. I began to wonder, if this was what I was getting from such a source, inspired by such a motive, what might I expect from a Biblical scholar and critic who was in search only of abstract truth, with no preconceived opinions to support or defend? I felt an incipient revolution brewing in my mind. But I was yet to learn more.
Concerning the poetical books, I found that the Book of Job was not written by Job; that n.o.body knows who wrote it, nor when nor where. I found that conjecture by different scholars placed it all the way from ”before Moses” to after the exile. n.o.body knows whether it purports to record, in poetic form, a series of actual historic facts and events; or whether it is merely a dramatic allegory, entirely fict.i.tious, or founded upon some substratum of fact. We do not know who Job was, whether a Hebrew, an Arab, or Chaldean;--nor just where ”the land of Uz” was.
Concerning the Psalms, which I had always been taught were written by David, ”the sweet singer of Israel,” I found to be the Jewish hymn book, compiled by an unknown hand, or hands, at an unknown date; but in its present form, perhaps as late as the third century B.C.; that the authors.h.i.+p of very few of them is known; that David wrote but few of them, if any; but that they were written by various authors, mostly unknown, ranging all the way from the time of Moses to that of Ezra, or later; that collections and revisions were probably made from time to time as new compositions appeared; until its present form was attained.
I found that the ”Book of Proverbs” was not written by Solomon, but that it was probably compiled in the time of King Hezekiah, by unknown persons. However, our author insists that most of the proverbs in the collection are Solomonic in origin; and therefore we may very correctly speak of the collection as the ”Proverbs of Solomon.”
The Book of Ecclesiastes, from the superscription in Chapter I, verses 1 and 12, always attributed to Solomon, I found was not written by Solomon, at all, nor until more than five hundred years after his death. Our author concedes it to be the ”latest book of the Canon”; that it could not have been written before Malachi, and possibly much later, and who wrote it, n.o.body knows.
Likewise I found that the ”Song of Solomon” was not written by Solomon, nor by anyone else until centuries after his death; and n.o.body knows who wrote it, nor what its real meaning or purport is, whether fact or fiction, spiritual or sensual. It is admitted that its real meaning and purport is the most obscure and mysterious of any book in the Old Testament, yet, as it is in the Bible it must be the divinely inspired, infallible word of G.o.d! So our author thinks.
Coming now to the Prophetic Books, I learned from our author that the Book of Isaiah, as it now appears, is a collection and compilation of various writings of this great prophet, written piece-meal over a period of some fifty years, and after his death collected and arranged in its present form by some unknown hand; and that the present arrangement was made without any reference to the chronological order of the original writings, or the subject matter treated. He admits the radical difference in style, manner and subject matter of the two parts of this book, upon which modern critics have based their theory of two Isaiahs, one living before and the other during the captivity, and reconciles these discrepancies by a.s.serting the power of G.o.d to miraculously change the literary style of his servants at will.