Part 3 (1/2)

The same is also the case with the female voice; _as well in the contralto as in the soprano voice the transitions of the registers are at the same tones_, and the difference of the voices lies only in the timbre, and in the greater facility with which the higher or lower tones are produced, and not in the different compa.s.s of the voice.

The transitions of the registers are:

IN THE MALE VOICE

Ba.s.s VOICE

First series of the chest register:

C D E F G A B c d e f g a

Second series:

b c d e f

TENOR VOICE

First series of the chest register:

G A B c d e f g a

Second series:

b c d e f

First series of the falsetto:

g a, &c.

IN THE FEMALE VOICE

First series of the chest register:

e f g a b c

Second series of the chest register:

d e f

First series of the falsetto register:

g a b c

Second series of the falsetto register:

d e f

Head register:

g a b c d e f