Part 29 (2/2)

There was something very disturbing about the nauseous sketches and half-finished monstrosities that leered round from every side of the room, and when Pickman suddenly unveiled a huge canvas on the side away from the light I could not for my life keep back a loud scream--the second I had emitted that night. It echoed and echoed through the dim vaultings of that ancient and nitrous cellar, and I had to choke back a flood of reaction that threatened to burst out as hysterical laughter. Merciful Creator! Eliot, but I don't know how much was real and how much was feverish fancy. It doesn't seem to me that earth can hold a dream like that!

It was a colossal and nameless blasphemy with glaring red eyes, and it held in bony claws a thing that had been a man, gnawing at the head as a child nibbles at a stick of candy. Its position was a kind of crouch, and as one looked one felt that at any moment it might drop its present prey and seek a juicier morsel. But d.a.m.n it all, it wasn't even the fiendish subject that made it such an immortal fountain--head of all panic--not that, nor the dog face with its pointed ears, bloodshot eyes, flat nose, and drooling lips. It wasn't the scaly claws nor the mould-caked body nor the half-hooved feet-none of these, though any one of them might well have driven an excitable man to madness.

It was the technique, Eliot--the cursed, the impious, the unnatural technique! As I am a living being, I never elsewhere saw the actual breath of life so fused into a canvas. The monster was there--it glared and gnawed and gnawed and glared--and I knew that only a suspension of Nature's laws could ever let a man paint a thing like that without a model--without some glimpse of the nether world which no mortal unsold to the Fiend has ever had.

Pinned with a thumb-tack to a vacant part of the canvas was a piece of paper now badly curled up--probably, I thought, a photograph from which Pickman meant to paint a background as hideous as the nightmare it was to enhance. I reached out to uncurl and look at it, when suddenly I saw Pickman start as if shot. He had been listening with peculiar intensity ever since my shocked scream had waked unaccustomed echoes in the dark cellar, and now he seemed struck with a fright which, though not comparable to my own, had in it more of the physical than of the spiritual. He drew a revolver and motioned me to silence, then stepped out into the main cellar and closed the door behind him.

I think I was paralysed for an instant. Imitating Pickman's listening, I fancied I heard a faint scurrying sound somewhere, and a series of squeals or beats in a direction I couldn't determine. I thought of huge rats and shuddered. Then there came a subdued sort of clatter which somehow set me all in gooseflesh--a furtive, groping kind of clatter, though I can't attempt to convey what I mean in words. It was like heavy wood falling on stone or brick--wood on brick--what did that make me think of?

It came again, and louder. There was a vibration as if the wood had fallen farther than it had fallen before. After that followed a sharp grating noise, a shouted gibberish from Pickman, and the deafening discharge of all six chambers of a revolver, fired spectacularly as a lion tamer might fire in the air for effect. A m.u.f.fled squeal or squawk, and a thud. Then more wood and brick grating, a pause, and the opening of the door--at which I'll confess I started violently. Pickman reappeared with his smoking weapon, cursing the bloated rats that infested the ancient well.

'The deuce knows what they eat, Thurber,' he grinned, 'for those archaic tunnels touched graveyard and witch-den and sea-coast. But whatever it is, they must have run short, for they were devilish anxious to get out. Your yelling stirred them up, I fancy. Better be cautious in these old places--our rodent friends are the one drawback, though I sometimes think they're a positive a.s.set by way of atmosphere and colour.'

Well, Eliot, that was the end of the night's adventure. Pickman had promised to show me the place, and Heaven knows he had done it. He led me out of that tangle of alleys in another direction, it seems, for when we sighted a lamp-post we were in a half-familiar street with monotonous rows of mingled tenement blocks and old houses. Charter Street, it turned out to be, but I was too fl.u.s.tered to notice just where we hit it. We were too late for the elevated, and walked back downtown through Hanover Street. I remember that wall. We switched from Tremont up Beacon, and Pickman left me at the corner of Joy, where I turned off. I never spoke to him again.

Why did I drop him? Don't be impatient. Wait till I ring for coffee. We've had enough of the other stuff, but I for one need something. No--it wasn't the paintings I saw in that place; though I'll swear they were enough to get him ostracised in nine-tenths of the homes and clubs of Boston, and I guess you won't wonder now why I have to steer clear of subways and cellars. It was--something I found in my coat the next morning. You know, the curled-up paper tacked to the frightful canvas in the cellar; the thing I thought was a photograph of some scene he meant to use as a background for that monster. That last scare had come while I was reaching to uncurl it, and it seems I had vacantly crumpled it into my pocket. But here's the coffee--take it black, Eliot, if you're wise.

Yes, that paper was the reason I dropped Pickman; Richard Upton Pickman, the greatest artist I have ever known--and the foulest being that ever leaped the bounds of life into the pits of myth and madness. Eliot--old Reid was right. He wasn't strictly human. Either he was born in strange shadow, or he'd found a way to unlock the forbidden gate. It's all the same now, for he's gone--back into the fabulous darkness he loved to haunt. Here, let's have the chandelier going.

Don't ask me to explain or even conjecture about what I burned. Don't ask me, either, what lay behind that mole-like scrambling Pickman was so keen to pa.s.s off as rats. There are secrets, you know, which might have come down from old Salem times, and Cotton Mather tells even stranger things. You know how d.a.m.ned lifelike Pickman's paintings were--how we all wondered where he got those faces.

Well--that paper wasn't a photograph of any background, after all. What it showed was simply the monstrous being he was painting on that awful canvas. It was the model he was using--and its background was merely the wall of the cellar studio in minute detail. But by G.o.d, Eliot, it was a photograph from life!

POETRY OF THE G.o.dS.

Attired simply, in a low-cut black evening dress, she appeared outwardly a typical product of modern civilization; but tonight she felt the immeasurable gulf that separated her soul from all her prosaic surroundings. Was it because of the strange home in which she lived, that abode of coldness where relations were always strained and the inmates scarcely more than strangers? Was it that, or was it some greater and less explicable misplacement in time and s.p.a.ce, whereby she had been born too late, too early, or too far away from the haunts of her spirit ever to harmonize with the unbeautiful things of contemporary reality? To dispel the mood which was engulfing her more and more deeply each moment, she took a magazine from the table and searched for some healing bit of poetry. Poetry had always relieved her troubled mind better than anything else, though many things in the poetry she had seen detracted from the influence. Over parts of even the sublimest verses hung a chill vapor of sterile ugliness and restraint, like dust on a window-pane through which one views a magnificent sunset.

Listlessly turning the magazine's pages, as if searching for an elusive treasure, she suddenly came upon something which dispelled her languor. An observer could have read her thoughts and told that she had discovered some image or dream which brought her nearer to her unattained goal than any image or dream she had seen before. It was only a bit of vers libre, that pitiful compromise of the poet who overleaps prose yet falls short of the divine melody of numbers; but it had in it all the unstudied music of a bard who lives and feels, who gropes ecstatically for unveiled beauty. Devoid of regularity, it yet had the harmony of winged, spontaneous words, a harmony missing from the formal, convention-bound verse she had known. As she read on, her surroundings gradually faded, and soon there lay about her only the mists of dream, the purple, star-strewn mists beyond time, where only G.o.ds and dreamers walk.

Amid the mists of dream the reader cried to the rhythmical stars, of her delight at the coming of a new age of song, a rebirth of Pan. Half closing her eyes, she repeated words whose melody lay hidden like crystals at the bottom of a stream before dawn, hidden but to gleam effulgently at the birth of day.

Out of the mists gleamed G.o.dlike the torm ot a youth, in winged helmet and sandals, caduceus-bearing, and of a beauty like to nothing on earth. Before the face of the sleeper he thrice waved the rod which Apollo had given him in trade for the nine-corded sh.e.l.l of melody, and upon her brow he placed a wreath of myrtle and roses. Then, adoring, Hermes spoke: ”0 Nymph more fair than the golden-haired sisters of Cyene or the sky--inhabiting Atlantides, beloved of Aphrodite and blessed of Pallas, thou hast indeed discovered the secret of the G.o.ds, which lieth in beauty and song. 0 Prophetess more lovely than the Sybil of c.u.mae when Apollo first knew her, thou has truly spoken of the new age, for even now on Maenalus, Pan sighs and stretches in his sleep, wishful to wake and behold about him the little rose-crowned fauns and the antique Satyrs. In thy yearning hast thou divined what no mortal, saving only a few whom the world rejects, remembereth: that the G.o.ds were never dead, but only sleeping the sleep and dreaming the dreams of G.o.ds in lotos-filled Hesperian gardens beyond the golden sunset. And now draweth nigh the time of their awakening, when coldness and ugliness shall perish, and Zeus sit once more on Olympus. Already the sea about Paphos trembleth into a foam which only ancient skies have looked on before, and at night on Helicon the shepherds hear strange murmurings and half-remembered notes. Woods and fields are tremulous at twilight with the s.h.i.+mmering of white saltant forms, and immemorial Ocean yields up curious sights beneath thin moons. The G.o.ds are patient, and have slept long, but neither man nor giant shall defy the G.o.ds forever. In Tartarus the t.i.tans writhe and beneath the fiery Aetna groan the children of Ura.n.u.s and Gaea. The day now dawns when man must answer for centuries of denial, but in sleeping the G.o.ds have grown kind and will not hurl him to the gulf made for deniers of G.o.ds. Instead will their vengeance smite the darkness, fallacy and ugliness which have turned the mind of man; and under the sway of bearded Saturnus shall mortals, once more sacrificing unto him, dwell in beauty and delight. This night shalt thou know the favour of the G.o.ds, and behold on Parna.s.sus those dreams which the G.o.ds have through ages sent to earth to show that they are not dead. For poets are the dreams of G.o.ds, and in each and every age someone hath sung unknowingly the message and the promise from the lotosgardens beyond the sunset.”

Then in his arms Hermes bore the dreaming maiden through the skies. Gentle breezes from the tower of Aiolas wafted them high above warm, scented seas, till suddenly they came upon Zeus, holding court upon double-headed Parna.s.sus, his golden throne flanked by Apollo and the Muses on the right hand, and by ivy-wreathed Dionysus and pleasure--flushed Bacchae on the left hand. So much of splendour Marcia had never seen before, either awake or in dreams, but its radiance did her no injury, as would have the radiance of lofty Olympus; for in this lesser court the Father of G.o.ds had tempered his glories for the sight of mortals. Before the laurel-draped mouth of the Corycian cave sat in a row six n.o.ble forms with the aspect of mortals, but the countenances of G.o.ds. These the dreamer recognized from images of them which she had beheld, and she knew that they were none else than the divine Maeonides, the avernian Dante, the more than mortal Shakespeare, the chaos-exploring Milton, the cosmic Goethe and the musalan Keats. These were those messengers whom the G.o.ds had sent to tell men that Pan had pa.s.sed not away, but only slept; for it is in poetry that G.o.ds speak to men. Then spake the Thunderer: ”0 Daughter--for, being one of my endless line, thou art indeed my daughter--behold upon ivory thrones of honour the august messengers G.o.ds have sent down that in the words and writing of men there may be still some traces of divine beauty. Other bards have men justly crowned with enduring laurels, but these hath Apollo crowned, and these have I set in places apart, as mortals who have spoken the language of the G.o.ds. Long have we dreamed in lotosgardens beyond the West, and spoken only through our dreams; but the time approaches when our voices shall not be silent. It is a time of awakening and change. Once more hath Phaeton ridden low, searing the fields and drying the streams. In Gaul lone nymphs with disordered hair weep beside fountains that are no more, and pine over rivers turned red with the blood of mortals. Ares and his train have gone forth with the madness of G.o.ds and have returned Deimos and Phobos glutted with unnatural delight. Tellus moons with grief, and the faces of men are as the faces of Erinyes, even as when Astraea fled to the skies, and the waves of our bidding encompa.s.sed all the land saving this high peak alone. Amidst this chaos, prepared to herald his coming yet to conceal his arrival, even now toileth our latest born messenger, in whose dreams are all the images which other messengers have dreamed before him. He it is that we have chosen to blend into one glorious whole all the beauty that the world hath known before, and to write words wherein shall echo all the wisdom and the loveliness of the past. He it is who shall proclaim our return and sing of the days to come when Fauns and Dryads shall haunt their accustomed groves in beauty. Guided was our choice by those who now sit before the Corycian grotto on thrones of ivory, and in whose songs thou shalt hear notes of sublimity by which years hence thou shalt know the greater messenger when he cometh. Attend their voices as one by one they sing to thee here. Each note shall thou hear again in the poetry which is to come, the poetry which shall bring peace and pleasure to thy soul, though search for it through bleak years thou must. Attend with diligence, for each chord that vibrates away into hiding shall appear again to thee after thou hast returned to earth, as Alpheus, sinking his waters into the soul of h.e.l.las, appears as the crystal arethusa in remote Sicilia.”

Then arose Homeros, the ancient among bards, who took his lyre and chanted his hymn to Aphrodite. No word of Greek did Marcia know, yet did the message not fall vainly upon her ears, for in the cryptic rhythm was that which spake to all mortals and G.o.ds, and needed no interpreter.

So too the songs of Dante and Goethe, whose unknown words dave the ether with melodies easy to ready and adore. But at last remembered accents resounded before the listener. It was the Swan of Avon, once a G.o.d among men, and still a G.o.d among G.o.ds: Accents still more familiar arose as Milton, blind no more, declaimed immortal harmony: Last of all came the young voice of Keats, closest of all the messengers to the beauteous faun-folk: As the singer ceased, there came a sound in the wind blowing from far Egypt, where at night Aurora mourns by the Nile for her slain Memnon. To the feet of the Thunderer flew the rosy-fingered G.o.ddess and, kneeling, cried, ”Master, it is time I unlocked the Gates of the East.”And Phoebus, handing his lyre to Calliope, his bride among the Muses, prepared to depart for the jewelled and column-raised Palace of the Sun, where fretted the steeds already harnessed to the golden car of Day. So Zeus descended from his cavern throne and placed his hand upon the head of Marcia, saying: ”Daughter, the dawn is nigh, and it is well that thou shouldst return before the awakening of mortals to thy home. Weep not at the bleakness of thy life, for the shadow of false faiths will soon be gone and the G.o.ds shall once more walk among men. Search thou unceasingly for our messenger, for in him wilt thou find peace and comfort. By his word shall thy steps be guided to happiness, and in his dreams of beauty shall thy spirit find that which it craveth.”As Zeus ceased, the young Hermes gently seized the maiden and bore her up toward the fading stars, up and westward over unseen seas.

And as she speaks there comes again a vision of Parna.s.sus and the far--off sound of a mighty voice saying, ”By his word shall thy steps be guided to happiness, and in his dreams of beauty shall thy spirit find all that it craveth.”

THE ALCHEMIST.

High up, crowning the gra.s.sy summit of a swelling mount whose sides are wooded near the base with the gnarled trees of the primeval forest stands the old chateau of my ancestors. For centuries its lofty battlements have frowned down upon the wild and rugged countryside about, serving as a home and stronghold for the proud house whose honored line is older even than the moss-grown castle walls. These ancient turrets, stained by the storms of generations and crumbling under the slow yet mighty pressure of time, formed in the ages of feudalism one of the most dreaded and formidable fortresses in all France. From its machicolated parapets and mounted battlements Barons, Counts, and even Kings had been defied, yet never had its s.p.a.cious halls resounded to the footsteps of the invader.

But since those glorious years, all is changed. A poverty but little above the level of dire want, together with a pride of name that forbids its alleviation by the pursuits of commercial life, have prevented the scions of our line from maintaining their estates in pristine splendour; and the falling stones of the walls, the overgrown vegetation in the parks, the dry and dusty moat, the ill-paved courtyards, and toppling towers without, as well as the sagging floors, the worm-eaten wainscots, and the faded tapestries within, all tell a gloomy tale of fallen grandeur. As the ages pa.s.sed, first one, then another of the four great turrets were left to ruin, until at last but a single tower housed the sadly reduced descendants of the once mighty lords of the estate.

It was in one of the vast and gloomy chambers of this remaining tower that I, Antoine, last of the unhappy and accursed Counts de C-, first saw the light of day, ninety long years ago. Within these walls and amongst the dark and shadowy forests, the wild ravines and grottos of the hillside below, were spent the first years of my troubled life. My parents I never knew. My father had been killed at the age of thirty--two, a month before I was born, by the fall of a stone somehow dislodged from one of the deserted parapets of the castle. And my mother having died at my birth, my care and education devolved solely upon one remaining servitor, an old and trusted man of considerable intelligence, whose name I remember as Pierre. I was an only child and the lack of companions.h.i.+p which this fact entailed upon me was augmented by the strange care exercised by my aged guardian, in excluding me from the society of the peasant children whose abodes were scattered here and there upon the plains that surround the base of the hill. At that time, Pierre said that this restriction was imposed upon me because my n.o.ble birth placed me above a.s.sociation with such plebeian company. Now I know that its real object was to keep from my ears the idle tales of the dread curse upon our line that were nightly told and magnified by the simple tenantry as they conversed in hushed accents in the glow of their cottage hearths.

Thus isolated, and thrown upon my own resources, I spent the hours of my childhood in poring over the ancient tomes that filled the shadow-haunted library of the chateau, and in roaming without aim or purpose through the perpetual dust of the spectral wood that clothes the side of the hill near its foot. It was perhaps an effect of such surroundings that my mind early acquired a shade of melancholy. Those studies and pursuits which partake of the dark and occult in nature most strongly claimed my attention.

Of my own race I was permitted to learn singularly little, yet what small knowledge of it I was able to gain seemed to depress me much. Perhaps it was at first only the manifest reluctance of my old preceptor to discuss with me my paternal ancestry that gave rise to the terror which I ever felt at the mention of my great house, yet as I grew out of childhood, I was able to piece together disconnected fragments of discourse, let slip from the unwilling tongue which had begun to falter in approaching senility, that had a sort of relation to a certain circ.u.mstance which I had always deemed strange, but which now became dimly terrible. The circ.u.mstance to which I allude is the early age at which all the Counts of my line had met their end. Whilst I had hitherto considered this but a natural attribute of a family of short-lived men, I afterward pondered long upon these premature deaths, and began to connect them with the wanderings of the old man, who often spoke of a curse which for centuries had prevented the lives of the holders of my t.i.tle from much exceeding the span of thirty-two years. Upon my twenty-first birthday, the aged Pierre gave to me a family doc.u.ment which he said had for many generations been handed down from father to son, and continued by each possessor. Its contents were of the most startling nature, and its perusal confirmed the gravest of my apprehensions. At this time, my belief in the supernatural was firm and deep-seated, else I should have dismissed with scorn the incredible narrative unfolded before my eyes.

The paper carried me back to the days of the thirteenth century, when the old castle in which I sat had been a feared and impregnable fortress. It told of a certain ancient man who had once dwelled on our estates, a person of no small accomplishments, though little above the rank of peasant, by name, Michel, usually designated by the surname of Mauvais, the Evil, on account of his sinister reputation. He had studied beyond the custom of his kind, seeking such things as the Philosopher's Stone or the Elixir of Eternal Life, and was reputed wise in the terrible secrets of Black Magic and Alchemy. Michel Mauvais had one son, named Charles, a youth as proficient as himself in the hidden arts, who had therefore been called Le Sorcier, or the Wizard. This pair, shunned by all honest folk, were suspected of the most hideous practices. Old Michel was said to have burnt his wife alive as a sacrifice to the Devil, and the unaccountable disappearance of many small peasant children was laid at the dreaded door of these two. Yet through the dark natures of the father and son ran one redeeming ray of humanity; the evil old man loved his offspring with fierce intensity, whilst the youth had for his parent a more than filial affection.

One night the castle on the hill was thrown into the wildest confusion by the vanishment of young G.o.dfrey, son to Henri, the Count. A searching party, headed by the frantic father, invaded the cottage of the sorcerers and there came upon old Michel Mauvais, busy over a huge and violently boiling cauldron. Without certain cause, in the ungoverned madness of fury and despair, the Count laid hands on the aged wizard, and ere he released his murderous hold, his victim was no more. Meanwhile, joyful servants were proclaiming the finding of young G.o.dfrey in a distant and unused chamber of the great edifice, telling too late that poor Michel had been killed in vain. As the Count and his a.s.sociates turned away from the lowly abode of the alchemist, the form of Charles Le Sorcier appeared through the trees. The excited chatter of the menials standing about told him what had occurred, yet he seemed at first unmoved at his father's fate. Then, slowly advancing to meet the Count, he p.r.o.nounced in dull yet terrible accents the curse that ever afterward haunted the house of C-.

'May ne'er a n.o.ble of thy murd'rous line Survive to reach a greater age than thine!'

spake he, when, suddenly leaping backwards into the black woods, he drew from his tunic a phial of colourless liquid which he threw into the face of his father's slayer as he disappeared behind the inky curtain of the night. The Count died without utterance, and was buried the next day, but little more than two and thirty years from the hour of his birth. No trace of the a.s.sa.s.sin could be found, though relentless bands of peasants scoured the neighboring woods and the meadowland around the hill.

Thus time and the want of a reminder dulled the memory of the curse in the minds of the late Count's family, so that when G.o.dfrey, innocent cause of the whole tragedy and now bearing the t.i.tle, was killed by an arrow whilst hunting at the age of thirty-two, there were no thoughts save those of grief at his demise. But when, years afterward, the next young Count, Robert by name, was found dead in a nearby field of no apparent cause, the peasants told in whispers that their seigneur had but lately pa.s.sed his thirty-second birthday when surprised by early death. Louis, son to Robert, was found drowned in the moat at the same fateful age, and thus down through the centuries ran the ominous chronicle: Henris, Roberts, Antoines, and Armands s.n.a.t.c.hed from happy and virtuous lives when little below the age of their unfortunate ancestor at his murder.

That I had left at most but eleven years of further existence was made certain to me by the words which I had read. My life, previously held at small value, now became dearer to me each day, as I delved deeper and deeper into the mysteries of the hidden world of black magic. Isolated as I was, modern science had produced no impression upon me, and I laboured as in the Middle Ages, as wrapt as had been old Michel and young Charles themselves in the acquisition of demonological and alchemical learning. Yet read as I might, in no manner could I account for the strange curse upon my line. In unusually rational moments I would even go so far as to seek a natural explanation, attributing the early deaths of my ancestors to the sinister Charles Le Sorcier and his heirs; yet, having found upon careful inquiry that there were no known descendants of the alchemist, I would fall back to occult studies, and once more endeavor to find a spell, that would release my house from its terrible burden. Upon one thing I was absolutely resolved. I should never wed, for, since no other branch of my family was in existence, I might thus end the curse with myself.

As I drew near the age of thirty, old Pierre was called to the land beyond. Alone I buried him beneath the stones of the courtyard about which he had loved to wander in life. Thus was I left to ponder on myself as the only human creature within the great fortress, and in my utter solitude my mind began to cease its vain protest against the impending doom, to become almost reconciled to the fate which so many of my ancestors had met. Much of my time was now occupied in the exploration of the ruined and abandoned halls and towers of the old chateau, which in youth fear had caused me to shun, and some of which old Pierre had once told me had not been trodden by human foot for over four centuries. Strange and awesome were many of the objects I encountered. Furniture, covered by the dust of ages and crumbling with the rot of long dampness, met my eyes. Cobwebs in a profusion never before seen by me were spun everywhere, and huge bats flapped their bony and uncanny wings on all sides of the otherwise untenanted gloom.

Of my exact age, even down to days and hours, I kept a most careful record, for each movement of the pendulum of the ma.s.sive clock in the library told off so much of my doomed existence. At length I approached that time which I had so long viewed with apprehension. Since most of my ancestors had been seized some little while before they reached the exact age of Count Henri at his end, I was every moment on the watch for the coming of the unknown death. In what strange form the curse should overtake me, I knew not; but I was resolved at least that it should not find me a cowardly or a pa.s.sive victim. With new vigour I applied myself to my examination of the old chateau and its contents.

It was upon one of the longest of all my excursions of discovery in the deserted portion of the castle, less than a week before that fatal hour which I felt must mark the utmost limit of my stay on earth, beyond which I could have not even the slightest hope of continuing to draw breath that I came upon the culminating event of my whole life. I had spent the better part of the morning in climbing up and down half ruined staircases in one of the most dilapidated of the ancient turrets. As the afternoon progressed, I sought the lower levels, descending into what appeared to be either a mediaeval place of confinement, or a more recently excavated storehouse for gunpowder. As I slowly traversed the nitre-encrusted pa.s.sageway at the foot of the last staircase, the paving became very damp, and soon I saw by the light of my flickering torch that a blank, water-stained wall impeded my journey. Turning to retrace my steps, my eye fell upon a small trapdoor with a ring, which lay directly beneath my foot. Pausing, I succeeded with difficulty in raising it, whereupon there was revealed a black aperture, exhaling noxious fumes which caused my torch to sputter, and disclosing in the unsteady glare the top of a flight of stone steps.

As soon as the torch which I lowered into the repellent depths burned freely and steadily, I commenced my descent. The steps were many, and led to a narrow stone-flagged pa.s.sage which I knew must be far underground. This pa.s.sage proved of great length, and terminated in a ma.s.sive oaken door, dripping with the moisture of the place, and stoutly resisting all my attempts to open it. Ceasing after a time my efforts in this direction, I had proceeded back some distance toward the steps when there suddenly fell to my experience one of the most profound and maddening shocks capable of reception by the human mind. Without warning, I heard the heavy door behind me creak slowly open upon its rusted hinges. My immediate sensations were incapable of a.n.a.lysis. To be confronted in a place as thoroughly deserted as I had deemed the old castle with evidence of the presence of man or spirit produced in my brain a horror of the most acute description. When at last I turned and faced the seat of the sound, my eyes must have started from their orbits at the sight that they beheld.

There in the ancient Gothic doorway stood a human figure. It was that of a man clad in a skull-cap and long mediaeval tunic of dark colour. His long hair and flowing beard were of a terrible and intense black hue, and of incredible profusion. His forehead, high beyond the usual dimensions; his cheeks, deep-sunken and heavily lined with wrinkles; and his hands, long, claw-like, and gnarled, were of such a deadly marble-like whiteness as I have never elsewhere seen in man. His figure, lean to the proportions of a skeleton, was strangely bent and almost lost within the voluminous folds of his peculiar garment. But strangest of all were his eyes, twin caves of abysmal blackness, profound in expression of understanding, yet inhuman in degree of wickedness. These were now fixed upon me, piercing my soul with their hatred, and rooting me to the spot whereon I stood.

At last the figure spoke in a rumbling voice that chilled me through with its dull hollowness and latent malevolence. The language in which the discourse was clothed was that debased form of Latin in use amongst the more learned men of the Middle Ages, and made familiar to me by my prolonged researches into the works of the old alchemists and demonologists. The apparition spoke of the curse which had hovered over my house, told me of my coming end, dwelt on the wrong perpetrated by my ancestor against old Michel Mauvais, and gloated over the revenge of Charles Le Sorcier. He told how young Charles has escaped into the night, returning in after years to kill G.o.dfrey the heir with an arrow just as he approached the age which had been his father's at his a.s.sa.s.sination; how he had secretly returned to the estate and established himself, unknown, in the even then deserted subterranean chamber whose doorway now framed the hideous narrator, how he had seized Robert, son of G.o.dfrey, in a field, forced poison down his throat, and left him to die at the age of thirty-two, thus maintaining the foul provisions of his vengeful curse. At this point I was left to imagine the solution of the greatest mystery of all, how the curse had been fulfilled since that time when Charles Le Sorcier must in the course of nature have died, for the man digressed into an account of the deep alchemical studies of the two wizards, father and son, speaking most particularly of the researches of Charles Le Sorcier concerning the elixir which should grant to him who partook of it eternal life and youth.

His enthusiasm had seemed for the moment to remove from his terrible eyes the black malevolence that had first so haunted me, but suddenly the fiendish glare returned and, with a shocking sound like the hissing of a serpent, the stranger raised a gla.s.s phial with the evident intent of ending my life as had Charles Le Sorcier, six hundred years before, ended that of my ancestor. Prompted by some preserving instinct of self-defense, I broke through the spell that had hitherto held me immovable, and flung my now dying torch at the creature who menaced my existence. I heard the phial break harmlessly against the stones of the pa.s.sage as the tunic of the strange man caught fire and lit the horrid scene with a ghastly radiance. The shriek of fright and impotent malice emitted by the would-be a.s.sa.s.sin proved too much for my already shaken nerves, and I fell p.r.o.ne upon the slimy floor in a total faint.

When at last my senses returned, all was frightfully dark, and my mind, remembering what had occurred, shrank from the idea of beholding any more; yet curiosity over-mastered all. Who, I asked myself, was this man of evil, and how came he within the castle walls? Why should he seek to avenge the death o

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