Part 46 (1/2)

Lesbia entered Seraphine's Louis-seize drawing-room with a faint expectation of unpleasantness; but after a little whispering between Lady Kirkbank and the dressmaker, the latter came to Lesbia smiling graciously, and seemingly full of eagerness for new orders.

'Miladi says you want something of the most original--_tant soit peu risque_--for 'Enley,' she said. 'Let us see now,' and she tapped her forehead with a gold thimble which n.o.body had ever seen her use, but which looked respectable. 'There is ze dresses that Chaumont wear in zis new play, _Une Faute dans le Pa.s.se_. Yes, zere is the watare dress--a boating party at Bougival, a toilet of the most new, striking, _ecrasant_, what you English call a ”screamer.”'

'What a genius you are, Fifine,' exclaimed Lady Kirkbank, rapturously.

'The _Faute dans le Pa.s.se_ was only produced last week. No one will have thought of copying Chaumont's gowns yet awhile. The idea is an inspiration.'

'What is the boating costume like?' asked Lady Lesbia, faintly.

'An exquisite combination of simplicity with _vlan_,' answered the dressmaker. 'A skin-tight indigo silk Jersey bodice, closely studded with dark blue beads, a flounced petticoat of indigo and amber foulard, an amber scarf drawn tightly round the hips, and a dark blue toque with a largo bunch of amber poppies. Tan-coloured mousquetaire gloves, and Hessian boots of tan-coloured kid.'

'Hessian boots!' e.j.a.c.u.l.a.t.ed Lesbia.

'But, yes, Miladi. The petticoat is somewhat short, you comprehend, to escape the damp of the deck, and, after all, Hessians are much less indelicate than silk stockings, legs _a cru_, as one may say.'

'Lesbia, you will look enchanting in yellow Hessians,' said Lady Kirkbank, 'Let the dress be put in hand instantly, Seraphine.'

Lesbia was inclined to remonstrate. She did not admire the description of the costume, she would rather have something less outrageous.

'Outrageous! It is only original,' exclaimed her chaperon. 'If Chaumont wears it you may be sure it is perfect.'

'But on the stage, by gaslight, in the midst of unrealities,' argued Lesbia. 'That makes such a difference.'

'My dear, there is no difference nowadays between the stage and the drawing-room. Whatever Chaumont wears you may wear. And now let us think of the second day. I think as your first costume is to be nautical, and rather masculine, your second should be somewhat languis.h.i.+ng and _vaporeux_. Creamy Indian muslin, wild flowers, a large Leghorn hat.'

'And what will Miladi herself wear?' asked the French woman of Lady Kirkbank. 'She must have something of new.'

'No, at my age, it doesn't matter. I shall wear one of my cotton frocks, and my Dunstable hat.'

Lesbia shuddered, for Lady Kirkbank in her cotton frock was a spectacle at which youth laughed and age blushed. But after all it did not matter to Lesbia. She would have liked a less rowdy chaperon; but as a foil to her own fresh young beauty Lady Kirkbank was admirable.

They drove down to Rood Hall early next week, Sir George conveying them in his drag, with a change of horses at Maidenhead. The weather was peerless; the country exquisite, approached from London. How different that river landscape looks to the eyes of the traveller returning from the wild West of England, the wooded gorges of Cornwall and Devon, the Tamar and the Dart. Then how small and poor and mean seems silvery Thames, gliding peacefully between his willowy bank, singing his lullaby to the whispering sedges; a poor little river, a flat commonplace landscape, says the traveller, fresh from moorland and tor, from the rocky sh.o.r.e of the Atlantic, the deep clefts of the great, red hills.

To Lesbia's eyes the placid stream and the green pastures, breathing odours of meadow-sweet and clover, seemed pa.s.sing lovely. She was pleased with her own hat and parasol too, which made her graciously disposed towards the landscape; and the last packet of gloves from North Audley Street fitted without a wrinkle. The glovemaker was beginning to understand her hand, which was a study for a sculptor, but which had its little peculiarities.

Nor was she ill-disposed to Mr. Smithson, who had come up to town by an early train, in order to lunch in Arlington Street and go back by coach, seated just behind Lady Lesbia, who had the box seat beside Sir George.

The drive was delightful. It was a few minutes after five when the coach drove past the picturesque old gate-house into Mr. Smithson's Park, and Rood Hall lay on the low ground in front of them, with its back to the river. It was an old red brick house in the Tudor style, with an advanced porch, and four projecting wings, three stories high, with picturesque spire roofs overtopping the main building. Around the house ran a boldly-carved stone parapet, bearing the herons and bulrushes which were the cognisance of the n.o.ble race for which the mansion was built. Numerous projecting mullioned windows broke up the line of the park front. Lesbia was fain to own that Rood Hall was even better than Park Lane. In London Mr. Smithson had created a palace; but it was a new palace, which still had a faint flavour of bricks and mortar, and which was apt to remind the spectator of that wonderful erection of Aladdin, the famous Parvenu of Eastern story. Here, in Berks.h.i.+re, Mr. Smithson had dropped into a nest which had been kept warm for him for three centuries, aired and beautified by generations of a n.o.ble race which had obligingly decayed and dwindled in order to make room for Mr. Smithson.

Here the Parvenu had bought a home mellowed by the slow growth of years, touched into poetic beauty by the chastening fingers of time. His artist friends told him that every brick in the red walls was 'precious,' a mystery of colour which only a painter could fitly understand and value.

Here he had bought a.s.sociations, he had bought history. He had bought the dust of Elizabeth's senators, the bones of her court beauties. The coffins in the Mausoleum yonder in the ferny depths of the Park, the village church just outside the gates--these had all gone with the property.

Lesbia went up the grand staircase, through the long corridors, in a dream of wonder. Brought up at Fellside, in that new part of the Westmoreland house which had been built by her grandmother and had no history, she felt thrilled by the sober splendour of this fine old manorial mansion. All was sound and substantial, as if created yesterday, so well preserved had been the goods and chattels of the n.o.ble race; and yet all wore such unmistakeable marks of age. The deep rich colouring of the wainscot, the faded hues of the tapestry, the draperies of costliest velvet and brocade, were all sobered by the pa.s.sing of years.

Mr. Smithson had shown his good taste in having kept all things as Sir Hubert Heronville, the last of his race, had left them; and the Heronvilles had been one of those grand old Tory races which change nothing of the past.

Lady Lesbia's bedroom was the State chamber, which had been occupied by kings and queens in days of yore. That grandiose four-poster, with the carved ebony columns, cut velvet curtains, and plumes of ostrich feathers, had been built for Elizabeth, when she deigned to include Rood Hall in one of her royal progresses. Charles the First had rested his weary head upon those very pillows, before he went on to the Inn at Uxbridge, where he was to be lodged less luxuriously. James the Second had stayed there when Duke of York, with Mistress Anne Hyde, before he acknowledged his marriage to the mult.i.tude; and Anne's daughter had occupied the same room as Queen of England forty years later; and now the Royal Chamber, with adjacent dressing-room, and oratory, and s.p.a.cious boudoir all in the same suite, was reserved for Lady Lesbia Haselden.

'I'm afraid you are spoiling me,' she told Mr. Smithson, when he asked if she approved of the rooms that had been allotted to her. 'I feel quite ashamed of myself among the ghosts of dead and gone queens.'

'Why so? Surely the Royalty of beauty has as divine a right as that of an anointed sovereign.'