Part 29 (2/2)
It was a good question, a very good question.
”I don't know, Oscar. I really don't. Did Leora know that you had gotten in touch with Brown?”
”No. I called him because I knew that he would do anything to protect his family. She wanted him to stay away for the same reason.”
”Why did you give Leora Kit Mitch.e.l.l's address instead of Brown?” I asked. And then, ”Or did you tell him too?”
”I did not,” Oscar said. ”I told Leora because she's reasonable. If Kit had the book she could at least start to discuss terms with him. Who can tell what a man like Brown might have done?”
”You think he killed the Wexlers?”
”I wouldn't know.”
”What do you know?” I asked.
”That Kit Mitch.e.l.l came in here and stole our family history. He acted as if it was Son he was after but the book was his real intent. I didn't mind about the child. A boy should be with his parents.”
”And what about the book?”
”Do you know what it contains?” Oscar asked.
”Yeah. It's a diary. A family history.”
Oscar grunted at my quaint understatement. ”We are the only Negroes in all the New World who can follow our heritage back to the beginning, back to Africa. I know of six generations of my African heritage across a dozen different nations.”
”Shouldn't something like that be in a museum?” I asked. ”Or maybe the Library of Congress?”
”It's ours. Our history, not theirs. The Negro population isn't ready yet to receive it. They wouldn't know the value of such a treasure-not yet.”
”I see. And you think it's worth the multimillion-dollar deal Maestro Wexler wants to make.”
”It's worth everything.”
From what Rose had said, Oscar was a man who had thrown away everything once already. I wondered if Winifred was of the same opinion.
”What will you give me if I can get the book?” I asked. ”I mean, I hear that Maestro Wexler is willing to pay fifty grand.”
”We will double the offer.”
”You talkin' for Winifred?”
”She will do what is necessary.”
”Well, I ain't seen a book like that. But I'll put it up on the top of my list. I sure will.”
I put the receiver in the cradle and sat back in Loretta's swivel chair. Milo's hunger for money was worming in my gut. At the same time I wanted to steal the Fine family chronicle for myself.
I had about twenty-five hundred dollars left from the money I'd been given. Twenty-five hundred was good money in 1955 1955. Even if I had to share it with Fearless it meant a year of easy living and no worries.
But a hundred thousand dollars was a whole lifetime. I could buy a house, build my business, and be set for life. And I had the book right in the trunk of Ambrosia's car, with Fearless Jones as my Cerberus standing guard.
Those were the most sublime moments of my life. Sitting there in the lap of possible riches and treasure, plotting out a future that no poor man I ever knew had attained, and with none of the responsibilities that come with such gifts.
It was like that span of time when you've just met a woman that you want more than anything. She wants you too but you have to wait a day or two so as not to seem improper and tactless. You sleep alone but she's there with you. You never speak but you know every word that would come out of her mouth. And when she finally does say, I'll be seeing you, I'll be seeing you, you know the deeper implications, the heat of her desire to give and take everything you both have. you know the deeper implications, the heat of her desire to give and take everything you both have.
As time has gone by I've come to realize that those moments of antic.i.p.ation are always the high points. Love fades and money squanders itself. Familiarity, even with riches, comes to boredom, and a fly on angel's food cake or a fly on s.h.i.+t is still just a fly after all.
There came a knock at the door that jarred me awake.
”Paris,” Fearless Jones called, and my antic.i.p.ation turned once more to fear.
36.
IT WAS CLOSE TO ELEVEN-THIRTY when we drove off in Ambrosia's Chrysler. when we drove off in Ambrosia's Chrysler.
”How'd you make it back here?” I asked Fearless.
”Drove Leora's car. I told her uncle where I'd leave the keys. He said they'd come by and get it in the morning.”
Fearless was in a lighthearted mood. He told bad jokes and laughed at them too.
”What is it?” I asked him after three stories about the war.
”What?”
”Why are you so happy?”
”Oh, I don't know. Mama really likes havin' Rose in the house with her. Son's a good kid and so's Leora. You know I was worried there a while because I thought she had fooled me. But now I see that she really needed help and she wasn't tryin' to bring me grief.”
”That's like you and me,” I said. ”You my friend and you never mean to get me in trouble. But here I am, with you, in the crosshairs.”
This also made Fearless laugh.
”I'd tell ya I'm sorry, Paris. But you know I needed you in this one here.”
”Yeah.”
”Hey, Paris,” Fearless said. ”Where's that guy you always play chess wit'?”
”What guy?”
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