Part 41 (1/2)

The American Henry James 53690K 2022-07-22

”Do you really think I can make some money? I should like to see how it feels to have a little.”

”Do what I tell you, and you shall be rich,” said Newman. ”Think of it.”

And he looked at his watch and prepared to resume his way to Madame de Bellegarde's box.

”Upon my word I will think of it,” said Valentin. ”I will go and listen to Mozart another half hour--I can always think better to music--and profoundly meditate upon it.”

The marquis was with his wife when Newman entered their box; he was bland, remote, and correct as usual; or, as it seemed to Newman, even more than usual.

”What do you think of the opera?” asked our hero. ”What do you think of the Don?”

”We all know what Mozart is,” said the marquis; ”our impressions don't date from this evening. Mozart is youth, freshness, brilliancy, facility--a little too great facility, perhaps. But the execution is here and there deplorably rough.”

”I am very curious to see how it ends,” said Newman.

”You speak as if it were a feuilleton in the 'Figaro,'” observed the marquis. ”You have surely seen the opera before?”

”Never,” said Newman. ”I am sure I should have remembered it.

Donna Elvira reminds me of Madame de Cintre; I don't mean in her circ.u.mstances, but in the music she sings.”

”It is a very nice distinction,” laughed the marquis lightly. ”There is no great possibility, I imagine, of Madame de Cintre being forsaken.”

”Not much!” said Newman. ”But what becomes of the Don?”

”The devil comes down--or comes up,” said Madame de Bellegarde, ”and carries him off. I suppose Zerlina reminds you of me.”

”I will go to the foyer for a few moments,” said the marquis, ”and give you a chance to say that the commander--the man of stone--resembles me.”

And he pa.s.sed out of the box.

The little marquise stared an instant at the velvet ledge of the balcony, and then murmured, ”Not a man of stone, a man of wood.” Newman had taken her husband's empty chair. She made no protest, and then she turned suddenly and laid her closed fan upon his arm. ”I am very glad you came in,” she said. ”I want to ask you a favor. I wanted to do so on Thursday, at my mother-in-law's ball, but you would give me no chance.

You were in such very good spirits that I thought you might grant my little favor then; not that you look particularly doleful now. It is something you must promise me; now is the time to take you; after you are married you will be good for nothing. Come, promise!”

”I never sign a paper without reading it first,” said Newman. ”Show me your doc.u.ment.”

”No, you must sign with your eyes shut; I will hold your hand. Come, before you put your head into the noose. You ought to be thankful to me for giving you a chance to do something amusing.”

”If it is so amusing,” said Newman, ”it will be in even better season after I am married.”

”In other words,” cried Madame de Bellegarde, ”you will not do it at all. You will be afraid of your wife.”

”Oh, if the thing is intrinsically improper,” said Newman, ”I won't go into it. If it is not, I will do it after my marriage.”

”You talk like a treatise on logic, and English logic into the bargain!”

exclaimed Madame de Bellegarde. ”Promise, then, after you are married.

After all, I shall enjoy keeping you to it.”

”Well, then, after I am married,” said Newman serenely.

The little marquise hesitated a moment, looking at him, and he wondered what was coming. ”I suppose you know what my life is,” she presently said. ”I have no pleasure, I see nothing, I do nothing. I live in Paris as I might live at Poitiers. My mother-in-law calls me--what is the pretty word?--a gad-about? accuses me of going to unheard-of places, and thinks it ought to be joy enough for me to sit at home and count over my ancestors on my fingers. But why should I bother about my ancestors?

I am sure they never bothered about me. I don't propose to live with a green shade on my eyes; I hold that things were made to look at. My husband, you know, has principles, and the first on the list is that the Tuileries are dreadfully vulgar. If the Tuileries are vulgar, his principles are tiresome. If I chose I might have principles quite as well as he. If they grew on one's family tree I should only have to give mine a shake to bring down a shower of the finest. At any rate, I prefer clever Bonapartes to stupid Bourbons.”

”Oh, I see; you want to go to court,” said Newman, vaguely conjecturing that she might wish him to appeal to the United States legation to smooth her way to the imperial halls.