Volume II Part 19 (2/2)

Behemoth, the History of the Civil Wars of England, from 1640 to 1660, printed London, 1679.

Vita Thomae Hobbs; this is a Latin Poem, written by himself, and printed in 4to, 1679.

Historical Narration of Heresy, and the Punishment thereof, London 1680, in four sheets and a half in folio, and in 1682 in 8vo. of this we have already made some mention.

Vita Thomae Hobbs, written by himself in prose, and printed at Caropolis, i.e. London, and prefixed to Vitae Hobbianae Auctarium 1681 in 8vo. and 1682 in 4to.

A Brief of the Art of Rhetoric, containing the Substance of all that Aristotle hath written in his three Books on that Subject, printed in 12mo. but without a date.

A Dialogue between a Philosopher and a Student of the Common Law of England.

An Answer to Archbishop Bramhall's Book called the Catching of the Leviathan, London 1682 in 8vo.

Seven Philosophical Problems, and two Positions of Geometry, London 1682 in 8vo. dedicated to the King 1662.

An Apology for himself and his Writings, of which we have already taken notice.

Historia Ecclesiastica carmine elegiaco concinnata, London 1688 in 8vo.

Tractatus Opticus, inserted in Mersennus's Cogitata Physico-Mathematica, Paris 1644 in 4to.

He translated into English Verse the Voyages of Ulysses, or Homer's Odysseys. B. ix, x, xi, xii. London 1674 in 8vo.

Homer's Iliads and Odysse[y]s, London 1675, and 1677 in 12mo; to which is prefixed a Preface concerning Heroic Poetry. Mr. Pope in his Preface to his Translation of Homer's Iliad, says, 'that Mr. Hobbs, in his Version, has given a correct explanation of the sense in general, but for particulars and circ.u.mstances, lops them, and often omits the most beautiful. As for its being a close translation, I doubt not, many have been led into that error by the shortness of it, which proceeds not from the following the original line by line, but from the contractions above mentioned. He sometimes omits whole similes and sentences, and is now and then guilty of mistakes, into which no writer of his learning could have fallen but through carelessness. His poetry, like Ogilby's, is too mean for criticism.' He left behind likewise several MSS. Mr. Francis Peck has published two original Letters of our author; the first is dated at Paris October 21, 1634, in which he resolves the following question. Why a man remembers less his own face, which he sees often in a gla.s.s, than the face of a friend he has not seen a great time? The other Letter is dated at Florence, addressed to his friend Mr. Glen 1636, and relates to Dr.

Heylin's History of the Sabbath.

Thus have we given some account of the life and writings of the famous Philosopher of Malmsbury, who made so great a figure in the age in which he lived, but who, in the opinion of some of the best writers of that time, was more distinguished for his knowledge than his morals, and there have not been wanting those who have declared, that the lessons of voluptuousness and libertinism, with which he poisoned the mind of the young King Charles II. had so great an effect upon the morals of that Prince, that our nation dearly suffered by this tutorage, in having its wealth and treasure squandered by that luxurious Monarch. Hobbs seems not to have been very amiable in his life; he was certainly incapable of true friends.h.i.+p, for the same cowardice, or false principle, which could instigate him to abandon truth, would likewise teach him to sacrifice his friend to his own safety. When young, he was voluptuous, when old, peevish, dest.i.tute alike of resolution and honour. However high his powers, his character is mean, he flattered the prevailing follies, he gave up virtue to fas.h.i.+on, and if he can be produced as a miracle of learning, he can never be ranked with those venerable names, who have added virtue to erudition, and honour to genius; who have illuminated the world by their knowledge, and reformed it by example.

Footnotes: 1. Wood, ubi supra.

2. Athen. Oxon. p. 251.

Sir ASTON c.o.kAINE,

A gentleman who lived in the reign of Charles I. He was son of Thomas c.o.kaine, esq; and descended from a very ancient family at Ambourne in the Peak of Derbys.h.i.+re; born in the year 1608, and educated at both the universities[1]. Mr. Langbaine observes, that Sir Aston's predecessors had some evidence to prove themselves allied to William the Conqueror, and in those days lived at Hemmingham Castle in Ess.e.x.

He was a fellow-commoner at Trinity College in Cambridge, as he himself confesseth in one of his books. After he had left the university, he went to the Inns of Court, where continuing awhile for fas.h.i.+on's sake, he travelled afterwards with Sir Kenelm Digby into France, Italy, Germany, &c. and was absent the s.p.a.ce of twelve years, an account of which he has written to his son[2], but it does not appear to have been printed. He lived the greatest part of his time in a lords.h.i.+p belonging to him called Pooley, in the parish of Polesworth in Warwicks.h.i.+re, and addicted himself much to books and the study of poetry. During the civil wars he suffered much for his religion, which was that of Rome, and the King's cause; he pretended then to be a baronet, created by King Charles I. after by violence he had been drawn from the Parliament, about June 10, 1641; yet he was not deemed so by the officers of the army, because no patent was enrolled to justify it, nor any mention of it made in the docquet books belonging to the clerk of the crown in Chancery, where all Patents are taken notice of which pa.s.s the Great Seal. Sir Aston was esteemed by some a good poet, and was acknowledged by all a great lover of the polite arts; he was addicted to extravagance; for he wasted all he had, which, though he suffered in the civil wars, he was under no necessity of doing from any other motive but profusion.

Amongst our author's other poetical productions, he has written three plays and a masque, which are in print, which we shall give in the same order with Mr. Langbaine.

1. A Masque, presented at Bretbie in Derbys.h.i.+re, on Twelfth-Night 1639. This Entertainment was presented before the Right Honourable Philip, first Earl of Chesterfield, and his Countess, two of their sons acting in it.

2. The Obstinate Lady, a Comedy, printed in 8vo. London 1650.

Langbaine observes, that Sir Aston's Obstinate Lady, seems to be a cousin Jerman to Ma.s.singer's Very Woman, as appears by comparing the characters.

3. The Tragedy of Ovid, printed in 8vo. 1669. 'I know not (says Mr.

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