Volume I Part 13 (1/2)

12. Musophilus, a Defence of Learning; written dialogue-wise, addressed to Sir Fulk Greville.

13. Various Sonnets to Delia, 57 in number.

14. An Ode. 15. A Pastoral. 16. A Description of Beauty. 17. To the Angel Spirit of Sir Philip Sidney. 18. A Defence of Rhime. All these pieces are published together in two volumes, 12 mo. under the t.i.tle of the poetical pieces of Mr. Samuel Daniel.

But however well qualified our author's genius was for poetry, yet Langbain is of opinion that his history is the crown of all his works.

It was printed about the year 1613, and dedicated to Queen Anne. It reaches from the state of Britain under the Romans, to the beginning of the reign of Richard II. His history has received encomiums from various hands, as well as his poetry: It was continued by John Trusul, with like brevity and candour, but not with equal elegance, 'till the reign of Richard III. A.D. 1484. Mr. Daniel lived respected by men of worth and fas.h.i.+on, he pa.s.sed through life without tasting many of the vicissitudes of fortune; he seems to have been a second rate genius, and a tolerable versifier; his poetry in some places is tender, but want of fire is his characteristical fault. He was unhappy in the choice of his subject of a civil war for a poem, which obliged him to descend to minute descriptions, and nothing merely narrative can properly be touched in poetry, which demands flights of the imagination and bold images.

Sir JOHN HARRINGTON,

Born at Kelston near the city of Bath, was the son of John Harrington esquire, who was imprisoned in the Tower in the reign of Queen Mary, for holding a correspondence with the Lady Elizabeth; with whom he was in great favour after her accession to the crown, and received many testimonies of her bounty and grat.i.tude. Sir John, our author, had the honour to be her G.o.d-son, and both in respect to his father's merit, and his own, he was so happy to possess her esteem to the last[1].

He had the rudiments of his education at Eaton; thence removing to Cambridge, he there commenced master of arts, and before he arrived at his 30th year, he favoured the world with a translation of the Orlando Furioso of Ariosto, by which he acquired some reputation. After this work, he composed four books of epigrams, which in those times were received with great applause; several of these mention another humorous piece of his called Misacmos Metatmorphosis, which for a while exposed him to her Majesty's resentment, yet he was afterwards received into favour. This (says Mrs. Cooper) is not added to the rest of his works, and therefore she supposes was only meant for a Court amus.e.m.e.nt, not the entertainment of the public, or the increase of his fame. In the reign of King James I. he was created Knight of the Bath[2], and presented a ma.n.u.script to Prince Henry, called a Brief View of the State of the Church of England, as it stood in Queen Elizabeth and King James's reign in the year 1608. This piece was levelled chiefly against the married bishops, and was intended only for the private use of his Highness, but was some years afterwards published by one of Sir John's grandsons, and occasioned much displeasure from the clergy, who did not fail to recollect that his conduct was of a piece with his doctrines, as he, together with Robert earl of Leicester, supported Sir Walter Raleigh in his suit to Queen Elizabeth for the manor of Banwell, belonging to the bishopric of Bath and Wells, on the presumption that the right reverend inc.u.mbent had incurred a Premunire, by marrying a second wife.

Sir John appears to be a gentleman of great pleasantry and humour; his fortune was easy, the court his element, and which is ever an advantage to an author, wit was not his business, but diversion: 'Tis not to be doubted, but his translation of Ariosto was published after Spenser's Fairy Queen, and yet both in language and numbers it is much inferior, as much as it is reasonable to suppose the genius of Harrington was below that of Spenser.

Mrs. Cooper remarks, that the whole poem of Orlando is a tedious medley of unnatural characters, and improbable events, and that the author's patron, Cardinal Hippolito De Este, had some reason for that severe question. Where the devil, Signior Ludovico, did you pick up all these d.a.m.ned lies? The genius of Ariosto seems infinitely more fit for satire than heroic poetry; and some are of opinion, that had Harrington wrote nothing but epigrams, he had been more in his own way.

We cannot certainly fix the time that Sir John died, but it is reasonable to suppose that it was about the middle, or rather towards the latter end of James I's reign. I shall subjoin an epigram of his as a specimen of his poetry.

IN CORNUTUM.

What curl'd pate youth is he that sitteth there, So near thy wife, and whispers in her eare, And takes her hand in his, and soft doth wring her.

Sliding his ring still up and down her finger?

Sir, 'tis a proctor, seen in both the lawes, Retain'd by her in some important cause; Prompt and discreet both in his speech and action, And doth her business with great satisfaction.

And think'st thou so? a horn-plague on thy head!

Art thou so-like a fool, and wittol led, To think he doth the bus'ness of thy wife?

He doth thy bus'ness, I dare lay my life.

[Footnote 1: Muses Library, p. 296.]

[Footnote 2: Ubi supra.]

THOMAS DECKER,

A poet who lived in the reign of King James I. and as he was cotemporary with Ben Johnson, so he became more eminent by having a quarrel with that great man, than by all his works. Decker was but an indifferent poet, yet even in those days he wanted not his admirers; he had also friends among the poets; one of whom, Mr. Richard Brome, always called him Father; but it is the misfortune of little wits, that their admirers are as inconsiderable as themselves, for Brome's applauses confer no great honour on those who enjoy them. Our author joined with Webster in writing three plays, and with Rowley and Ford in another; and Langbaine a.s.serts, that these plays in which he only contributed a part, far exceed those of his own composition. He has been concerned in eleven plays, eight whereof are of his own writing, of all which I shall give an account in their alphabetical order.

I. Fortunatus, a comedy, printed originally in 4to but with what success, or when acted, I cannot gain any account.

II. Honest Wh.o.r.e, the first part; a comedy, with the humours of the Patient Man, and the Longing Wife, acted by the Queen's Servants, 1635.

III. Honest Wh.o.r.e, the second part, a comedy; with the humours of the Patient Man, the Impatient Wife; the Honest Wh.o.r.e persuaded by strong arguments to turn Courtezan again; her refusing those arguments, and lastly the comical pa.s.sage of an Italian bridewel, where the scene ends. Printed in 4to, London 1630. This play Langbaine thinks was never exhibited, neither is it divided into acts.

IV. If this be not a good play the devil is in it; a comedy, acted with great applause by the Queen's majesty's servants, at the Red-Bull, and dedicated to the actors. The beginning of this play seems to be writ in imitation of Machiavel's novel of Belphegor, where Pluto summons the Devils to council.