Part 14 (2/2)

”Are you at all acquainted with Milton's 'Paradise Lost'?” inquired Sidney of Miss Boast.

”I have read a little of it, but it is not my favourite book,” she replied.

”But it is an admirable book,” said Sidney; ”I have read it again and again. Why, I know it almost line by line. It is a grand poem, of course of the tragic style, full of strong sentiment and bold figure. Milton, you know, wrote that poem in German. The translation into English is a good one--incomparably good. I forget who the translator was. Do you not remember those exquisitely fine lines which run thus,--

'Ah, mighty Love----'

Why, now, it is strange I should forget them. Let me see (with his hand to his forehead). Now I have them,

'Ah, mighty Love, that it were inward heat Which made this precious limbeck sweet!

But what, alas! ah, what does it avail!'

I need not repeat any more. This will give you an idea of the style and sentiment of that wonderful poem.”

”It is certainly very fine,” said the young lady, innocently. ”Did you not hear those beautiful lines, Arthur, which Sidney has just quoted from Milton?” asked Miss Boast.

”Yes, I heard them.”

”Are they not fine?” said Sidney to Arthur.

He evaded an answer.

”Are you sure that the quotation is from Milton?” inquired Mr. Smith, who was listening to the conversation.

”Certainly,” said Sidney.

”Are they, Arthur?” asked Smith, who had his suspicions, and apprehended another display of Sidney's pedantry, and was determined if possible to put a check on his folly.

”If you require me to be candid in my answer,” said Arthur, quietly, ”I do not think that they do belong to Milton at all.”

”Whose are they, then?” asked Sidney, rather petulantly.

”They are Cowley's, to be found in vol. i., p. 132, of his works.”

”I never knew that Milton's poem was tragedy, and that he wrote it in German until now,” observed Mr. Smith, ironically.

”Who said he did?” asked Arthur.

”Sidney.”

”That is new historical fact, if fact it be,” said Arthur. ”I always thought he wrote it in English, and that the poem was of the epic order.”

”I always thought so too,” said Smith.

Sidney sat confounded, but not conquered in his fault. He would not admit his error, nor would he cease his pedantic exhibitions. He gave two or three more displays before the party separated, and with similar results. Enough, however, has been given here to show the excessive folly of this habit, and the just ridicule to which it is exposed.

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