Part 30 (1/2)

”Take hold of it,” said Jackson, at last, to the Greenlander; ”it must go overboard. Don't stand shaking there, like a dog; take hold of it, I say! But stop”--and smothering it all in the blankets, he pulled it partly out of the bunk.

A few minutes more, and it fell with a bubble among the phosph.o.r.escent sparkles of the damp night sea, leaving a coruscating wake as it sank.

This event thrilled me through and through with unspeakable horror; nor did the conversation of the watch during the next four hours on deck at all serve to soothe me.

But what most astonished me, and seemed most incredible, was the infernal opinion of Jackson, that the man had been actually dead when brought on board the s.h.i.+p; and that knowingly, and merely for the sake of the month's advance, paid into his hand upon the strength of the bill he presented, the body-s.n.a.t.c.hing crimp had knowingly s.h.i.+pped a corpse on board of the Highlander, under the pretense of its being a live body in a drunken trance. And I heard Jackson say, that he had known of such things having been done before. But that a really dead body ever burned in that manner, I can not even yet believe. But the sailors seemed familiar with such things; or at least with the stories of such things having happened to others.

For me, who at that age had never so much as happened to hear of a case like this, of animal combustion, in the horrid mood that came over me, I almost thought the burning body was a premonition of the h.e.l.l of the Calvinists, and that Miguel's earthly end was a foretaste of his eternal condemnation.

Immediately after the burial, an iron pot of red coals was placed in the bunk, and in it two handfuls of coffee were roasted. This done, the bunk was nailed up, and was never opened again during the voyage; and strict orders were given to the crew not to divulge what had taken place to the emigrants; but to this, they needed no commands.

After the event, no one sailor but Jackson would stay alone in the forecastle, by night or by noon; and no more would they laugh or sing, or in any way make merry there, but kept all their pleasantries for the watches on deck. All but Jackson: who, while the rest would be sitting silently smoking on their chests, or in their bunks, would look toward the fatal spot, and cough, and laugh, and invoke the dead man with incredible scoffs and jeers. He froze my blood, and made my soul stand still.

XLIX. CARLO

There was on board our s.h.i.+p, among the emigrant pa.s.sengers, a rich- cheeked, chestnut-haired Italian boy, arrayed in a faded, olive-hued velvet jacket, and tattered trowsers rolled up to his knee. He was not above fifteen years of age; but in the twilight pensiveness of his full morning eyes, there seemed to sleep experiences so sad and various, that his days must have seemed to him years. It was not an eye like Harry's tho' Harry's was large and womanly. It shone with a soft and spiritual radiance, like a moist star in a tropic sky; and spoke of humility, deep-seated thoughtfulness, yet a careless endurance of all the ills of life.

The head was if any thing small; and heaped with thick cl.u.s.ters of tendril curls, half overhanging the brows and delicate ears, it somehow reminded you of a cla.s.sic vase, piled up with Falernian foliage.

From the knee downward, the naked leg was beautiful to behold as any lady's arm; so soft and rounded, with infantile ease and grace. His whole figure was free, fine, and indolent; he was such a boy as might have ripened into life in a Neapolitan vineyard; such a boy as gipsies steal in infancy; such a boy as Murillo often painted, when he went among the poor and outcast, for subjects wherewith to captivate the eyes of rank and wealth; such a boy, as only Andalusian beggars are, full of poetry, gus.h.i.+ng from every rent.

Carlo was his name; a poor and friendless son of earth, who had no sire; and on life's ocean was swept along, as spoon-drift in a gale.

Some months previous, he had landed in Prince's Dock, with his hand- organ, from a Messina vessel; and had walked the streets of Liverpool, playing the sunny airs of southern chines, among the northern fog and drizzle. And now, having laid by enough to pay his pa.s.sage over the Atlantic, he had again embarked, to seek his fortunes in America.

From the first, Harry took to the boy.

”Carlo,” said Harry, ”how did you succeed in England?”

He was reclining upon an old sail spread on the long-boat; and throwing back his soiled but ta.s.seled cap, and caressing one leg like a child, he looked up, and said in his broken English--that seemed like mixing the potent wine of Oporto with some delicious syrup:--said he, ”Ah! I succeed very well!--for I have tunes for the young and the old, the gay and the sad. I have marches for military young men, and love-airs for the ladies, and solemn sounds for the aged. I never draw a crowd, but I know from their faces what airs will best please them; I never stop before a house, but I judge from its portico for what tune they will soonest toss me some silver. And I ever play sad airs to the merry, and merry airs to the sad; and most always the rich best fancy the sad, and the poor the merry.”

”But do you not sometimes meet with cross and crabbed old men,” said Harry, ”who would much rather have your room than your music?”

”Yes, sometimes,” said Carlo, playing with his foot, ”sometimes I do.”

”And then, knowing the value of quiet to unquiet men, I suppose you never leave them under a s.h.i.+lling?”

”No,” continued the boy, ”I love my organ as I do myself, for it is my only friend, poor organ! it sings to me when I am sad, and cheers me; and I never play before a house, on purpose to be paid for leaving off, not I; would I, poor organ?”--looking down the hatchway where it was.

”No, that I never have done, and never will do, though I starve; for when people drive me away, I do not think my organ is to blame, but they themselves are to blame; for such people's musical pipes are cracked, and grown rusted, that no more music can be breathed into their souls.”

”No, Carlo; no music like yours, perhaps,” said Harry, with a laugh.

”Ah! there's the mistake. Though my organ is as full of melody, as a hive is of bees; yet no organ can make music in unmusical b.r.e.a.s.t.s; no more than my native winds can, when they breathe upon a harp without chords.”

Next day was a serene and delightful one; and in the evening when the vessel was just rippling along impelled by a gentle yet steady breeze, and the poor emigrants, relieved from their late sufferings, were gathered on deck; Carlo suddenly started up from his lazy reclinings; went below, and, a.s.sisted by the emigrants, returned with his organ.

Now, music is a holy thing, and its instruments, however humble, are to be loved and revered. Whatever has made, or does make, or may make music, should be held sacred as the golden bridle-bit of the Shah of Persia's horse, and the golden hammer, with which his hoofs are shod.