Part 66 (1/2)
”At any rate,” he resumed, ”nothing would induce me to interfere with Peter Sherringham. That sounds fatuous, but to you I don't mind appearing an a.s.s.”
”The thing would be to get Sherringham, out of spite,” Nash threw off, ”to entangle himself with another woman.”
”What good would that do?”
”Ah, Miriam would then begin to think of him.”
”Spite surely isn't a conceivable motive--for a healthy man.”
The plea, however, found Gabriel ready. ”Sherringham's just precisely not a healthy man. He's too much in love.”
”Then he won't care for another woman.”
”He would try to, and that would produce its effect--its effect on Miriam.”
”You talk like an American novel. Let him try, and G.o.d keep us all straight.” Nick adverted in extreme silence to his poor little Biddy and greatly hoped--he would have to see to it a little--that Peter wouldn't ”try” on _her_. He changed the subject and before Nash withdrew took occasion to remark--the occasion was offered by some new allusion of the visitor's to the sport he hoped to extract from seeing Nick carry out everything to which he stood committed--that the comedy of the matter would fall flat and the incident pa.s.s unnoticed.
But Nash lost no heart. ”Oh, if you'll simply do your part I'll take care of the rest.”
”If you mean by doing my part minding my business and working like a beaver I shall easily satisfy you,” Nick replied.
”Ah, you reprobate, you'll become another Sir Joshua, a mere P.R.A.!”
his companion railed, getting up to go.
When he had gone Nick threw himself back on the cus.h.i.+ons of the divan and, with his hands locked above his head, sat a long time lost in thought. He had sent his servant to bed; he was unmolested. He gazed before him into the gloom produced by the unheeded burning-out of the last candle. The vague outer light came in through the tall studio window and the painted images, ranged about, looked confused in the dusk. If his mother had seen him she might have thought he was staring at his father's ghost.
x.x.xVI
The night Peter Sherringham walked away from Balaklava Place with Gabriel Nash the talk of the two men directed itself, as was natural at the time, to the question of Miriam's future fame and the pace, as Nash called it, at which she would go. Critical spirits as they both were, and one of them as dissimulative in pa.s.sion as the other was paradoxical in the absence of it, they yet took her career for granted as completely as the simple-minded, a pair of hot spectators in the pit, might have done, and exchanged observations on the a.s.sumption that the only uncertain element would be the pace. This was a proof of general subjugation. Peter wished not to show, yet wished to know, and in the restlessness of his anxiety was ready even to risk exposure, great as the sacrifice might be of the imperturbable, urbane scepticism most appropriate to a secretary of emba.s.sy. He couldn't rid himself of the sense that Nash had got up earlier than he, had had opportunities of contact in days already distant, the days of Mrs. Rooth's hungry foreign rambles. Something of authority and privilege stuck to him from this, and it made Sherringham still more uncomfortable when he was most conscious that, at the best, even the trained diplomatic mind would never get a grasp of Miriam as a whole. She was constructed to revolve like the terraqueous globe; some part or other of her was always out of sight or in shadow.
Peter talked to conceal his feelings, and, like many a man practising that indirectness, rather lost himself in the wood. They agreed that, putting strange accidents aside, the girl would go further than any one had gone in England within the memory of man; and that it was a pity, as regards marking the comparison, that for so long no one had gone any distance worth speaking of. They further agreed that it would naturally seem absurd to any one who didn't know, their prophesying such big things on such small evidence; and they agreed lastly that the absurdity quite vanished as soon as the prophets knew as _they_ knew. Their knowledge--they quite recognised this--was simply confidence raised to a high point, the communication of their young friend's own confidence.
The conditions were enormously to make, but it was of the very essence of Miriam's confidence that she would make them. The parts, the plays, the theatres, the ”support,” the audiences, the critics, the money were all to be found, but she cast a spell that prevented this from seeming a serious. .h.i.tch. One mightn't see from one day to the other what she would do or how she would do it, but this wouldn't stay her steps--she would none the less go on. She would have to construct her own road, as it were, but at the worst there would only be delays in making it. These delays would depend on the hardness of the stones she had to break.
As Peter had noted, you never knew where to ”have” Gabriel Nash; a truth exemplified in his unexpected delight at the prospect of Miriam's drawing forth the modernness of the age. You might have thought he would loathe that modernness; but he had a joyous, amused, amusing vision of it--saw it as something huge and fantastically vulgar. Its vulgarity would rise to the grand style, like that of a London railway station, and the publicity achieved by their charming charge be as big as the globe itself. All the machinery was ready, the platform laid; the facilities, the wires and bells and trumpets, the roaring, deafening newspaperism of the period--its most distinctive sign--were waiting for her, their predestined mistress, to press her foot on the spring and set them all in motion. Gabriel brushed in a large, bright picture of her progress through the time and round the world, round it and round it again, from continent to continent and clime to clime; with populations and deputations, reporters and photographers, placards and interviews and banquets, steamers, railways, dollars, diamonds, speeches and artistic ruin all jumbled into her train. Regardless of expense the spectacle would be and thrilling, though somewhat monotonous, the drama--a drama more bustling than any she would put on the stage and a spectacle that would beat everything for scenery. In the end her divine voice would crack, screaming to foreign ears and antipodal barbarians, and her clever manner would lose all quality, simplified to a few unmistakable knock-down dodges. Then she would be at the fine climax of life and glory, still young and insatiate, but already coa.r.s.e, hard, and raddled, with nothing left to do and nothing left to do it with, the remaining years all before her and the _raison d'etre_ all behind. It would be splendid, dreadful, grotesque.
”Oh, she'll have some good years--they'll be worth having,” Peter insisted as they went. ”Besides, you see her too much as a humbug and too little as a real producer. She has ideas--great ones; she loves the thing for itself. That may keep a woman serious.”
”Her greatest idea must always be to show herself, and fortunately she has a great quant.i.ty of that treasure to show. I think of her absolutely as a real producer, but as a producer whose production is her own person. No 'person,' even as fine a one as hers, will stand that for more than an hour, so that humb.u.g.g.e.ry has very soon to lend a hand.
However,” Nash continued, ”if she's a fine humbug it will do as well, it will perfectly suit the time. We can all be saved by vulgarity; that's the solvent of all difficulties and the blessing of this delightful age.
One doesn't die of it--save in soul and sense: one dies only of minding it. Therefore let no man despair--a new hope has dawned.”
”She'll do her work like any other worker, with the advantage over many that her talent's rare,” Peter obliquely answered. ”Compared with the life of many women that's security and sanity of the highest order. Then she can't help her beauty. You can't vulgarise that.”
”Oh, can't you?” Gabriel cried.
”It will abide with her till the day of her death. It isn't a mere superficial freshness. She's very n.o.ble.”
”Yes, that's the pity of it,” said Nash. ”She's a big more or less directed force, and I quite admit that she'll do for a while a lot of good. She'll have brightened up the world for a great many people--have brought the ideal nearer to them and held it fast for an hour with its feet on earth and its great wings trembling. That's always something, for blest is he who has dropped even the smallest coin into the little iron box that contains the precious savings of mankind. Miriam will doubtless have dropped a big gold-piece. It will be found in the general scramble on the day the race goes bankrupt. And then for herself she'll have had a great go at life.”