Part 12 (1/2)

”My pa.s.sion--?”

”I don't mean for any individual exponent of the equivocal art: mark the guilty conscience, mark the rising blush, mark the confusion of mind! I mean the old sign one knew you best by; your permanent stall at the Francais, your inveterate attendance at _premieres_, the way you 'follow' the young talents and the old.”

”Yes, it's still my little hobby, my little folly if you like,”

Sherringham said. ”I don't find I get tired of it. What will you have?

Strong predilections are rather a blessing; they're simplifying. I'm fond of representation--the representation of life: I like it better, I think, than the real thing. You like it too, you'd be ready in other conditions to go in for it, in your way--so you've no right to cast the stone. You like it best done by one vehicle and I by another; and our preference on either side has a deep root in us. There's a fascination to me in the way the actor does it, when his talent--ah he must have that!--has been highly trained. Ah it must _be_ that! The things he can do in this effort at representation, with the dramatist to back him, seem to me innumerable--he can carry it to a point!--and I take great pleasure in observing them, in recognising and comparing them. It's an amus.e.m.e.nt like another--I don't pretend to call it by any exalted name, but in this vale of friction it will serve. One can lose one's self in it, and it has the recommendation--in common, I suppose, with the study of the other arts--that the further you go in it the more you find. So I go rather far, if you will. But is it the princ.i.p.al sign one knows me by?” Peter abruptly asked.

”Don't be ashamed of it,” Nick returned--”else it will be ashamed of you. I ought to discriminate. You're distinguished among my friends and relations by your character of rising young diplomatist; but you know I always want the final touch to the picture, the last fruit of a.n.a.lysis.

Therefore I make out that you're conspicuous among rising young diplomatists for the infatuation you describe in such pretty terms.”

”You evidently believe it will prevent my ever rising very high. But pastime for pastime is it any idler than yours?”

”Than mine?”

”Why you've half-a-dozen while I only allow myself the luxury of one.

For the theatre's my sole vice, really. Is this more wanton, say, than to devote weeks to the consideration of the particular way in which your friend Mr. Nash may be most intensely a twaddler and a bore? That's not my ideal of choice recreation, but I'd undertake to satisfy you about him sooner. You're a young statesman--who happens to be an _en disponibilite_ for the moment--but you spend not a little of your time in besmearing canvas with bright-coloured pigments. The idea of representation fascinates you, but in your case it's representation in oils--or do you practise water-colours and pastel too? You even go much further than I, for I study my art of predilection only in the works of others. I don't aspire to leave works of my own. You're a painter, possibly a great one; but I'm not an actor.” Nick Dormer declared he would certainly become one--he was so well on the way to it; and Sherringham, without heeding this charge, went on: ”Let me add that, considering you _are_ a painter, your portrait of the complicated Nash is lamentably dim.”

”He's not at all complicated; he's only too simple to give an account of. Most people have a lot of attributes and appendages that dress them up and superscribe them, and what I like Gabriel for is that he hasn't any at all. It makes him, it keeps him, so refres.h.i.+ngly cool.”

”By Jove, you match him there! Isn't it an appendage and an attribute to escape kicking? How does he manage that?” Sherringham asked.

”I haven't the least idea--I don't know that he doesn't rouse the kicking impulse. Besides, he can kick back and I don't think any one has ever seen him duck or dodge. His means, his profession, his belongings have never anything to do with the question. He doesn't shade off into other people; he's as neat as an outline cut out of paper with scissors.

I like him, therefore, because in dealing with him you know what you've got hold of. With most men you don't: to pick the flower you must break off the whole dusty, th.o.r.n.y, worldly branch; you find you're taking up in your grasp all sorts of other people and things, dangling accidents and conditions. Poor Nash has none of those enc.u.mbrances: he's the solitary-fragrant blossom.”

”My dear fellow, you'd be better for a little of the same pruning!”

Sherringham retorted; and the young men continued their walk and their gossip, jerking each other this way and that, punching each other here and there, with an amicable roughness consequent on their having, been boys together. Intimacy had reigned of old between the little Sherringhams and the little Dormers, united in the country by ease of neighbouring and by the fact that there was first cousins.h.i.+p, not neglected, among the parents, Lady Agnes standing in this plastic relation to Lady Windrush, the mother of Peter and Julia as well as of other daughters and of a maturer youth who was to inherit, and who since then had inherited, the ancient barony. Many things had altered later on, but not the good reasons for not explaining. One of our young men had gone to Eton and the other to Harrow--the scattered school on the hill was the tradition of the Dormers--and the divergence had rather taken its course in university years. Bricket, however, had remained accessible to Windrush, and Windrush to Bricket, to which estate Percival Dormer had now succeeded, terminating the interchange a trifle rudely by letting out that pleasant white house in the midlands--its expropriated inhabitants, Lady Agnes and her daughters, adored it--to an American reputed rich, who in the first flush of his sense of contrasts considered that for twelve hundred a year he got it at a bargain.

Bricket had come to the late Sir Nicholas from his elder brother, dying wifeless and childless. The new baronet, so different from his father--though recalling at some points the uncle after whom he had been named--that Nick had to make it up by cultivating conformity, roamed about the world, taking shots which excited the enthusiasm of society, when society heard of them, at the few legitimate creatures of the chase the British rifle had up to that time spared. Lady Agnes meanwhile settled with her girls in a gabled, latticed house in a mentionable quarter, though it still required a little explaining, of the temperate zone of London. It was not into her lap, poor woman, that the revenues of Bricket were poured. There was no dower-house attached to that moderate property, and the allowance with which the estate was charged on her ladys.h.i.+p's behalf was not an incitement to grandeur.

Nick had a room under his mother's roof, which he mainly used to dress for dinner when dining in Calcutta Gardens, and he had ”kept on” his chambers in the Temple; for to a young man in public life an independent address was indispensable. Moreover, he was suspected of having a studio in an out-of-the-way district, the indistinguishable parts of South Kensington, incongruous as such a retreat might seem in the case of a member of Parliament. It was an absurd place to see his const.i.tuents unless he wanted to paint their portraits, a kind of ”representation”

with which they would scarce have been satisfied; and in fact the only question of portraiture had been when the wives and daughters of several of them expressed a wish for the picture of their handsome young member.

Nick had not offered to paint it himself, and the studio was taken for granted rather than much looked into by the ladies in Calcutta Gardens.

Too express a disposition to regard whims of this sort as extravagance pure and simple was known by them to be open to correction; for they were not oblivious that Mr. Carteret had humours which weighed against them in the shape of convenient cheques nestling between the inside pages of legible letters of advice. Mr. Carteret was Nick's providence, just as Nick was looked to, in a general way, to be that of his mother and sisters, especially since it had become so plain that Percy, who was not subtly selfish, would operate, mainly with a ”six-bore,” quite out of that sphere. It was not for studios certainly that Mr. Carteret sent cheques; but they were an expression of general confidence in Nick, and a little expansion was natural to a young man enjoying such a luxury as that. It was sufficiently felt in Calcutta Gardens that he could be looked to not to betray such confidence; for Mr. Carteret's behaviour could have no name at all unless one were prepared to call it encouraging. He had never promised anything, but he was one of the delightful persons with whom the redemption precedes or dispenses with the vow. He had been an early and lifelong friend of the late right honourable gentleman, a political follower, a devoted admirer, a stanch supporter in difficult hours. He had never married, espousing nothing more reproductive than Sir Nicholas's views--he used to write letters to the _Times_ in favour of them--and had, so far as was known, neither chick nor child; nothing but an amiable little family of eccentricities, the flower of which was his odd taste for living in a small, steep, clean country town, all green gardens and red walls with a girdle of hedge-rows, all cl.u.s.tered about an immense brown old abbey. When Lady Agnes's imagination rested upon the future of her second son she liked to remember that Mr. Carteret had nothing to ”keep up”: the inference seemed so direct that he would keep up Nick.

The most important event in the life of this young man had been incomparably his success, under his father's eyes, more than two years before, in the sharp contest for Crockhurst--a victory which his consecrated name, his extreme youth, his ardour in the fray, the marked personal sympathy of the party, and the attention excited by the fresh cleverness of his speeches, tinted with young idealism and yet sticking sufficiently to the question--the burning question which has since burned out--had made quite splendid. There had been leaders in the newspapers about it, half in compliment to her husband, who was known to be failing so prematurely--he was almost as young to die, and to die famous, for Lady Agnes regarded it as famous, as his son had been to stand--tributes the boy's mother religiously preserved, cut out and tied together with a ribbon, in the innermost drawer of a favourite cabinet.

But it had been a barren, or almost a barren triumph, for in the order of importance in Nick's history another incident had run it, as the phrase is, very close: nothing less than the quick dissolution of the Parliament in which he was so manifestly destined to give symptoms of a future. He had not recovered his seat at the general election, for the second contest was even sharper than the first and the Tories had put forward a loud, vulgar, rattling, bullying, money-spending man. It was to a certain extent a comfort that poor Sir Nicholas, who had been witness of the bright hour, should have pa.s.sed away before the darkness.

He died with all his hopes on his second son's head, unconscious of near disappointment, handing on the torch and the tradition, after a long, supreme interview with Nick at which Lady Agnes had not been present, but which she knew to have been a thorough paternal dedication, an august communication of ideas on the highest national questions (she had reason to believe he had touched on those of external as well as of domestic and of colonial policy) leaving on the boy's nature and manner from that moment the most unmistakable traces. If his tendency to reverie increased it was because he had so much to think over in what his pale father had said to him in the hushed dim chamber, laying on him the great mission that death had cut short, breathing into him with unforgettable solemnity the very accents--Sir Nicholas's voice had been wonderful for richness--that he was to sound again. It was work cut out for a lifetime, and that ”co-ordinating power in relation to detail”

which was one of the great characteristics of the lamented statesman's high distinction--the most a.n.a.lytic of the weekly papers was always talking about it--had enabled him to rescue the prospect from any shade of vagueness or of ambiguity.

Five years before Nick Dormer went up to be questioned by the electors of Crockhurst Peter Sherringham had appeared before a board of examiners who let him off much less easily, though there were also some flattering prejudices in his favour; such influences being a part of the copious, light, unembarra.s.sing baggage with which each of the young men began life. Peter pa.s.sed, however, pa.s.sed high, and had his reward in prompt a.s.signment to small, subordinate, diplomatic duties in Germany. Since then he had had his professional adventures, which need not arrest us, inasmuch as they had all paled in the light of his appointment, nearly three years previous to the moment of our making his acquaintance, to a secretarys.h.i.+p of emba.s.sy in Paris. He had done well and had gone fast and for the present could draw his breath at ease. It pleased him better to remain in Paris as a subordinate than to go to Honduras as a princ.i.p.al, and Nick Dormer had not put a false colour on the matter in speaking of his stall at the Theatre Francais as a sedative to his ambition. Nick's inferiority in age to his cousin sat on him more lightly than when they had been in their teens; and indeed no one can very well be much older than a young man who has figured for a year, however imperceptibly, in the House of Commons. Separation and diversity had made them reciprocally strange enough to give a price to what they shared; they were friends without being particular friends; that further degree could always hang before them as a suitable but not oppressive contingency, and they were both conscious that it was in their interest to keep certain differences to ”chaff” each other about--so possible was it that they might have quarrelled if they had had everything in common.

Peter, as being wide-minded, was a little irritated to find his cousin always so intensely British, while Nick Dormer made him the object of the same compa.s.sionate criticism, recognised in him a rare knack with foreign tongues, but reflected, and even with extravagance declared, that it was a pity to have gone so far from home only to remain so homely. Moreover, Nick had his ideas about the diplomatic mind, finding in it, for his own sympathy, always the wrong turn. Dry, narrow, barren, poor he p.r.o.nounced it in familiar conversation with the clever secretary; wanting in imagination, in generosity, in the finest perceptions and the highest courage. This served as well as anything else to keep the peace between them; it was a necessity of their friendly intercourse that they should scuffle a little, and it scarcely mattered what they scuffled about. Nick Dormer's express enjoyment of Paris, the shop-windows on the quays, the old books on the parapet, the gaiety of the river, the grandeur of the Louvre, every fine feature of that prodigious face, struck his companion as a sign of insularity; the appreciation of such things having become with Sherringham an unconscious habit, a contented a.s.similation. If poor Nick, for the hour, was demonstrative and lyrical, it was because he had no other way of sounding the note of farewell to the independent life of which the term seemed now definitely in sight--the sense so pressed upon him that these were the last moments of his freedom. He would waste time till half-past seven, because half-past seven meant dinner, and dinner meant his mother solemnly attended by the strenuous shade of his father and re-enforced by Julia.

VI

When he arrived with the three members of his family at the restaurant of their choice Peter Sherringham was already seated there by one of the immaculate tables, but Mrs. Dallow was not yet on the scene, and they had time for a sociable settlement--time to take their places and unfold their napkins, crunch their rolls, breathe the savoury air, and watch the door, before the usual raising of heads and suspension of forks, the sort of stir that accompanied most of this lady's movements, announced her entrance. The _dame de comptoir_ ducked and re-ducked, the people looked round, Peter and Nick got up, there was a shuffling of chairs--Julia had come. Peter was relating how he had stopped at her hotel to bring her with him and had found her, according to her custom, by no means ready; on which, fearing his guests would arrive first at the rendezvous and find no proper welcome, he had come off without her, leaving her to follow. He had not brought a friend, as he intended, having divined that Julia would prefer a pure family party if she wanted to talk about her candidate. Now she stood looking down at the table and her expectant kinsfolk, drawing off her gloves, letting her brother draw off her jacket, lifting her hands for some rearrangement of her hat. She looked at Nick last, smiling, but only for a moment. She said to Peter: ”Are we going to dine here? Oh dear, why didn't you have a private room?”