Part 26 (1/2)

An almost complete solitude reigned over the Bois. Vaudrey saw, as he glanced between the copsewood, now growing green, only a few isolated pedestrians, some English governesses in charge of scampering children, the dark green uniform of a guard or the blue blouse of a man who trimmed the trees.

The coachman drove slowly and Sulpice, enjoying the intoxication of this early sun, lowered the shade and breathed the keen air while he repeated to himself that peaceful joy was within the reach of everybody at Paris.

”But why is this wood so deserted? It is so pleasant here.”

He almost reproached himself for not having brought Adrienne. She would have been so happy for this advanced spring day. She required so little to make her smile: mere crumbs of joy. She was better than he.

He excused himself by reflecting that he would not have been able to talk to Ramel.

And then it would have been necessary to talk to Adrienne, whereas the joy of the present moment was this solitary silence, the bath of warm air taken in the complete forgetfulness of the habitual existence.

The sight of the blue, gleaming lake before him, encircled with pines, like an artificial Swiss lake, compelled him to look out of the window.

The coachman slowly drove the carriage to the left in order to make the tour of the Lake.

Vaudrey looked at the sheet of water upon which the light played, and on which two or three skiffs glided noiselessly, even the sound of their oars not reaching his ears.

At the extremity of the alley, a carriage was standing, a hackney coach whose driver was peacefully sleeping in the suns.h.i.+ne, with his head leaning on his right shoulder, his broad-brimmed hat, bathed in the suns.h.i.+ne, serving him as a shade.

It was the only carriage there, and a few paces from the border of the water, standing out in dark relief against the violet-blue of the lake, a woman stood surrounded by a group of ducks of all shades, running after morsels of brown bread while uttering their hoa.r.s.e cries.

Two white swans had remained in the water and looked at her with a dignified air, at a distance.

At the first glance at this woman, Sulpice felt a strange emotion. His legs trembled and his heart was agitated.

He could not be mistaken, he certainly recognized her. Either there was an extraordinary resemblance between them, or it was Mademoiselle Kayser herself.

Marianne? Marianne on the edge of this Lake at an hour when there was no one at the Bois? Vaudrey believed neither in superst.i.tions nor in predestination. Nevertheless, he considered the meeting extraordinary, but there is in this fantastic life a reality that brings in our path the being about whom one has just been thinking. He had frequently observed this fact. He had already descended from his carriage to go to her, taking a little pathway under the furze in order to reach the water's edge. There was no longer any doubt, it was she. Evidently he was to meet Mademoiselle Kayser some day. But how could chance will that he should desire to take that promenade to the Lake at the very hour that the young woman had driven there?

As he advanced, he thought how surprised Marianne would be. As he walked along, he looked at her.

She stood near a kind of wooden landing jutting out over the water. Over her black dress she had flung a short cloak of satin, embroidered with jet which sparkled in the sunlight. The light wind gently waved a black feather that hung from her hat, in which other feathers were entwined with a fringe of old gold bullion. Vaudrey noted every detail of this living statuette of a Parisian woman: between a little veil knotted behind her head and the lace ruching of her cloak, light, golden curls fell on her neck, and in that frame of light, this elegant woman, this silhouette standing out in full relief against the sky and the horizon line of the water, with a pencil of rays gilding her fair locks, seemed more exquisite and more the ”woman” to Sulpice than in the decollete of a ball costume.

When she heard the crus.h.i.+ng of the sand by Sulpice's footsteps as he approached her with timid haste, she turned abruptly. Under her small black veil, drawn tightly over her face, and whose dots looked like so many patches on her face, Vaudrey at first observed Marianne's almost sickly paleness, then her suddenly joyous glance. A furtive blush mounted even to the young girl's cheek.

”You here?” she said--”you, Monsieur le Ministre?”

She had already imparted an entirely different tone to these questions.

There was more abandon in the first, which seemed more like a cry, but the second betrayed a sudden politeness, perhaps a little affected.

Vaudrey replied by some commonplace remark. It was a fine day; he was tired; he wished to warm himself in this early suns.h.i.+ne. But she?--

”Oh! I--really I don't know why I am here. Ask the--my coachman. He has driven me where he pleased.”

She spoke in a curt, irritated tone, under which either deception or grief was hidden.

She was still mechanically throwing crumbs of bread around her, which were eagerly s.n.a.t.c.hed at by the many-colored ducks, white or gray, black, spotted, striped like tulips, marbled like Cordovan leather, with iridescent green or blue necks, whose tone suggested Venetian gla.s.sware, all of them hurrying, stretching their necks, opening their bills, or casting themselves at Marianne's feet, fighting, then almost choking themselves to swallow the enormous pieces of bread that were sold by a dealer close at hand.

”Ah! bless me! I did not think I should have the honor of meeting you here,” she said.

”The honor?” said Vaudrey. ”I, I should say the joy.”