Part 20 (1/2)

”But what? All the good jobs are taken, and I can do nothing but lisp in numbers.”

”Well, then, you must lisp,” concluded Anne. ”You must write a poem for the occasion--an 'Ode on Bank Holiday.' We'll print it on Uncle Henry's press and sell it at twopence a copy.”

”Sixpence,” Denis protested. ”It'll be worth sixpence.”

Anne shook her head. ”Twopence,” she repeated firmly. ”n.o.body will pay more than twopence.”

”And now there's Jenny,” said Mr Wimbush. ”Jenny,” he said, raising his voice, ”what will you do?”

Denis thought of suggesting that she might draw caricatures at sixpence an execution, but decided it would be wiser to go on feigning ignorance of her talent. His mind reverted to the red notebook. Could it really be true that he looked like that?

”What will I do,” Jenny echoed, ”what will I do?” She frowned thoughtfully for a moment; then her face brightened and she smiled.

”When I was young,” she said, ”I learnt to play the drums.”

”The drums?”

Jenny nodded, and, in proof of her a.s.sertion, agitated her knife and fork, like a pair of drumsticks, over her plate. ”If there's any opportunity of playing the drums...” she began.

”But of course,” said Anne, ”there's any amount of opportunity. We'll put you down definitely for the drums. That's the lot,” she added.

”And a very good lot too,” said Gombauld. ”I look forward to my Bank Holiday. It ought to be gay.”

”It ought indeed,” Mr Scogan a.s.sented. ”But you may rest a.s.sured that it won't be. No holiday is ever anything but a disappointment.”

”Come, come,” protested Gombauld. ”My holiday at Crome isn't being a disappointment.”

”Isn't it?” Anne turned an ingenuous mask towards him.

”No, it isn't,” he answered.

”I'm delighted to hear it.”

”It's in the very nature of things,” Mr. Scogan went on; ”our holidays can't help being disappointments. Reflect for a moment. What is a holiday? The ideal, the Platonic Holiday of Holidays is surely a complete and absolute change. You agree with me in my definition?” Mr.

Scogan glanced from face to face round the table; his sharp nose moved in a series of rapid jerks through all the points of the compa.s.s. There was no sign of dissent; he continued: ”A complete and absolute change; very well. But isn't a complete and absolute change precisely the thing we can never have--never, in the very nature of things?” Mr. Scogan once more looked rapidly about him. ”Of course it is. As ourselves, as specimens of h.o.m.o Sapiens, as members of a society, how can we hope to have anything like an absolute change? We are tied down by the frightful limitation of our human faculties, by the notions which society imposes on us through our fatal suggestibility, by our own personalities. For us, a complete holiday is out of the question. Some of us struggle manfully to take one, but we never succeed, if I may be allowed to express myself metaphorically, we never succeed in getting farther than Southend.”

”You're depressing,” said Anne.

”I mean to be,” Mr. Scogan replied, and, expanding the fingers of his right hand, he went on: ”Look at me, for example. What sort of a holiday can I take? In endowing me with pa.s.sions and faculties Nature has been horribly n.i.g.g.ardly. The full range of human potentialities is in any case distressingly limited; my range is a limitation within a limitation. Out of the ten octaves that make up the human instrument, I can compa.s.s perhaps two. Thus, while I may have a certain amount of intelligence, I have no aesthetic sense; while I possess the mathematical faculty, I am wholly without the religious emotions; while I am naturally addicted to venery, I have little ambition and am not at all avaricious. Education has further limited my scope. Having been brought up in society, I am impregnated with its laws; not only should I be afraid of taking a holiday from them, I should also feel it painful to try to do so. In a word, I have a conscience as well as a fear of gaol. Yes, I know it by experience. How often have I tried to take holidays, to get away from myself, my own boring nature, my insufferable mental surroundings!” Mr. Scogan sighed. ”But always without success,” he added, ”always without success. In my youth I was always striving--how hard!--to feel religiously and aesthetically. Here, said I to myself, are two tremendously important and exciting emotions. Life would be richer, warmer, brighter, altogether more amusing, if I could feel them. I try to feel them. I read the works of the mystics. They seemed to me nothing but the most deplorable claptrap--as indeed they always must to anyone who does not feel the same emotion as the authors felt when they were writing. For it is the emotion that matters. The written work is simply an attempt to express emotion, which is in itself inexpressible, in terms of intellect and logic. The mystic objectifies a rich feeling in the pit of the stomach into a cosmology. For other mystics that cosmology is a symbol of the rich feeling. For the unreligious it is a symbol of nothing, and so appears merely grotesque.

A melancholy fact! But I divagate.” Mr. Scogan checked himself. ”So much for the religious emotion. As for the aesthetic--I was at even greater pains to cultivate that. I have looked at all the right works of art in every part of Europe. There was a time when, I venture to believe, I knew more about Taddeo da Poggibonsi, more about the cryptic Amico di Taddeo, even than Henry does. To-day, I am happy to say, I have forgotten most of the knowledge I then so laboriously acquired; but without vanity I can a.s.sert that it was prodigious. I don't pretend, of course, to know anything about n.i.g.g.e.r sculpture or the later seventeenth century in Italy; but about all the periods that were fas.h.i.+onable before 1900 I am, or was, omniscient. Yes, I repeat it, omniscient. But did that fact make me any more appreciative of art in general? It did not.

Confronted by a picture, of which I could tell you all the known and presumed history--the date when it was painted, the character of the painter, the influences that had gone to make it what it was--I felt none of that strange excitement and exaltation which is, as I am informed by those who do feel it, the true aesthetic emotion. I felt nothing but a certain interest in the subject of the picture; or more often, when the subject was hackneyed and religious, I felt nothing but a great weariness of spirit. Nevertheless, I must have gone on looking at pictures for ten years before I would honestly admit to myself that they merely bored me. Since then I have given up all attempts to take a holiday. I go on cultivating my old stale daily self in the resigned spirit with which a bank clerk performs from ten till six his daily task. A holiday, indeed! I'm sorry for you, Gombauld, if you still look forward to having a holiday.”

Gombauld shrugged his shoulders. ”Perhaps,” he said, ”my standards aren't as elevated as yours. But personally I found the war quite as thorough a holiday from all the ordinary decencies and sanities, all the common emotions and preoccupations, as I ever want to have.”

”Yes,” Mr. Scogan thoughtfully agreed. ”Yes, the war was certainly something of a holiday. It was a step beyond Southend; it was Weston-super-Mare; it was almost Ilfracombe.”

CHAPTER XXVI.

A little canvas village of tents and booths had sprung up, just beyond the boundaries of the garden, in the green expanse of the park. A crowd thronged its streets, the men dressed mostly in black--holiday best, funeral best--the women in pale muslins. Here and there tricolour bunting hung inert. In the midst of the canvas town, scarlet and gold and crystal, the merry-go-round glittered in the sun. The balloon-man walked among the crowd, and above his head, like a huge, inverted bunch of many-coloured grapes, the balloons strained upwards. With a scythe-like motion the boat-swings reaped the air, and from the funnel of the engine which worked the roundabout rose a thin, scarcely wavering column of black smoke.