Part 41 (2/2)
It then seemed to the student that the house was going to blow up at any moment, and that walls, lamps, guests, roof, windows, orchestra, would be hurtling through the air like a handful of coals in the midst of an infernal explosion. He gazed about him and fancied that he saw corpses in place of idle spectators, he saw them torn to shreds, it seemed to him that the air was filled with flames, but his calmer self triumphed over this transient hallucination, which was due somewhat to his hunger.
”Until he comes out, there's no danger,” he said to himself. ”The Captain-General hasn't arrived yet.”
He tried to appear calm and control the convulsive trembling in his limbs, endeavoring to divert his thoughts to other things. Something within was ridiculing him, saying, ”If you tremble now, before the supreme moment, how will you conduct yourself when you see blood flowing, houses burning, and bullets whistling?”
His Excellency arrived, but the young man paid no attention to him. He was watching the face of Simoun, who was among those that descended to receive him, and he read in that implacable countenance the sentence of death for all those men, so that fresh terror seized upon him. He felt cold, he leaned against the wall, and, with his eyes fixed on the windows and his ears c.o.c.ked, tried to guess what might be happening. In the sala he saw the crowd surround Simoun to look at the lamp, he heard congratulations and exclamations of admiration--the words ”dining-room,” ”novelty,” were repeated many times--he saw the General smile and conjectured that the novelty was to be exhibited that very night, by the jeweler's arrangement, on the table whereat his Excellency was to dine. Simoun disappeared, followed by a crowd of admirers.
At that supreme moment his good angel triumphed, he forgot his hatreds, he forgot Juli, he wanted to save the innocent. Come what might, he would cross the street and try to enter. But Basilio had forgotten that he was miserably dressed. The porter stopped him and accosted him roughly, and finally, upon his insisting, threatened to call the police.
Just then Simoun came down, slightly pale, and the porter turned from Basilio to salute the jeweler as though he had been a saint pa.s.sing. Basilio realized from the expression of Simoun's face that he was leaving the fated house forever, that the lamp was lighted. _Alea jacta est!_ Seized by the instinct of self-preservation, he thought then of saving himself. It might occur to any of the guests through curiosity to tamper with the wick and then would come the explosion to overwhelm them all. Still he heard Simoun say to the cochero, ”The Escolta, hurry!”
Terrified, dreading that he might at any moment hear the awful explosion, Basilio hurried as fast as his legs would carry him to get away from the accursed spot, but his legs seemed to lack the necessary agility, his feet slipped on the sidewalk as though they were moving but not advancing. The people he met blocked the way, and before he had gone twenty steps he thought that at least five minutes had elapsed.
Some distance away he stumbled against a young man who was standing with his head thrown back, gazing fixedly at the house, and in him he recognized Isagani. ”What are you doing here?” he demanded. ”Come away!”
Isagani stared at him vaguely, smiled sadly, and again turned his gaze toward the open balconies, across which was revealed the ethereal silhouette of the bride clinging to the groom's arm as they moved slowly out of sight.
”Come, Isagani, let's get away from that house. Come!” Basilio urged in a hoa.r.s.e voice, catching his friend by the arm.
Isagani gently shook himself free and continued to stare with the same sad smile upon his lips.
”For G.o.d's sake, let's get away from here!”
”Why should I go away? Tomorrow it will not be she.”
There was so much sorrow in those words that Basilio for a moment forgot his own terror. ”Do you want to die?” he demanded.
Isagani shrugged his shoulders and continued to gaze toward the house.
Basilio again tried to drag him away. ”Isagani, Isagani, listen to me! Let's not waste any time! That house is mined, it's going to blow up at any moment, by the least imprudent act, the least curiosity! Isagani, all will perish in its ruins.”
”In its ruins?” echoed Isagani, as if trying to understand, but without removing his gaze from the window.
”Yes, in its ruins, yes, Isagani! For G.o.d's sake, come! I'll explain afterwards. Come! One who has been more unfortunate than either you or I has doomed them all. Do you see that white, clear light, like an electric lamp, s.h.i.+ning from the azotea? It's the light of death! A lamp charged with dynamite, in a mined dining-room, will burst and not a rat will escape alive. Come!”
”No,” answered Isagani, shaking his head sadly. ”I want to stay here, I want to see her for the last time. Tomorrow, you see, she will be something different.”
”Let fate have its way!” Basilio then exclaimed, hurrying away.
Isagani watched his friend rush away with a precipitation that indicated real terror, but continued to stare toward the charmed window, like the cavalier of Toggenburg waiting for his sweetheart to appear, as Schiller tells. Now the sala was deserted, all having repaired to the dining-rooms, and it occurred to Isagani that Basilio's fears may have been well-founded. He recalled the terrified countenance of him who was always so calm and composed, and it set him to thinking.
Suddenly an idea appeared clear in his imagination--the house was going to blow up and Paulita was there, Paulita was going to die a frightful death. In the presence of this idea everything was forgotten: jealousy, suffering, mental torture, and the generous youth thought only of his love. Without reflecting, without hesitation, he ran toward the house, and thanks to his stylish clothes and determined mien, easily secured admittance.
While these short scenes were occurring in the street, in the dining-kiosk of the greater G.o.ds there was pa.s.sed from hand to hand a piece of parchment on which were written in red ink these fateful words:
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