Part 23 (2/2)
”I should love to go out somewhere with you, Jasper. I really do want a little bit of change.”
”Very well, my love; I'll take tickets for something amusing, and be home to dinner at six.”
Quentyns went out, and Hilda danced back to the dining room. Her husband had been kind, with something of the old tender kindness, and her heart leaped up like a flower answering to the sun.
Judy was standing by the window looking out.
”Isn't it a lovely day, pet?” said Hilda, coming up to her. ”Suppose we give ourselves a holiday, and go to the Academy together. I have not been there yet this year, and you have never been in all your life, puss. You know how you love pictures; fancy room after room full of pictures--all sorts, good, bad, and indifferent; all colors in them; all sorts of subjects depicted on the canvases. There's a treat for my little artist--shall I give it her?”
”Yes, Hilda, I'd like to go with you very much.”
”Are you tired, dear, your face is so grave?”
”No, darling, I'm not at all tired.”
”Well, we'll give ourselves a holiday. Run up and put on your pretty green cloak, and that big black hat with the green velvet. I want you to look as picturesque as possible. I want to be proud of you.”
Judy suddenly flew to Hilda, clasped her arms round her neck, gave her a pa.s.sionate hug, and then rushed out of the room.
”What's the matter with the child?” thought the elder sister for a brief moment, ”she was so bright yesterday, and even this morning, but now she's dull, although she tries to hide it. I wonder if I ought to give her some more of her tonic. Well, well, whether Judy is grave or gay, I cannot help feeling very happy at the thought of going out with Jasper once more.”
Hilda gave all directions with regard to the nice little dinner which was to precede the play. She found a story book which Judy had not yet read, and left it in the drawing room ready for her entertainment when she was away; then, dressed also in her best, she went out with her little sister, and, calling a hansom from the nearest stand, drove to Burlington House.
As usual the great exhibition was crowded with all sorts and conditions of men--the fas.h.i.+onable, the studious, the artistic, the ignorant, were all to be found there. Judy had a pa.s.sion for art. She was an artist by nature, down to the tips of her sensitive little fingers. No sooner did she find herself in the midst of all the pictures, than whatever cloud made her a little graver than usual took to itself wings and flew away.
Her pertinent remarks, her eager criticism, shrewd, observant, often strangely to the point, aroused the attention of some of the bystanders; they smiled as the pretty child and the beautiful girl walked slowly by together. Judy's intelligent face was commented on; the pathetic, eager, wistful eyes seemed to make their way to more than one heart. Hilda, thinking of her evening with Jasper, was quite her old self, and people thought what a happy pair the two were.
In the third room they suddenly came face to face with Rivers.
”What a bit of luck!” he said, going up at once to them. ”Now, Mrs.
Quentyns, I shall insist upon taking you to lunch somewhere. Miss Judy, how are you? what do you think of our national picture fair?”
”Some of the pictures are lovely,” she replied.
”Some!” he retorted, raising his brows. ”You don't mean to say you are setting yourself up as a critic.”
”Judy is an artist by nature,” said Hilda for her. ”Hark to her remarks with regard to the two dogs in that picture.”
”They are meant to move, but they are perfectly still,” said Judy; ”if I drew them, I'd”--she puckered her brows--”oh, I'd see that they were gamboling about.”
A young man, who was standing not far off, turned away with a red face--he happened to be the unfortunate artist. Bitter hatred of Judy filled his heart, for some of the people who were standing near t.i.ttered aloud, and remarked for the first time that the dogs were wooden.
Rivers walked with Mrs. Quentyns and Judy through the different rooms: he was an art connoisseur himself, and even dabbled in paint in a dilettante sort of fas.h.i.+on. He drew Judy on to make remarks, laughed and quizzed her for some ideas which he considered in advance of the times, for others which were altogether too antiquated for him to pa.s.s unchallenged.
”Oh, how Stanmore would like to hear you,” he remarked, naming one of the pet artists of the New Art school. ”Why, Judy, you are a democrat; we should have no Academy if we listened to you, you little rebel; but then, I forgot, of course you are a mutineer--you are true to your character through everything.”
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