Part 10 (2/2)
The frustration was too much. Oona picked up the whip and cracked it over her head.
”Row!” she shouted. At the sound of the whip, all four goblins sat bolt upright in their seats, hands on their oars. They went stone still. Oona looked at them in amazement. It was as if they were hypnotized. Somehow, she was quite certain, it was connected to the sound of the whip. Oona glanced at the lockbox, and it came to her. She suddenly understood. Once the goblins ate the glowworms, they became intoxicated. Once intoxicated, the crack of the whip caused them to snap into some kind of hypnotic trance. But now the question was, how to get them rowing.
Oona picked up the third object from the bottom of the rowboat: the hand drum. She gave it a slap. The goblins heaved forward on their oars. The firing mechanism shot a flame toward the balloon, and the boat rose in the air. She slapped the drum again, and again they heaved, this time backward, and again the boat rose several feet.
Oona looked from her hands, to the drum, to the goblins. ”This is most excellent,” she said.
The excitement filled her, and she began beating rapidly on the drum, but her erratic slapping only caused the goblins to move out of synchronization, in which case the firing mechanism would do no more than sputter. She paused before taking a deep breath and beginning again, this time beating slowly and in rhythm to the movements of the goblins, increasing her speed bit by bit as they began to build momentum.
It was working. The boat rose higher and higher, and soon the floor disappeared completely into the darkness below. It took nearly five minutes to reach the top of the tower, where the balloon bounced softly against the ceiling, and Oona's hands were sore from slapping the drum. Fiery torches hung from the ceiling and walls, illuminating a wooden walkway that stuck out of the side of the building like a floating boat dock. At the end of the walkway stood a heavy iron door.
”That must be the prison cell,” she said, but the goblins were all still locked in their trance state, neither denying nor confirming her suspicions. ”Well, there's only one way to find out.”
She hopped from the boat to the dock and made her way to the iron door. The black iron key was in her hand, but she hesitated before sliding it into the lock. This was it: the moment of discovery. Was the Wizard inside this cell, alive after all, or would she find the cell empty and be forced to admit the worst ... that he was dead, just like everyone else she had ever loved? Her fingers trembled as she inserted the key into the lock. Just as she had been certain that the key would open the tower door and the iron lockbox, she was certain that the key would work here as well. The fit was perfect. Again she hesitated, unsure if she really wanted to know the truth. What would she do if he was dead? Her uncle was all she had left.
He must be in there, she thought. He simply has to be.
A memory surfaced, projecting itself on the door in front of her. A beautiful remembrance of the days before she had become the Wizard's apprentice. She had been small ... so small that he could pick her up in his hands. Both her mother and her father had been there. They had all been outside somewhere. Perhaps even at the park. They had all taken turns tossing her into the air. Up she would go, and she would scream with delight as she hovered briefly in the air before falling safely back into their hands. Her mother's hands had been soft and comforting, her father's hands strong and sure. It was becoming harder and harder to remember their faces, a fact that made Oona feel quite sad, but she remembered the feel of their hands, and their smells, and their eyes. Her uncle's beard had not been so gray on that day. He'd been younger, of course, but not that much younger. The dark color in his beard had mostly begun to fade in the past few years; since after the accident. The two of them had been through so much together, and the thought of losing him, too, was nearly too much to endure.
She imagined opening the door and seeing his wizened, gray-bearded face look up in surprise, and feeling the surge of relief as she rushed into his arms. The antic.i.p.ation was too much. She turned the key and shouldered open the heavy metal door, its iron hinges screeching from centuries of neglect. The door fell inward to reveal ...
A small empty room. Oona's heart plummeted, and her knees came unhinged. She fell to her knees, her legs. .h.i.tting the floor so hard that the sound echoed around the tiny cell, but Oona did not feel the shock of pain. It was the disappointment of not finding her uncle that consumed her. The darkness of the room pressed in on her, and she found it difficult to breathe. She could feel the emotion bubbling up inside of her, an overwhelming twisting of grief, but she found that she could not release it. She could not cry, nor make any sound. She wanted to scream, desperately, but it would not come, and she was unable to free what she was feeling: that horrible, horrible mixture of loss, and anger, and confusion. But for some reason her eyes remained as dry as desert stones as she fell forward onto her hands, lost, unsure of what to do next. Fighting for breath.
And perhaps it was because of her trapped grief-because she did not cry out, and remained so silent-that she heard the croak. It came from the corner of the cell. Oona looked in the direction of the sound, her dry eyes peering into the shadows, but could see nothing. And then she thought she saw something move. She blinked, still feeling that horrible sensation of locked-up grief, but also a hint of curiosity. Something moved again, and Oona sat up onto her knees, the skirt of her dress fanning around her in the doorway. A moment later, a small, slick-skinned toad hopped into the light that flickered in through the open door. Its enormous eyes blinked up at her in a way that Oona had never seen a toad look before. It was a look of ... recognition.
And suddenly, Oona remembered what Samuligan had said about how, if she found him, the Wizard might not be in a recognizable form. She leaned forward and peered into the toad's wizened face. It stared back, and though it was strange to think, Oona was almost certain that the toad was relieved to see her. It opened its mouth and let out a low croak.
”Uncle Alexander?” she asked.
Again the toad croaked, the sound bouncing softly off the walls of the cell.
Oona extended her hand, and the toad hopped onto her open palm. She raised it to her face and-with equal parts concern and relief, not to mention a goodly portion of bemus.e.m.e.nt-she said: ”Well ... isn't this interesting?”
Oona watched the storefronts and apartment buildings roll by as the carriage traveled up the broad cobbled avenue, vibrating the lacy frills of her dress and the toad in her lap. From his place on the seat beside her, Deacon leaned in to get a closer look at the toad, which presently gave a croak of displeasure.
”Don't get so close, Deacon,” Oona said, turning from the window. ”You're making him nervous.”
Deacon pulled away, swaying to the motion of the carriage. ”Are you certain that is your uncle?”
Oona's brow furrowed. ”Of course it's Uncle Alexander. Just look at that face.” The toad gazed up at her, wide-eyed and looking highly uncomfortable. ”Try imagining the Wizard without his beard,” Oona said.
A moment later Deacon replied: ”By Oswald, you're right! I can see it. The toad does look like your uncle.”
”Or my uncle looked very much like a toad,” Oona said. The toad croaked its disapproval.
The journey from the top of the tower back to the bottom had taken only half the time of the a.s.sent. Getting back through the invisible barrier, though, had proven just as difficult as getting in, and at present, Oona felt exhausted and hungry.
”Sometimes a case does not allow time for such mundaneries as eating,” she said.
”Mundaneries is not a proper word,” Deacon chided.
”Ah, here we are,” she said, glancing out the window. ”The lawyer's office.”
The carriage creaked to a halt, and a moment later Samuligan opened the door. Setting her uncle on the seat beside her, Oona quickly searched the riding compartment for something to keep him in. She discovered a round hatbox beneath the seat. She opened it only to discover that it was one of her mother's old hats. Broad-brimmed, with a large auburn-colored silk flower on the side, Oona knew it was quite out of style, but she also thought it would go perfectly with her auburn-colored dress, and so she placed it on her head, adjusting it to the desired angle, and then placed the toad inside the box.
”You'll be safer in here. Until we figure out how to change you back,” she told her uncle. He croaked softly as she placed the lid on top. Setting the certificate of debt on top of the box, she stepped to the curbside. Several moments later she stood in front of a narrow, redbrick building that slanted so far over the sidewalk, it looked as though it might topple at any moment. A sign above the door read: RAVENSMITH LAW.
With the box beneath one arm, she knocked. No one answered.
Oona glanced around and saw that the street clock down the sidewalk read 9:30.
”I thought you said Ravensmith opened at nine o'clock,” Oona said.
Deacon flew to the sill of the small window beside the door and pointed his beak at the sign posted there.
WORKING HOURS: 9:00 A.M. to 5:00 P.M.
”Hmm.” Oona knocked again several times, then tried the k.n.o.b. It was locked. Just as she was ready to give up, the door was answered by a man in a wheelchair. The lower half of the poor fellow's body was sealed up in a hard plaster cast, and his legs stuck straight out in front of him. In one hand he held a feather duster. Oona recognized it as one of the enchanted ”giggling” dusters from her uncle's shop. A dirty rag hung from the man's jacket pocket, and a crooked pine-branch broom lay across his lap.
”Can't you read the sign?” the man asked irritably. ”We don't open until nine o'clock!” He was a plain-looking man, except for his eyebrows, which were the bus.h.i.+est Oona had ever seen, and great gobs of white hair spilled from his ears.
”But, it is nine thirty just now,” Oona said.
The man in the wheelchair shook his head at her as if she were very stupid. ”You can't fool me,” he said. ”Mr. Ravensmith is not yet in. And Mr. Ravensmith is always in by nine o'clock. So you see, I'm afraid it cannot be past nine, as he has not yet arrived.”
Oona shook her head at the man's logic. ”But that doesn't make any sense, Mr....”
”I am Mr. Quick,” the man in the wheelchair replied. ”And I have worked as Mr. Ravensmith's secretary for over ten years. Believe me when I say he is always in by nine o'clock, so whatever you say, I know that it cannot possibly be after nine. Now, if you will excuse me, I need to get back to dusting the office. If there's one thing Mr. Ravensmith detests more than anything, it is dust and dirt, and today is Miss Colbert's day off.”
”Miss Colbert, the cleaning maid?” Oona asked, remembering how Mr. Ravensmith had hired the old Pendulum House maid. And now that she thought about it, the pine-branch broom in the secretary's lap looked suspiciously like the one that had gone missing from the Pendulum House broom closet just after Miss Colbert was dismissed.
”Is that the maid's personal broom?” Oona asked curiously.
Mr. Quick rolled his eyes at her. ”Of course it's the maid's personal broom. There is nothing more personal to a maid than a broom, except for perhaps a duster.”
He turned his attention to the window and began dusting. The enchanted feathers started to giggle, a highly annoying sound, and Oona needn't wonder why her uncle sold so few of them. She watched the man dust the window for several seconds, when finally he turned back to her.
”Are you still here?” he asked. ”I told you that we do not open until nine o'clock.”
”Oh, of course,” Oona said, attempting to keep her frustration at bay. ”Well, perhaps we could wait for Mr. Ravensmith inside?”
”I told you-” Mr. Quick began.
”Yes, yes. You don't open until nine.” Oona sighed heavily, looking down at the certificate of debt on top of the box.
”He may be next door,” Mr. Quick offered. ”Mr. Ravensmith often visits the Magicians Legal Alliance before coming to the office.”
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