Part 3 (1/2)
The child obeyed, wondering.
”Give me my purse out of the drawer. See, there's a s.h.i.+lling. Now, say this after me: Mr. Abra'm Woodstock, Number--, St. John Street Road.”
Ida repeated the address.
”Now, listen, Ida. You put this letter in your pocket; you go down into the Mary'bone road; you ask for a 'bus to the Angel. When you get to the Angel, you ask your way to Number--, St. John Street Road; it isn't far off. Knock at the door, and ask if Mr. Abra'm Woodstock is in. If he is, say you want to see him, and then give him this letter,--into his own hands, and n.o.body else's. If he isn't in, ask when he will be, and, if it won't be long, wait.”
Ida promised, and then, after a long gaze, her mother dropped back again on the pillow, and turned her face away. A cough shook her for a few moments. Ida waited.
”Well, ain't you gone?” asked Lotty faintly.
”Kiss me, mother.”
They held each other in a pa.s.sionate embrace, and then the child went away.
She reached Islington without difficulty, and among the bustling and loitering crowd which obstructs the corner at the Angel, found some one to direct her to the street she sought. She had to walk some distance down St. John Street Road, in the direction of the City, before discovering the house she desired to find. When she reached it, it proved to be a very dingy tenement, the ground-floor apparently used as offices; a much-worn plate on the door exhibited the name of the gentleman to whom her visit was, with his professional description added. Mr. Woodstock was an accountant.
She rang the bell, and a girl appeared. Yes, Mr. Woodstock was at home.
Ida was told to enter the pa.s.sage, and wait.
A door at her right hand as she entered was slightly ajar, and voices could be heard from the other side of it. One of these voices very shortly raised itself in a harsh and angry tone, and Ida could catch what was said.
”Well, Mr. What's-your-name, I suppose I know my own business rather better than you can teach me. It's pretty clear you've been doing your best for some time to set the people against me, and I'm d.a.m.ned if I'll have it! You go to the place on religious pretences, and what your real object may be I don't know; but I do know one thing, and that is, I won't have you hanging about any longer. I'll meet you there myself, and if it's a third-floor window you get pitched out of, well, it won't be my fault. Now I don't want any more talk with you. This is most folks' praying-time; I wonder you're not at it. It's _my_ time for writing letters, and I'd rather have your room than your company. I'm a plain-spoken man, you see, a man of business, and I don't mince matters. To come and dictate to me about the state of my houses and of my tenants ain't a business-like proceeding, and you'll excuse me if I don't take it kindly. There's the door, and good morning to you!”
The door opened, and a young man, looking pale and dismayed, came out quickly, and at once left the house. Behind him came the last speaker.
At the sight of the waiting child he stood still, and the expression of his face changed from sour annoyance to annoyed surprise.
”Eh? Well?” he exclaimed, looking closely at Ida, his eye-brows contracting.
”I have a letter for Mr. Abra'm Woodstock, sir.”
”Well, give it here. Who's it from?”
”Mrs. Starr, sir.”
”Who's Mrs. Starr? Come in here, will you?”
His short and somewhat angry tone was evidently in some degree the result of the interview that had just closed, but also pretty clearly an indication of his general manner to strangers. He let the child pa.s.s him, and followed her into the room with the letter in his hand. He did not seem able to remove his eyes from her face. Ida, on her side, did not dare to look up at him. He was a ma.s.sively built, grey-headed man of something more than sixty. Everything about him expressed strength and determination, power alike of body and mind. His features were large and heavy, but the forehead would have become a man of strong intellect; the eyes were full of astonis.h.i.+ng vital force, and the chin was a physiognomical study, so strikingly did its moulding express energy of character. He was clean-shaven, and scarcely a seam or wrinkle anywhere broke the hard, smooth surface of his visage, its complexion clear and rosy as that of a child.
Still regarding Ida, he tore open the envelope. At the sight of the writing he, not exactly started, but moved his head rather suddenly, and again turned his eyes upon the messenger.
”Sit down,” he said, pointing to a chair. The room was an uncomfortable office, with no fire. He himself took a seat deliberately at a desk, whence he could watch Ida, and began to read. As he did so, his face remained unmoved, but he looked away occasionally, as if to reflect.
”What's your name?” he asked, when he had finished, beginning, at the same time, to tear the letter into very small pieces, which he threw into a waste-paper basket.
”Ida, sir,--Ida Starr.”
”Starr, eh?” He looked at her very keenly, and, still looking, and still tearing up the letter, went on in a hard, unmodulated voice.
”Well, Ida Starr, it seems your mother wants to put you in the way of earning your living.” The child looked up in fear and astonishment.