Part 10 (1/2)

145

The truly scientific people, the literary people, were the Egyptians and not the Greeks. That which has the appearance of science among the Greeks, originated among the Egyptians and later on returned to them to mingle again with the old current. Alexandrian culture is an amalgamation of h.e.l.lenic and Egyptian . and when our world again founds its culture upon the Alexandrian culture, then....[12]

146

The Egyptians are far more of a literary people than the Greeks. I maintain this against Wolf. The first grain in Eleusis, the first vine in Thebes, the first olive-tree and fig-tree. The Egyptians had lost a great part of their mythology.

147

The unmathematical undulation of the column in Paestum is a.n.a.logous to the modification of the _tempo_: animation in place of a mechanical movement.

148

The desire to find something certain and fixed in aesthetic led to the wors.h.i.+p of Aristotle: I think, however, that we may gradually come to see from his works that he understood nothing about art, and that it is merely the intellectual conversations of the Athenians, echoing in his pages, which we admire.

149

In Socrates we have as it were lying open before us a specimen of the consciousness out of which, later on, the instincts of the theoretic man originated: that one would rather die than grow old and weak in mind.

150

At the twilight of antiquity there were still wholly unchristian figures, which were more beautiful, harmonious, and pure than those of any Christians: _e.g._, Proclus. His mysticism and syncretism were things that precisely Christianity cannot reproach him with. In any case, it would be my desire to live together with such people. In comparison with them Christianity looks like some crude brutalisation, organised for the benefit of the mob and the criminal cla.s.ses.

Proclus, who solemnly invokes the rising moon.

151

With the advent of Christianity a religion attained the mastery which corresponded to a pre-Greek condition of mankind: belief in witchcraft in connection with all and everything, b.l.o.o.d.y sacrifices, superst.i.tious fear of demoniacal punishments, despair in one's self, ecstatic brooding and hallucination, man's self become the arena of good and evil spirits and their struggles.

152

All branches of history have experimented with antiquity critical consideration alone remains. By this term I do not mean conjectural and literary-historical criticism.

153

Antiquity has been treated by all kinds of historians and their methods.

We have now had enough experience, however, to turn the history of antiquity to account without being s.h.i.+pwrecked on antiquity itself.

154

We can now look back over a fairly long period of human existence what will the humanity be like which is able to look back at us from an equally long distance? which finds us lying intoxicated among the debris of old culture! which finds its only consolation in ”being good” and in holding out the ”helping hand,” and turns away from all other consolations!--Does beauty, too, grow out of the ancient culture? I think that our ugliness arises from our metaphysical remnants . our confused morals, the worthlessness of our marriages, and so on, are the cause. The beautiful man, the healthy, moderate, and enterprising man, moulds the objects around him into beautiful shapes after his own image.

155