Part 50 (1/2)
Backystopper. Brayvo, Tommy. Tom ain't much of a man for conversation, but he's a precious one to drink. Do you think the young gent is sweet on her, Tommy? I sor him often prowling about our 'ouse in Queen Street, when we was in London.
Tommy. I guess he wasn't let in in Queen Street. I guess hour little b.u.t.tons was very near turned away for saying we was at home to him--I guess a footman's place is to keep his mouth hopen--no, his heyes hopen--and his mouth shut. (He lapses into silence.)
Lackey. I think Thomis is in love, Thomis is. Who was that young woman I saw you a-dancing of at the Showmier, Thomis? How the young Marquis was a-cuttin' of it about there! The pleace was obliged to come up and stop him dancing. His man told old Buzfuz upstairs, that the Marquis's goings on is hawful. Up till four or five every morning; blind hookey, shampaign, the dooce's own delight. That party have had I don't know how much in diamonds--and they quarrel and swear at each other, and fling plates: it's tremendous.
Tommy. Why doesn't the Marquis man mind his own affairs? He's a supersellious beast: and will no more speak to a man, except he's out-a-livery, than he would to a chimbly-swip. He! Cuss him, I'd fight 'im for 'alf-a-crown.
Lackey. And we'd back you, Tommy. Buzfuz upstairs ain't supersellious; nor is the Prince's walet nether. That old Sangjang's a rum old guvnor. He was in England with the Count, fifty years ago--in the hemigration--in Queen Hann's time, you know. He used to support the old Count. He says he remembers a young Musseer Newcome then, that used to take lessons from the Shevallier, the Countess' father--there's my bell.
[Exit Lackey.
Backystopper. Not a bad chap that. Sports his money very free--sings an uncommon good song.
Thomas. Pretty voice, but no cultiwation.
Lackey (who re-enters). Be here at two o'clock for Miss N. Take anything? Come round the corner.--There's a capital shop round the corner.
[Exeunt Servants.
SCENE II. Ethel. I can't think where Madame de Moncontour has gone. How very odd it was that you should come here--that we should both come here to-day! How surprised I was to see you at the Minister's! Grandmamma was so angry! ”That boy pursues us wherever we go,” she said. I am sure I don't know why we shouldn't meet, Clive. It seems to be wrong even my seeing you by chance here. Do you know, sir, what a scolding I had about--about going to Brighton with you? My grandmother did not hear of it till we were in Scotland, when that foolish maid of mine talked of it to her maid; and, there was oh, such a tempest! If there were a Bastile here, she would like to lock you into it. She says that you are always upon our way--I don't know how, I am sure. She says, but for you I should have been--you know what I should have been: but I am thankful that I wasn't, and Kew has got a much nicer wife in Henrietta Pulleyn, than I could ever have been to him. She will be happier than Clara, Clive. Kew is one of the kindest creatures in the world--not very wise; not very strong: but he is just such a kind, easy, generous little man, as will make a girl like Henrietta quite happy.
Clive. But not you, Ethel?
Ethel. No, nor I him. My temper is difficult, Clive, and I fear few men would bear with me. I feel, somehow, always very lonely. How old am I?
Twenty--I feel sometimes as if I was a hundred; and in the midst of all these admirations and fetes and flatteries, so tired, oh, so tired! And yet if I don't have them, I miss them. How I wish I was religious like Madame de Florac: there is no day that she does not go to church. She is for ever busy with charities, clergymen, conversions; I think the Princess will be brought over ere long--that dear old Madame de Florac!
and yet she is no happier than the rest of us. Hortense is an empty little thing, who thinks of her prosy fat Camille with spectacles, and of her two children, and of nothing else in the world besides. Who is happy? Clive!
Clive. You say Barnes's wife is not.
Ethel. We are like brother and sister, so I may talk to you. Barnes is very cruel to her. At Newcome, last winter, poor Clara used to come into my room with tears in her eyes morning after morning. He calls her a fool; and seems to take a pride in humiliating her before company. My poor father has luckily taken a great liking to her: and before him, for he has grown very very hot-tempered since his illness, Barnes leaves poor Clara alone. We were in hopes that the baby might make matters better, but as it is a little girl, Barnes chooses to be very much disappointed. He wants papa to give up his seat in Parliament, but he clings to that more than anything. Oh, dear me! who is happy in the world? What a pity Lord Highgate's father had not died sooner! He and Barnes have been reconciled. I wonder my brother's spirit did not revolt against it. The old lord used to keep a great sum of money at the bank, I believe: and the present one does so still: he has paid all his debts off: and Barnes is actually friends with him. He is always abusing the Dorkings, who want to borrow money from the bank, he says. This eagerness for money is horrible. If I had been Barnes I would never have been reconciled with Mr. Belsize, never, never! And yet they say he was quite right: and grandmamma is even pleased that Lord Highgate should be asked to dine in Park Lane. Poor papa is there: come to attend his parliamentary duties as he thinks. He went to a division the other night; and was actually lifted out of his carriage and wheeled into the lobby in a chair. The ministers thanked him for coming. I believe he thinks he will have his peerage yet. Oh, what a life of vanity ours is!
Enter Madame de Moncontour. What are you young folks a-talkin'
about--b.a.l.l.s and operas? When first I was took to the opera I did not like it--and fell asleep. But now, oh, it's 'eavenly to hear Grisi sing!
The Clock. Ting, ting!
Ethel. Two o'clock already! I must run back to grandmamma. Good-bye, Madame de Moncontour; I am so sorry I have not been able to see dear Madame de Florac. I will try and come to her on Thursday--please tell her. Shall we meet you at the American minister's to-night, or at Madame de Brie's to-morrow? Friday is your own night--I hope grandmamma will bring me. How charming your last music was! Good-bye, mon cousin! You shall not come downstairs with me, I insist upon it, sir: and had much best remain here, and finish your drawing of Madame de Moncontour.
Princess. I've put on the velvet, you see, Clive--though it's very 'ot in May. Good-bye, my dear.
[Exit ETHEL.
As far as we can judge from the above conversation, which we need not prolong--as the talk between Madame de Moncontour and Monsieur Clive, after a few complimentary remarks about Ethel, had nothing to do with the history of the Newcomes--as far as we can judge, the above little colloquy took place on Monday: and about Wednesday, Madame la Comtesse de Florac received a little note from Clive, in which he said, that one day when she came to the Louvre, where he was copying, she had admired a picture of a Virgin and Child, by Sa.s.so Ferrato, since when he had been occupied in making a water-colour drawing after the picture, and hoped she would be pleased to accept the copy from her affectionate and grateful servant, Clive Newcome. The drawing would be done the next day, when he would call with it in his hand. Of course Madame de Florac received this announcement very kindly; and sent back by Clive's servant a note of thanks to that young gentleman.
Now on Thursday morning, about one o'clock, by one of those singular coincidences which, etc. etc., who should come to the Hotel de Florac but Miss Ethel Newcome? Madame la Comtesse was at home, waiting to receive Clive and his picture: but Miss Ethel's appearance frightened the good lady, so much so that she felt quite guilty at seeing the girl, whose parents might think--I don't know what they might not think--that Madame de Florac was trying to make a match between the young people.
Hence arose the words uttered by the Countess, after a while, in--
CONVERSATION III. Madame de Florac (at work). And so you like to quit the world and to come to our triste old hotel. After to-day you will find it still more melancholy, my poor child.
Ethel. And why?