Part 32 (2/2)
”That was my reason for asking whether I could not get an immediate engagement. Of course I cannot know how things go on about theatres.
But I thought that I could have made myself independent. I have no money, and I will not accept help from any one.”
Her wounded pride could not rest without making this disclaimer. It was intolerable to her that Klesmer should imagine her to have expected other help from him than advice.
”That is a hard saying for your friends,” said Klesmer, recovering the gentleness of tone with which he had begun the conversation. ”I have given you pain. That was inevitable. I was bound to put the truth, the unvarnished truth, before you. I have not said--I will not say--you will do wrong to choose the hard, climbing path of an endeavoring artist. You have to compare its difficulties with those of any less hazardous--any more private course which opens itself to you. If you take that more courageous resolve I will ask leave to shake hands with you on the strength of our freemasonry, where we are all vowed to the service of art, and to serve her by helping every fellow-servant.”
Gwendolen was silent, again looking at her hands. She felt herself very far away from taking the resolve that would enforce acceptance; and after waiting an instant or two, Klesmer went on with deepened seriousness.
”Where there is the duty of service there must be the duty of accepting it. The question is not one of personal obligation. And in relation to practical matters immediately affecting your future--excuse my permitting myself to mention in confidence an affair of my own. I am expecting an event which would make it easy for me to exert myself on your behalf in furthering your opportunities of instruction and residence in London--under the care, that is, of your family--without need for anxiety on your part. If you resolve to take art as a bread-study, you need only undertake the study at first; the bread will be found without trouble. The event I mean is my marriage--in fact--you will receive this as a matter of confidence--my marriage with Miss Arrowpoint, which will more than double such right as I have to be trusted by you as a friend. Your friends.h.i.+p will have greatly risen in value for _her_ by your having adopted that generous labor.”
Gwendolen's face had begun to burn. That Klesmer was about to marry Miss Arrowpoint caused her no surprise, and at another moment she would have amused herself in quickly imagining the scenes that must have occurred at Quetcham. But what engrossed her feeling, what filled her imagination now, was the panorama of her own immediate future that Klesmer's words seemed to have unfolded. The suggestion of Miss Arrowpoint as a patroness was only another detail added to its repulsiveness: Klesmer's proposal to help her seemed an additional irritation after the humiliating judgment he had pa.s.sed on her capabilities. His words had really bitten into her self-confidence and turned it into the pain of a bleeding wound; and the idea of presenting herself before other judges was now poisoned with the dread that they also might be harsh; they also would not recognize the talent she was conscious of. But she controlled herself, and rose from her seat before she made any answer. It seemed natural that she should pause. She went to the piano and looked absently at leaves of music, pinching up the corners. At last she turned toward Klesmer and said, with almost her usual air of proud equality, which in this interview had not been hitherto perceptible.
”I congratulate you sincerely, Herr Klesmer. I think I never saw any one so admirable as Miss Arrowpoint. And I have to thank you for every sort of kindness this morning. But I can't decide now. If I make the resolve you have spoken of, I will use your permission--I will let you know. But I fear the obstacles are too great. In any case, I am deeply obliged to you. It was very bold of me to ask you to take this trouble.”
Klesmer's inward remark was, ”She will never let me know.” But with the most thorough respect in his manner, he said, ”Command me at any time.
There is an address on this card which will always find me with little delay.”
When he had taken up his hat and was going to make his bow, Gwendolen's better self, conscious of an ingrat.i.tude which the clear-seeing Klesmer must have penetrated, made a desperate effort to find its way above the stifling layers of egoistic disappointment and irritation. Looking at him with a glance of the old gayety, she put out her hand, and said with a smile, ”If I take the wrong road, it will not be because of your flattery.”
”G.o.d forbid that you should take any road but one where you will find and give happiness!” said Klesmer, fervently. Then, in foreign fas.h.i.+on, he touched her fingers lightly with his lips, and in another minute she heard the sound of his departing wheels getting more distant on the gravel.
Gwendolen had never in her life felt so miserable. No sob came, no pa.s.sion of tears, to relieve her. Her eyes were burning; and the noonday only brought into more dreary clearness the absence of interest from her life. All memories, all objects, the pieces of music displayed, the open piano--the very reflection of herself in the gla.s.s--seemed no better than the packed-up shows of a departing fair.
For the first time since her consciousness began, she was having a vision of herself on the common level, and had lost the innate sense that there were reasons why she should not be slighted, elbowed, jostled--treated like a pa.s.senger with a third-cla.s.s ticket, in spite of private objections on her own part. She did not move about; the prospects begotten by disappointment were too oppressively preoccupying; she threw herself into the shadiest corner of a settee, and pressed her fingers over her burning eyelids. Every word that Klesmer had said seemed to have been branded into her memory, as most words are which bring with them a new set of impressions and make an epoch for us. Only a few hours before, the dawning smile of self-contentment rested on her lips as she vaguely imagined a future suited to her wishes: it seemed but the affair of a year or so for her to become the most approved Juliet of the time: or, if Klesmer encouraged her idea of being a singer, to proceed by more gradual steps to her place in the opera, while she won money and applause by occasional performances. Why not? At home, at school, among acquaintances, she had been used to have her conscious superiority admitted; and she had moved in a society where everything, from low arithmetic to high art, is of the amateur kind, politely supposed to fall short of perfection only because gentlemen and ladies are not obliged to do more than they like--otherwise they would probably give forth abler writings, and show themselves more commanding artists than any the world is at present obliged to put up with. The self-confident visions that had beguiled her were not of a highly exceptional kind; and she had at least shown some rationality in consulting the person who knew the most and had flattered her the least. In asking Klesmer's advice, however, she had rather been borne up by a belief in his latent admiration than bent on knowing anything more unfavorable that might have lain behind his slight objections to her singing; and the truth she had asked for, with an expectation that it would be agreeable, had come like a lacerating thong.
”Too old--should have begun seven years ago--you will not, at best, achieve more than mediocrity--hard, incessant work, uncertain praise--bread coming slowly, scantily, perhaps not at all--mortifications, people no longer feigning not to see your blunders--glaring insignificance”--all these phrases rankled in her; and even more galling was the hint that she could only be accepted on the stage as a beauty who hoped to get a husband. The ”indignities”
that she might be visited with had no very definite form for her, but the mere a.s.sociation of anything called ”indignity” with herself, roused a resentful alarm. And along with the vaguer images which were raised by those biting words, came the precise conception of disagreeables which her experience enabled her to imagine. How could she take her mamma and the four sisters to London? if it were not possible for her to earn money at once? And as for submitting to be a _protege_, and asking her mamma to submit with her to the humiliation of being supported by Miss Arrowpoint--that was as bad as being a governess; nay, worse; for suppose the end of all her study to be as worthless as Klesmer clearly expected it to be, the sense of favors received and never repaid, would embitter the miseries of disappointment. Klesmer doubtless had magnificent ideas about helping artists; but how could he know the feelings of ladies in such matters?
It was all over: she had entertained a mistaken hope; and there was an end of it.
”An end of it!” said Gwendolen, aloud, starting from her seat as she heard the steps and voices of her mamma and sisters coming in from church. She hurried to the piano and began gathering together her pieces of music with a.s.sumed diligence, while the expression on her pale face and in her burning eyes was what would have suited a woman enduring a wrong which she might not resent, but would probably revenge.
”Well, my darling,” said gentle Mrs. Davilow, entering, ”I see by the wheel-marks that Klesmer has been here. Have you been satisfied with the interview?” She had some guesses as to its object, but felt timid about implying them.
”Satisfied, mamma? oh, yes,” said Gwendolen, in a high, hard tone, for which she must be excused, because she dreaded a scene of emotion. If she did not set herself resolutely to feign proud indifference, she felt that she must fall into a pa.s.sionate outburst of despair, which would cut her mamma more deeply than all the rest of their calamities.
”Your uncle and aunt were disappointed at not seeing you,” said Mrs.
Davilow, coming near the piano, and watching Gwendolen's movements. ”I only said that you wanted rest.”
”Quite right, mamma,” said Gwendolen, in the same tone, turning to put away some music.
”Am I not to know anything now, Gwendolen? Am I always to be in the dark?” said Mrs. Davilow, too keenly sensitive to her daughter's manner and expression not to fear that something painful had occurred.
”There is really nothing to tell now, mamma,” said Gwendolen, in a still higher voice. ”I had a mistaken idea about something I could do.
Herr Klesmer has undeceived me. That is all.”
”Don't look and speak in that way, my dear child: I cannot bear it,”
said Mrs. Davilow, breaking down. She felt an undefinable terror.
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