Part 35 (1/2)
”A very good custom, too,” said Paul. ”That reminds me that we must have some music to-night. Antonia will lead the way, and our cigars will taste all the better in the verandah.”
Mrs. Neuchamp had a fine voice and a fine ear. She had been well taught, and played her own accompaniments, while she sang several favourite songs of her father's, and a duet with her husband.
”Now, it's your turn, Miranda,” said Mr. Frankston. ”I've heard all about you from the captain.”
”I shall be very glad to sing,” she answered, seating herself at the piano, ”if you care for my simple songs. I have always been fond of music, but our poor little harmonium was, for a long time, my only instrument. What shall I sing?”
”Sing the 'Lament of Susannah M'Coy for her drowned lover,'” said the captain, ”that was a song brought from Pitcairn, wasn't it? I always liked it the best of all the island sing songs.”
”It is simple,” replied Miranda, ”but it is true; I believe the poor girl used to sit by the sea-sh.o.r.e singing it at night, and died of grief a year afterwards.”
She struck a few chords on the grand Erard piano, and commenced a wailing, dirge-like melody, ”a long, low island song,” inexpressibly mournful. The movement was chiefly low-toned, and in the minor key, but at times it rose to a higher pitch, into which was thrown the agonised sorrow of irrevocable love, the endless regret, the void immeasurable and eternal, the hopeless despair of a desolated existence.
The words were simple, and more in recitative than rhythm. There was a certain monotony and repet.i.tion, but as an expression of pa.s.sionate and hopeless sorrow it was strangely complete.
The tale was old as life and death, as love and joy, hope and despair.
The maiden watching and waiting, during the voyage of the whales.h.i.+p, the year long through. The sudden delight of the vessel being sighted; the boats going off; the intensity of the anxiety; the returning crew; the eager scanning of the pa.s.sengers; the refusal to believe in mischance; the guarded half-told tale, then the unmistakable word of doom! _He had been drowned at sea_; the fearless, fortunate harpooner had, in the sudden flurry of the death-stricken whale, been thrown overboard and stunned. When the half-capsized boat was righted, Johnnie Mills was missing! They rowed round and round, all vainly, then sadly returned to the vessel. This was the tale they had to tell, the tale Susannah M'Coy had to hear. Her over-wrought feelings found relief in the ”Maiden's Lament,” and after her death her girl companions in singing it preserved the memory of the maiden and her lover, of his doom and her unhappy fate.
There was nothing unusually melodious in the song itself, but as the low, rich notes of Miranda's voice struck on the ear of the listeners, those who had not heard before seemed spell-bound. Not a motion was made, not a sound escaped them, as they listened with an intentness which said far more than the ready and general praise at its close.
Knowing, as I did, the extraordinary quality of her voice, I had expected that some such effect would be produced, but I hardly reckoned on such complete and universal admiration.
When the cry of the heartbroken girl rose and echoed through the large room, the effect was electrical; the higher notes were sweet and clear, without a suspicion of hardness, and yet had wondrous under-tones of tears, such as I never heard in another woman's voice. Long before the wailing notes had faded into nothingness Mrs. Neuchamp's eyes were wet.
While old Paul, Mr. Neuchamp, and the captain, seemed in no great hurry to express their approval.
”That's the most wonderful song I ever heard,” said the old man. ”I've heard the girls in Nukuheva sing one something like it, and there are notes in Miranda's voice that take me back to my youth, the island days, and the good old times when Paul Frankston was young and foolish. G.o.d's blessing on them! Miranda! my dear, take an old man's thanks. I foresee that I shall have two daughters: one at Marahmee in the summer, and the other in the winter, when Antonia is in the bush.”
After this no one would hear of her leaving off. She sang other songs which were not all sorrowful. Some had a livelier tone, and the transient gleam which lit up the dark eyes told that mirth had its due place in her rich and many-sided nature.
”Would you like to hear one of our hymns now?” she asked, with the simplicity of a child. ”We used to sing them in parts, and many a night when the moon was at the full did we sit on the beach and sing for hours. I can hear the surge now, and it puts me in mind of our dear old home.”
”Oh, by all means,” said Antonia, and without further prelude, she began a well-known hymn, the deep tones of her voice rising and falling as if in a cathedral, while the organ-like chords which she evoked from the Erard favoured the faultless rendering. We involuntarily joined in, and I saw Antonia looking admiringly at the singer, as with head upraised, and all the fervour of a medival penitent, she poured forth a volume of melodious adoration.
All were silent for some seconds after the last cadence had died away.
At length the pause was broken by Antonia.
”After that lovely hymn, my dear Miranda, let me first thank you warmly for the pleasure you have given us all, and then suggest that we retire.
The gentlemen may stay and smoke a while longer, but this has been an exciting day for us, and you require rest. Besides, you have to make acquaintance with your new relations.”
”A sensible suggestion, my darling,” said Mr. Frankston. ”So we'll say good night to Mrs. Telfer and yourself. We must have one more cigar in the verandah while we think over that great song of hers.”
It was arranged between Mr. Frankston and the captain that I should take my bride to my old home on the morning after next, and present her to my family. It might have been thought that, after so long an absence from my parents, it would have been more in keeping with filial duty to have rushed off at once and, in a manner, cast myself at their feet like the prodigal. But that unlucky, yet eventually fortunate younger son, did not bring a wife with him, in which case the paternal welcome might have been less distinct. I had put myself in the hands of my more experienced friends, who, as men of the world, knew the value of first impressions.
”You and Miranda will be all the better for a day's rest, and a little cheering up at Marahmee,” had said the captain. ”Antonia, too, will see that your sea princess is properly turned out, and fit to bear inspection by the ladies of the family. _They_ won't have much to criticise, I'll be bound. I'm an early man, so I'll go and breakfast with your father, and give him a general idea of your doings and prospects. You had better turn up about mid-day. It will be high tide then, and Miranda will see Isola Bella at its best. Come on board the _Florentia_ first, and I'll send you over in proper style.”
Acting upon this prudent advice, Miranda and I alighted from the Marahmee carriage at the Circular Quay, and once more set foot on board the _Florentia_, where we found the captain ready to receive us. He made us come down into the cuddy and partake of fruit and wine (that is, Miranda took the first and I the latter), while he gave us a sketch of his interview with my father.