Part 8 (1/2)

Yet in our drawing-rooms we permit people to talk all the time music is being played, showing respect neither to the composition nor to the performer. This should not be, and abroad this ill-bred custom has not obtained.

There is, however, something to be said on the other side. The music we hear in society is frequently either flimsy and not worth studying; or it is too difficult for the capacity of the performer, perhaps having been learnt in too idle a manner, in which case conversation s.h.i.+elds the composer.

But the chief cause of the distressing rudeness complained of, is that there is too much music at a party, and it is not well arranged. Glees are got up and fail deplorably; harps and flutes are not in tune with other instruments; people accompany songs they have never seen before; and much time and talk are consumed in wis.h.i.+ng for absent tenor or ba.s.s voices. A little good music would have been delightful; the noise of so many imperfect efforts is only a bore.

In our parties we carelessly lose Nature's purest delights: those which appeal most strongly to our finest perceptions. Is it not true enjoyment to sit among the roses on a balcony listening to a sweet voice within singing an air of Schubert or Mozart? And if the charm be enhanced by moonlight, it is a pleasure for the G.o.ds!

It is true that roses will not flourish on London balconies, the coal-smoke being so injurious to them; but pinks, and many other fragrant flowers, grow well and easily, without the cost of frequent renewal required for roses. The general use of window gardens, and the due encouragement of greenery over our houses, would tend much to improve our vitiated atmosphere, and we may have the gratification of feeling that we are doing good to our neighbours while we cultivate plants for our own benefit. Perhaps, by-and-by, a tax may be charged upon every empty window-sill.

The front and back of every house would make a good-sized bit of garden, only it will be perpendicular instead of horizontal. We ought all to grow our own pears trained against the walls, as these ripen as well in town as in the country; and most of us might dwell under our own vines and fig-trees.

A balcony, however small it may be, is an extra room, and frequently it is a good play-room for children if kept clean and well syringed. No training is better for children than the culture of flowers--it unites work and play with every advantage of both. It is an education in itself. Mr. Gladstone calls the love of flowers a peculiarly English taste. He seems to have forgotten the special fondness for plants shown by the French and Belgians; though the Dutch tulip mania reminds one somewhat of a commercial speculation. His remarks on the children's flower-show held at Grosvenor House merit particular attention. He observes that owing to the increased value of land, large ma.s.ses of the population are removed from contact with nature, and at this period it is important that every family should learn that they possess a resource in the cultivation of flowers both in their cottages and windows, and at every point where contact with the open air may be obtained. He hopes that with the needful improvements in the dwellings of the poor, some means may be devised for fostering cottage horticulture and cottage floriculture.

Wind and scorching suns.h.i.+ne are the great adversaries to window gardening, but both of these evils may be obviated by simple contrivances in the way of screens.

Very few plants can be cultivated in our sitting-rooms with advantage either to themselves or to our furniture. They are greatly injured by gas, as well as by the dry heat of our fires, while they cause a dampness in the atmosphere which speedily produces mildew and other ill effects of moisture.

We should bear in mind, in furnis.h.i.+ng a drawing-room, that the guests are the princ.i.p.al part of the furniture, and leave sufficient s.p.a.ce for the number we wish our room to hold. A drawing-room as empty as one of Orchardson's pictures may be overcrowded by twenty people.

The walls may be adorned to profusion with objects of taste, without their inconveniently occupying s.p.a.ce; but tiny tables and flower-pot stands are often in jeopardy.

In a room crowded with furniture the guests cannot circulate--one because there is not s.p.a.ce enough to pa.s.s between a lady's dress and the small table with a vase upon it that is so likely to be upset; another because an ottoman just before her keeps her a prisoner on the sofa where she was planted on entering the room--until ladies are thankful to do a little something inaudible at the piano as a pretext for moving, and gentlemen are only too glad to be required to force a pa.s.sage in the service of a lady. And this not merely in the absurd and terrible crush at an ”at home” in the London season, but at a simple evening party anywhere.

It is often agreeable to have several afternoon tea-tables in the drawing-room, as the ladies can pair off at each, and become pleasantly acquainted while serving each other. But in the case of large musical ”at homes,” it is better to have refreshments served in the dining-room, as the clatter of spoons and the bustle of waiting disturbs the music; besides injury being often done by ice plates left about, tea spilt, and crumbs trodden into the carpet.

We will now leave the subject of parties and study the drawing-room in its ordinary appearance as the sitting-room of the family out of working hours. A drawing-room should be used, and look as if it were used, and if used properly it need never be dirty nor in disorder. A library, or study, greatly aids the drawing-room by preventing its too indiscriminate use. Indeed, where boys and girls have school-work to prepare, this is almost a matter of necessity, as there is neither rest nor comfort for their elders while lessons are going on; and if other members of the family occupy themselves much in writing or painting, it is a great hindrance to have to remove their paraphernalia every time the table is required for some other purpose.

The room may be called a study, morning-room, or library, according to its purpose, bearing in mind that although the name is more high sounding, a library with few books is only ridiculous. And when there are many and good books, the room must be held in great respect, and those who use it trained to extreme neatness and order. I find it a good plan to instal my eldest son as responsible librarian at a small salary; he sees that the younger children put away their books after them.

A gas-standard lights a study better than anything else for general use, though ”the Queen's reading lamp” is good for weak eyes.

The standard must be firm on its base, so as not easily to upset; it is less in the way if it stands on the floor rather than on the table, and it should be capable of being raised to the height of six feet, or lowered to any point. It ought to be easily movable in any direction, and the tube long enough to admit of its being placed in any part of the room. The only kind of tubing that really prevents a disagreeable smell escaping from the gas is the snake tubing. I had at first a kind that was dearer than the ordinary india-rubber tubing, but, although a.s.sured by the gasfitter that it would be inodorous, I was obliged to change it for the snake, for which I paid twelve s.h.i.+llings, and have had no trouble since.

We all know that wax candles are the nicest and most becoming light for a drawing-room; but they are dear, and candlesticks, however elegant, require frequent cleaning. The commoner kind of candles are greasy, and grease is very troublesome when it drops about, though wax and sperm are readily removed by warming the spots. There is a kind of candle called the dropless candle which answers very well to its name.

Paraffin, and almost all patent candles, fill the air with burnt smoke, and this, to many people, is insufferable.

Sperm candles are preferable to any others for general use at the piano and for bed-rooms. And candles need not be an expensive item when a house is well fitted with gas, as much music practising may be done by daylight and gaslight; while in bed-rooms we ought not to require much length of candlelight.

There is no need of more than one candle to be carried about, and that is for the person who turns off the gas to go upstairs with.

An Italian _lucerna_ is a picturesque object for this purpose; oil is burnt in it--colza will do, though they burn olive oil in Italy, and it gives double the light of colza. On no account use petroleum, or any of the mineral oils. Besides their horrible smell and a.s.sociations, all the kinds are more or less explosive, and for the little use for which we should require lamps, the difference in cost is trifling.

One occasionally sees curious and quaint old iron or bronze candlesticks, and it is well to seize the opportunity of purchasing such treasures; but if not fortunate enough to get a better thing, it is easy to procure one of those funny little bra.s.s candlesticks, in the shape of a frying-pan, so commonly used in the Belgian hotels.

As there are no servants in our model establishment, tallow candles need never be bought, and no candlebox will be required, nor any kitchen candlesticks, to be stuck periodically in a row in the fender to melt their grease and solder, and lose their extinguishers and snuffers.

So we see, even in this small instance, how a young couple beginning to furnish will want few of these superfluities, and, not being compelled to buy common things for servants, may afford things of choice quality for themselves, and to these they may add others as time goes on.

Take, for another example, the breakfast-cups; they may at first buy two very pretty cups and saucers for their own use, and a third equally pretty for their lady friend, or help, as they may like to call her; and either t.i.tle is honourable, only one seems kinder than the other.