Part 4 (1/2)
You may buy postcards with views of the destruction at various angles, and send them off with the Arras postmark. The town is not without a certain business activity. There is, I am told, a considerable influx of visitors of a special sort; they wear khaki and lead the troglodytic life. They play cards and gossip and sleep in the shadows, and may not walk the streets. I had one glimpse of a dark crowded cellar. Now and then one sees a British soldier on some special errand; he keeps to the pavement, mindful of the spying German sausage balloon in the air. The streets are strangely quite and gra.s.s grows between the stones.
The Hotel de Ville and the cathedral are now mostly heaps of litter, but many streets of the town have suffered very little. Here and there a house has been crushed and one or two have been bisected, the front reduced to a heap of splinters and the back halves of the rooms left so that one sees the bed, the hanging end of the carpet, the clothes cupboard yawning open, the pictures still on the wall. In one place a lamp stands on a chest of drawers, on a shelf of floor cut off completely from the world below.... Pheeee---woooo---_Bang!_ One would be irresistibly reminded of a Sunday afternoon in the city of London, if it were not for those unmeaning explosions.
I went to the station, a dead railway station. A notice-board requested us to walk around the silent square on the outside pavement and not across it. The German sausage balloon had not been up for days; it had probably gone off to the Somme; the Somme was a terrible vortex just then which was sucking away the resources of the whole German line; but still discipline is discipline. The sausage might come peeping up at any moment over the station roof, and so we skirted the square. Arras was fought for in the early stages of the war; two lines of sand-bagged breastworks still run obliquely through the station; one is where the porters used to put luggage upon cabs and one runs the length of the platform. The station was a fine one of the modern type, with a gla.s.s roof whose framework still remains, though the gla.s.s powders the floor and is like a fine angular gravel underfoot. The rails are rails of rust, and cornflowers and mustard and tall gra.s.ses grow amidst the ballast. The waiting-rooms have suffered from a sh.e.l.l or so, but there are still the sofas of green plush, askew, a little advertis.e.m.e.nt hung from the wall, the gla.s.s smashed. The ticket bureau is as if a giant had scattered a great number of tickets, mostly still done up in bundles, to Douai, to Valenciennes, to Lens and so on. These tickets are souvenirs too portable to resist. I gave way to that common weakness.
I went out and looked up and down the line; two deserted goods trucks stood as if they sheltered under a footbridge. The gra.s.s poked out through their wheels. The railway signals seemed uncertain in their intimations; some were up and some were down. And it was as still and empty as a summer afternoon in Pompeii. No train has come into Arras for two long years now.
We lunched in a sunny garden with various men who love Arras but are weary of it, and we disputed about Irish politics. We discussed the political future of Sir F. E. Smith. We also disputed whether there was an equivalent in English for _embusque._ Every now and then a sh.e.l.l came over--an aimless sh.e.l.l.
A certain liveliness marked our departure from the town. Possibly the Germans also listen for the rare infrequent automobile. At any rate, as we were just starting our way back--it is improper to mention the exact point from which we started--came ”Pheeee---woooo.” Quite close. But there was no _Bang!_ One's mind hung expectant and disappointed. It was a dud sh.e.l.l.
And then suddenly I became acutely aware of the personality of our chauffeur. It was not his business to talk to us, but he turned his head, showed a sharp profile, wry lips and a bright excited eye, and remarked, ”_That_ was a near one--anyhow.” He then cut a corner over the pavement and very nearly cut it through a house. He b.u.mped us over a sh.e.l.l hole and began to toot his horn. At every gateway, alley, and cross road on this silent and empty streets of Arras and frequently in between, he tooted punctiliously. (It is not proper to sound motor horns in Arras.) I cannot imagine what the listening Germans made of it. We pa.s.sed the old gates of that city of fear, still tooting vehemently, and then with shoulders eloquent of his feelings, our chauffeur abandoned the horn altogether and put his whole soul into the accelerator....
3
Soissons was in very much the same case as Arras. There was the same pregnant silence in her streets, the same effect of waiting for the moment which draws nearer and nearer, when the brooding German lines away there will be full of the covert activities of retreat, when the streets of the old town will stir with the joyous excitement of the conclusive advance.
The organisation of Soissons for defence is perfect. I may not describe it, but think of whatever would stop and destroy an attacking party or foil the hostile sh.e.l.l. It is there. Men have had nothing else to do and nothing else to think of for two years. I crossed the bridge the English made in the pursuit after the Marne, and went into the first line trenches and peeped towards the invisible enemy. To show me exactly where to look a seventy-five obliged with a sh.e.l.l. In the crypt of the Abbey of St. Medard near by it--it must provoke the Germans bitterly to think that all the rest of the building vanished ages ago--the French boys sleep beside the bones of King Childebert the Second. They shelter safely in the prison of Louis the Pious. An ineffective sh.e.l.l from a German seventy-seven burst in the walled garden close at hand as I came out from those thousand-year-old memories again.
The cathedral at Soissons had not been nearly so completely smashed up as the one at Arras; I doubt if it has been very greatly fired into.
There is a peculiar beauty in the one long vertical strip of blue sky between the broken arches in the chief gap where the wall has tumbled in. And the people are holding on in many cases exactly as they are doing in Arras; I do not know whether it is habit or courage that is most apparent in this persistence. About the chief place of the town there are ruined houses, but some invisible hand still keeps the gra.s.s of the little garden within bounds and has put out a bed of begonias. In Paris I met a charming American writer, the wife of a French artist, the lady who wrote _My House on the Field of Honour._ She gave me a queer little anecdote. On account of some hospital work she had been allowed to visit Soissons--a rare privilege for a woman--and she stayed the night in a lodging. The room into which she was shown was like any other French provincial bedroom, and after her Anglo-Saxon habit she walked straight to the windows to open them.
They looked exactly like any other French bedroom windows, with neat, clean white lace curtains across them. The curtains had been put there, because they were the proper things to put there.
”Madame,” said the hostess, ”need not trouble to open the gla.s.s. There is no more gla.s.s in Soissons.”
But there were curtains nevertheless. There was all the precise delicacy of the neatly curtained home life of France.
And she told me too of the people at dinner, and how as the little serving-maid pa.s.sed about a proud erection of cake and conserve and cream, came the familiar ”Pheeee---woooo---_Bang!_”
”That must have been the Seminaire,” said someone.
As one speaks of the weather or a pa.s.sing cart.
”It was in the Rue de la Bueire, M'sieur,” the little maid a.s.serted with quiet conviction, poising the trophy of confectionery for Madame Huard with an unshaking hand.
So stoutly do the roots of French life hold beneath the tramplings of war.
II. THE GRADES OF WAR
1 Soissons and Arras when I visited them were samples of the deadlock war; they were like Bloch come true. The living fact about war so far is that Bloch has not come true--_yet._ I think in the end he will come true, but not so far as this war is concerned, and to make that clear it is necessary to trouble the reader with a little disquisition upon war--omitting as far as humanly possible all mention of Napoleon's campaigns.
The development of war has depended largely upon two factors. One of these is invention. New weapons and new methods have become available, and have modified tactics, strategy, the relative advantage of offensive and defensive. The other chief factor in the evolution of the war has been social organisation. As Machiavelli points out in his _Art of War_, there was insufficient social stability in Europe to keep a properly trained and disciplined infantry in the field from the pa.s.sing of the Roman legions to the appearance of the Swiss footmen. He makes it very clear that he considers the fighting of the Middle Ages, though frequent and b.l.o.o.d.y, to be a confused, mobbing sort of affair, and politically and technically unsatisfactory. The knight was an egotist in armour.
Machiavelli does small justice to the English bowmen. It is interesting to note that Switzerland, that present island of peace, was regarded by him as the mother of modern war. Swiss aggression was the curse of the Milanese. That is a remark by the way; our interest here is to note that modern war emerges upon history as the sixteenth century unfolds, as an affair in which the essential factor is the drilled and trained infantryman. The artillery is developing as a means of breaking the infantry; cavalry for charging them when broken, for pursuit and scouting. To this day this triple division of forces dominates soldiers'
minds. The mechanical development of warfare has consisted largely in the development of facilities for enabling or hindering the infantry to get to close quarters. As that has been made easy or difficult the offensive or the defensive has predominated.
A history of military method for the last few centuries would be a record of successive alternate steps in which offensive and defensive contrivances pull ahead, first one and then the other. Their relative fluctuations are marked by the varying length of campaigns. From the very outset we have the ditch and the wall; the fortified place upon a pa.s.s or main road, as a check to the advance. Artillery improves, then fortification improves. The defensive holds its own for a long period, wars are mainly siege wars, and for a century before the advent of Napoleon there are no big successful sweeping invasions, no marches upon the enemy capital and so on. There were wars of reduction, wars of annoyance. Napoleon developed the offensive by seizing upon the enthusiastic infantry of the republic, improving transport and mobile artillery, using road-making as an aggressive method. In spite of the successful experiment of Torres Vedras and the warning of Plevna the offensive remained dominant throughout the nineteenth century.
But three things were working quietly towards the rehabilitation of the defensive; firstly the increased range, accuracy and rapidity of rifle fire, with which we may include the development of the machine gun; secondly the increasing use of the spade, and thirdly the invention of barbed wire. By the end of the century these things had come so far into military theory as to produce the great essay of Bloch, and to surprise the British military people, who are not accustomed to read books or talk shop, in the Boer war. In the thinly populated war region of South Africa the difficulties of forcing entrenched positions were largely met by outflanking, the Boers had only a limited amount of barbed wire and could be held down in their trenches by shrapnel, and even at the beginning of the present war there can be little doubt that we and our Allies were still largely unprepared for the full possibilities of trench warfare, we attempted a war of manoeuvres, war at about the grade to which war had been brought in 1898, and it was the Germans who first brought the war up to date by entrenching upon the Aisne. We had, of course, a few aeroplanes at that time, but they were used chiefly as a sort of accessory cavalry for scouting; our artillery was light and our sh.e.l.l almost wholly shrapnel.
Now the grades of warfare that have been developed since the present war began, may be regarded as a series of elaborations and counter elaborations of the problem which begins as a line of trenches behind wire, containing infantry with rifles and machine guns. Against this an infantry attack with bayonet, after shrapnel fails. This we will call Grade A. To this the offensive replies with improved artillery, and particularly with high explosive sh.e.l.l instead of shrapnel. By this the wire is blown away, the trench wrecked and the defender held down as the attack charges up. This is Grade B. But now appear the dug-out elaborating the trench and the defensive battery behind the trench. The defenders, under the preliminary bombardment, get into the dug-outs with their rifles and machine guns, and emerge as fresh as paint as the attack comes up. Obviously there is much scope for invention and contrivance in the dug-out as the reservoir of counter attacks. Its possibilities have been very ably exploited by the Germans. Also the defensive batteries behind, which have of course the exact range of the captured trench, concentrate on it and destroy the attack at the moment of victory. The trench falls back to its former holders under this fire and a counter attack. Check again for the offensive. Even if it can take, it cannot hold a position under these conditions. This we will call Grade A2; a revised and improved A. What is the retort from the opposite side? Obviously to enhance and extend the range of the preliminary bombardment behind the actual trench line, to destroy or block, if it can, the dug-outs and destroy or silence the counter offensive artillery. If it can do that, it can go on; otherwise Bloch wins.