Part 69 (1/2)
CHAPTER XLIV
Dexterously as Wilfrid has turned Tracy to his uses by means of the foregoing correspondence, in doing so he had exposed himself to the retributive poison administered by that cunning youth. And now the Hippogriff seized him, and mounted with him into mid-air; not as when the idle boy Ganymede was caught up to act as cup-bearer in celestial Courts, but to plunge about on yielding vapours, with nothing near him save the voice of his desire.
The Philosopher here peremptorily demands the pulpit. We are subject, he says, to fantastic moods, and shall dry ready-minted phrases picture them forth? As, for example, can the words 'delirium,' or 'frenzy,'
convey an image of Wilfrid's state, when his heart began to covet Emilia again, and his sentiment not only interposed no obstacle, but trumpeted her charms and fawned for her, and he thought her lost, remembered that she had been his own, and was ready to do any madness to obtain her?
'Madness' is the word that hits the mark, but it does not fully embrace the meaning. To be in this state, says the Philosopher, is to be 'On The Hippogriff;' and to this, as he explains, the persons who travel to Love by the road of sentiment will come, if they have any stuff in them, and if the one who kindles them is mighty. He distinguishes being on the Hippogriff from being possessed by pa.s.sion. Pa.s.sion, he says, is n.o.ble strength on fire, and points to Emilia as a representation of pa.s.sion.
She asks for what she thinks she may have; she claims what she imagines to be her own. She has no shame, and thus, believing in, she never violates, nature, and offends no law, wild as she may seem. Pa.s.sion does not turn on her and rend her when it is thwarted. She was never carried out of the limit of her own intelligent force, seeing that it directed her always, with the simple mandate to seek that which belonged to her. She was perfectly sane, and constantly just to herself, until the failure of her voice, telling her that she was a beggar in the world, came as a second blow, and partly scared her reason. Constantly just to herself, mind! This is the quality of true pa.s.sion. Those who make a noise, and are not thus distinguishable, are on Hippogriff. --By which it is clear to me that my fantastic Philosopher means to indicate the lover mounted in this wise, as a creature bestriding an extraneous power. ”The sentimentalist,” he says, ”goes on acc.u.mulating images and hiving sensations, till such time as (if the stuff be in him) they a.s.sume a form of vitality, and hurry him headlong. This is not pa.s.sion, though it amazes men, and does the madder thing.”
In fine, it is Hippogriff. And right loath am I to continue my partners.h.i.+p with a fellow who will not see things on the surface, and is, as a necessary consequence, blind to the fact that the public detest him. I mean, this garrulous, super-subtle, so-called Philosopher, who first set me upon the building of 'The Three Volumes,' it is true, but whose stipulation that he should occupy so large a portion of them has made them rock top-heavy, to the forfeit of their stability. He maintains that a story should not always flow, or, at least, not to a given measure. When we are knapsack on back, he says, we come to eminences where a survey of our journey past and in advance is desireable, as is a distinct pause in any business, here and there.
He points proudly to the fact that our people in this comedy move themselves,--are moved from their own impulsion,--and that no arbitrary hand has posted them to bring about any event and heap the catastrophe.
In vain I tell him that he is meantime making tatters of the puppets'
golden robe illusion: that he is sucking the blood of their warm humanity out of them. He promises that when Emilia is in Italy he will retire altogether; for there is a field of action, of battles and conspiracies, nerve and muscle, where life fights for plain issues, and he can but sum results. Let us, he entreats, be true to time and place.
In our fat England, the gardener Time is playing all sorts of delicate freaks in the lines and traceries of the flower of life, and shall we not note them? If we are to understand our species, and mark the progress of civilization at all, we must. Thus the Philosopher. Our partner is our master, and I submit, hopefully looking for release with my Emilia, in the day when Italy reddens the sky with the banners of a land revived.
I hear Wilfrid singing out that he is aloft, burning to rush ahead, while his beast capers in one spot, abominably ludicrous. This trick of Hippogriff is peculiar, viz., that when he loses all faith in himself, he sinks--in other words, goes to excesses of absurd humility to regain it. Pa.s.sion has likewise its panting intervals, but does nothing so preposterous. The wreath of black briony, spoken of by Tracy as the crown of Emilia's forehead, had begun to glow with a furnace-colour in Wilfrid's fancy. It worked a Satanic distraction in him. The girl sat before him swathed in a darkness, with the edges of the briony leaves s.h.i.+ning deadly--radiant above--young Hecate! The next instant he was bleeding with pity for her, aching with remorse, and again stung to intense jealousy of all who might behold her (amid a reserve of angry sensations at her present happiness).
Why had she not made allowance for his miserable situation that night in Devon? Why did she not comprehend his difficulties in relation to his father's affairs? Why did she not know that he could not fail to love her for ever?
Interrogations such as these were so many switches of the whip in the flanks of Hippogriff.
Another peculiarity of the animal gifted with wings is, that around the height he soars to he can see no barriers nor any of the fences raised by men. And here again he differs from Pa.s.sion, which may tug against common sense but is never, in a great nature, divorced from it: In air on Hippogriff, desires wax boundless, obstacles are hidden. It seemed nothing to Wilfrid (after several tremendous descents of humility) that he should hurry for Monmouth away, to gaze on Emilia under her fair, infernal, bewitching wreath; nothing that he should put an arm round her; nothing that he should forthwith carry her off, though he died for it. Forming no design beyond that of setting his eyes on her, he turned the head of Hippogriff due Westward.
CHAPTER XLV
Penarvon castle lay over the borders of Monmouths.h.i.+re. Thither, on a night of frosty moonlight, troops of carriages were hurrying with the usual freightage for a country ball:--the squire who will not make himself happy by seeing that his duty to the softer side of his family must be performed during the comfortable hours when bachelors snooze in arm-chairs, and his n.o.bler dame who, not caring for Port or tobacco, cheerfully accepts the order of things as bequeathed to her: the everlastingly half-satisfied young man, who looks forward to the hour when his cigar-light will s.h.i.+ne; and the damsel thrice demure as a cover for her eagerness. Within a certain distance of one of the carriages, a man rode on horseback. The court of the castle was reached, and he turned aside, lingering to see whether he could get a view of the lighted steps. To effect his object, he dismounted and led his horse through the gates, turning from gravel to sward, to keep in the dusk.
A very agile middle-aged gentleman was the first to appear under the portico-lamps, and he gave his hand to a girl of fifteen, and then to a most portly lady in a scarlet mantle. The carriage-door slammed and drove off, while a groan issued from the silent spectator. ”Good heavens! have I followed these horrible people for five-and-twenty miles!” Carriage after carriage rattled up to the steps, was disburdened of still more 'horrible people' to him, and went the way of the others.
”I shan't see her, after all,” he cried hoa.r.s.ely, and mounting, said to the beast that bore him, ”Now go sharp.”
Whether you recognize the rider of Hippogriff or not, this is he; and the poor livery-stable screw stretched madly till wind failed, when he was allowed to choose his pace. Wilfrid had come from London to have sight of Emilia in the black-briony wreath: to see her, himself unseen, and go. But he had not seen her; so he had the full excuse to continue the adventure. He rode into a Welsh town, and engaged a fresh horse for the night.
”She won't sing, at all events,” thought Wilfrid, to comfort himself, before the memory that she could not, in any case, touched springs of weakness and pitying tenderness. From an eminence to which he walked outside the town, Penarvon was plainly visible with all its lighted windows.
”But I will pluck her from you!” he muttered, in a spasm of jealousy; the image of himself as an outcast against the world that held her, striking him with great force at that moment.
”I must give up the Austrian commission, if she takes me.”
And be what? For he had sold out of the English service, and was to receive the money in a couple of days. How long would the money support him? It would not pay half his debts! What, then, did this pursuit of Emilia mean? To blink this question, he had to give the spur to Hippogriff. It meant (upon Hippogriff at a brisk gallop), that he intended to live for her, die for her, if need be, and carve out of the world all that she would require. Everything appears possible, on Hippogriff, when he is going; but it is a bad business to put the spur on so willing a beast. When he does not go of his own will;--when he sees that there are obstructions, it is best to jump off his back. And we should abandon him then, save that having once tasted what he can do for us, we become enamoured of the habit of going keenly, and defying obstacles. Thus do we begin to corrupt the uses of the gallant beast (for he is a gallant beast, though not of the first order); we spoil his instincts and train him to hurry us to perdition.
”If my sisters could see me now!” thought Wilfrid, half-smitten with a distant notion of a singularity in his position there, the mark for a frosty breeze, while his eyes kept undeviating watch over Penarvon.
After a time he went back to the inn, and got among coachmen and footmen, all battling l.u.s.tily against the frost with weapons scientifically selected at the bar. They thronged the pa.s.sages, and lunged hearty punches at one another, drank and talked, and only noticed that a gentleman was in their midst when he moved to get a light. One complained that he had to drive into Monmouth that night, by a road that sent him five miles out of his way, owing to a block--a great stone that had fallen from the hill. ”You can't ask 'em to get out and walk ten steps,” he said; ”or there! I'd lead the horses and just tip up the off wheels, and round the place in a twinkle, pop 'm in again, and n.o.body hurt; but you can't ask ladies to risk catchin' colds for the sake of the poor horses.”
Several coachmen spoke upon this, and the shame and marvel it was that the stone had not been moved; and between them the name of Mr. Powys was mentioned, with the remark that he would spare his beasts if he could.
”What's that block you're speaking of, just out of Monmouth?” enquired Wilfrid; and it being described to him, together with the exact bearings of the road and situation of the ma.s.s of stone, he at once repeated a part of what he had heard in the form of the emphatic interrogation, ”What! there?” and flatly told the coachman that the stone had been moved.