Part 56 (2/2)

The band began to play. It was music for the entrance of a new performer. The audience became quiet; there was a keen, eager, expectant air; and then the curtain went up. John Storm felt dizzy. If he could have escaped he would have turned and fled. He gripped with both hands the rail in front of him.

Then a woman came gliding on to the stage. She was a tall girl in a dark dress and long black gloves, with red hair, and a head like a rose. It was Glory! A cloud came over John Storm's eyes, and for a few moments he saw no more.

There was some applause from the pit and the regions overhead. The people in the stalls were waving their handkerchiefs, and the lady in the box was kissing her hand. Glory was smiling, quite at her ease, apparently not at all nervous, only a little shy and with her hands interlaced in front of her. Then there was silence again and she began to sing.

It is the moment when prayers go up from the heart not used to pray.

Strange contradiction! John Storm found himself praying that Glory might do well, that she might succeed and eclipse everything! But he had turned his eyes away, and the sound of her voice was even more afflicting than the sight of her face. It was nearly a year since he had heard it last, and now he was hearing it under these conditions, in a place like this! He must have been making noises by his breathing.

”Hus.h.!.+ hus.h.!.+” said the people about him, and somebody tapped him on the shoulder.

After a moment he regained control of himself, and he lifted his head and listened. Glory's voice, which had been quavering at first, gathered strength. She was singing Mylecharaine, and the wild, plaintive harmony of the old Manx ballad was floating in the air like the sound of the sea. After her first lines a murmur of approval went round, the people sat up and leaned forward, and then there was silence again--dead silence--and then loud applause.

But it was only with the second verse that the humour of her song began, and John Storm waited for it with a trembling heart. He had heard her sing it a hundred times in the old days, and she was singing it now as she had sung it before. There were the same tricks of voice, the same tricks of gesture, the same expressions, the same grimaces. Everything was the same, and yet everything was changed. He knew it. He was sure it must be so. So artless and innocent then, now so subtle and significant!

Where was the difference? The difference was in the place, in the people. John Storm could have found it in his heart to turn on the audience and insult them. Foul-minded creatures, laughing, screaming, squealing, punctuating their own base interpretations and making evil of what was harmless! How he hated the grinning faces round about him!

When the song was finished Glory swept a gay courtesy, lifted her skirts, and tripped off the stage. Then there were shouting, whistling, stamping, and deafening applause. The whole house was unanimous for an encore, and she came back smiling and bowing with a certain look of elation and pride. John Storm was becoming terrified by his own anger.

”Be quiet there!” said some one behind him. ”Who's the josser?” said somebody else, and then he heard Glory's voice again.

It was another Manx ditty. A crew of young fishermen are going ash.o.r.e on Sat.u.r.day night after their week on the sea after the herring. They go up to the inn; their sweethearts meet them there; they drink and sing. At length they are so overcome by liquor and love that they have to be put to bed in their big sea boots. Then the girls kiss them and leave them.

The singer imitated the kissing, and the delighted audience repeated the sound. Sounds of kissing came from all parts of the hall, mingled with loud acclamations of laughter. The singer smiled and kissed back.

Somehow she conveyed the sense of a confidential feeling as if she were doing it for each separate person in the audience, and each person had an impulse to respond. It was irresistible, it was maddening, it swept over the whole house.

John Storm felt sick in his very soul. Glory knew well what she was doing. She knew what these people wanted. His Glory! Glory of the old, innocent happy days! O G.o.d! O G.o.d! If he could only get out! But that was impossible. Behind him the dense ma.s.s was denser than ever, and he was tightly wedged in by a wall of faces--hot, eager, with open mouths, teeth showing, and glittering and dancing eyes. He tried not to listen to what the people about were saying, yet he could not help but hear.

”Tasty, ain't she?” ”Cerulean, eh?” ”Bit 'ot, certinly!” ”Well, if I was a Johnny, and had got the oof, she'd have a brougham and a sealskin to-morrow.” ”To-night, you mean,” and then there were significant squeaks and trills of laughter.

They called her back again, and yet again, and she returned with unaffected cheerfulness and a certain look of triumph. At one moment she was doing the gaiety of youth, and at the next the crabbedness of age; now the undeveloped femininity of the young girl, then the volubility of the old woman. But John Storm was trying to hear none of it. With his head in his breast and his eyes down he was struggling to think of the monastery, and to imagine that he was still buried in his cell. It was only this morning that he left it, yet it seemed to be a hundred years ago. Last night the Brotherhood, the singing of Evensong, Compline, the pure air, silence, solitude, and the atmosphere of prayer; and to-night the crowds, the clouds of smoke, the odour of drink, the meaning laughter, and Glory as the centre of it all!

For a moment everything was blotted out, and then there was loud hand-clapping and cries of ”Bravo!” He lifted his head. Glory had finished and was bowing herself off. The lady in the private box flung her a bouquet of damask roses. She picked it up and kissed it, and bowed to the box, and then the acclamations of applause were renewed.

The crush behind relaxed a little, and he began to elbow his way out.

People were rising or stirring everywhere, and the house was emptying fast. As the audience surged down the corridors to the doors they talked and laughed and made inarticulate sounds. ”A tricky bit o' muslin, eh?”

”Yus, she's thick.” ”She's my dart, anyhow.” Then the whistling of a tune. It was the chorus of Mylecharaine. John Storm felt the cool air of the street on his hot face at last. The policemen were keeping a way for the people coming from the stalls, the doorkeepers were whistling or shouting for cabs, and their cries were being caught up by the match boys, who were running in and out like dogs among the carriage wheels and the horses' feet. ”En-sim!” ”Four-wheel-er!”

In a narrow court at the back, dimly lit and not much frequented, there was a small open door under a lamp suspended from a high blank wall.

This was the stage-door of the music hall, and a group of young men, looking like hairdressers' a.s.sistants, blocked the pavement at either side of it. ”Wonder what she's like off?” ”Like a laidy, you bet.” ”Yus, but none o' yer bloomin' hamatoors.” ”Gawd, here's the josser again!”

John Storm pushed his way through to where a commissionaire sat behind a gla.s.s part.i.tion in a little room walled with pigeon holes.

”Can I see Miss Quayle?” he asked.

The porter looked blank.

”Gloria, then,” said John Storm, with an effort.

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