Part 2 (2/2)

The thank-yous rang phony in her ears. Half her guests, she never wanted to see again; the other half she wished she'd not invited. Mark, come to that, was scoring small in the Good Husband stakes. So pleading a headache, she retreated to the kitchen almost before they were out the front door. At the back of the house, she could pretend the noise outside was a party. That way all she had to grieve about was the fact that she hadn't been invited.

She could hear Mark heading upstairs. Once he'd have been in to clear up. Now it seemed this was her domain; he'd cancel his subscription to the Guardian before using the phrase Woman's Work, but he'd justify not helping nevertheless. Hard day at the office; long journey back; had to stand all the way from Padding-ton. Plus she'd been p.i.s.sy with his guests, which was hardly the way to further his career. And underneath that, no matter what kind of day he'd had, no matter what she'd said to whoever, there'd be that nasty little jingle that she heard all the time these days, although he'd yet to say it aloud: It's not as if you do anything else. Is it, Sarah?

She stacked dirty dishes. Fifteen minutes' work here, but she was tired. The morning, she thought. She'd do it in the morning. Then a sudden, unwanted vision attacked her of them both being blown away in their sleep, and morning never coming. But that wouldn't happen, not twice in the same street. Not two gas accidents so close, though she might just get the boiler checked while she had accidents in mind Gerard, remember, had been sure it was a bomb.

Something moved outside the back door, shocking her from her thoughts. Probably a cat, she quickly decided. Which it was. Moving closer she could make it out, sitting on the patio, grooming itself; a familiar local black, the opposite of a stray in that about six different households fed it. No way was she joining in. But she stood and watched it for a while, until it became too difficult to focus on the world beyond her own reflection, chopped and multiplied in the dozen gla.s.s panels that made up the back door. See yourself as Pica.s.so sees you, she thought. In her case, heavy. Lifeless shoulder-length hair. A smidgin over-made-up this evening . . . This woman has low self-esteem. Which didn't make her wrong, Sarah thought bitterly. Let's get Mark's opinion on the subject, shall we?

He was not available. The cat was subjecting her to pretty close scrutiny though; its eyes reflecting the kitchen's glow, its gaze steady and unforgiving, and it seemed to Sarah that it was weighing her according to some feline scale; checking out her potential for survival on the other side of the gla.s.s, where the wild things were. She didn't rate highly. Too old, too slow, too fat. Only thirty-three. Never what you'd call fast. She could stand to lose some pounds, it was true. The Other Sarah Tucker would have done just fine. But I don't know about you. It was the judgement of a superior creature, she felt; a creature that never suffered a dinner party for its mate's awful client, or squandered its emotions keeping house.

But for all that, Sarah Trafford, nee Tucker, thought, it was only a cat.

II.

South Oxford had its compensations. North Oxford had the parks, the houses, and one or two minor colleges; East Oxford had Tesco's and an energetic police presence. West Oxford had the railway station. South Oxford had the river.

Not all of it, true, but as much as fitted into a long stretch beween two locks: Old Lag River. Between Osney and Iffley it meandered, with the pedestrian bridge at Friars Wharf marking the midway line: a harmless if unattractive structure, its metal frame daubed with uninspired graffiti. Twice a day this saw heavy traffic as infants from the estate were ferried across it to school. Sarah used it habitually as a shortcut into town, and from it could make out the exploded house next morning, an end of terrace whose exposed side stood on the footpath that ran by the river. Or had stood, rather, since now the house had folded in on itself like a used-up cardboard carton, all that remained of the wall being a faint outline the eye drew on the air, as if bricks and mortar had been reduced to an architect's plan. The front door stood upright; a bright cheeky red which could have ill.u.s.trated the spirit of the Blitz. But everything to its left had collapsed, laying the interior bare to the gaze of onlookers like Sarah, and the gaggle of women still returning home two hours after dropping their kids at school: they huddled nearby, smoking, telling lies about seeing it happen, while on the riverbank groups of policemen did much the same, except kitted out in dayglo overalls. The footpath had been cordoned off, along with the top of the road giving out on the river; little strings of yellow bunting flapped in the wind. The second storey of the house was gone, and the ground floor a mess of smashed furniture and broken walls, as if a whole collection of worldly goods had been dropped from a great height. The wallpaper on the inside upright was scorched and shriven, and on it Sarah saw the shadow of a chair which no longer existed, one the blast had reduced to matchwood. What was left of the roof sagged, still shedding tiles at irregular intervals. To all intents and purposes, the house next door was now nearest the river. South Oxford had grown smaller by one address.

There was a sealsplash as a wetsuited policeman dropped into the water. One of the women detached from her group and came over. 'They carried three out. I saw the stretchers.'

Sarah didn't know what to say. She had never spoken to this woman, and didn't know three was a significant number. 'Well . . .'

'And she lived alone. Just her and the kid.'

'Who was '

'n.o.body knows.'

There was a shout from below. The frogman surfaced, holding what looked like an intact teapot.

'I don't even know who she was.'

'Maddie. Maddie Singleton.'

The name meant nothing. 'And the child?'

'Just a bairn. Could have been one of us, couldn't it?'

'What could?'

'Something like that. The mains it was, they reckon. See our block?' She waved a hand at the flats behind them. 'It happens over there, Boom! Goodnight, Vienna.' She was much the same age as Sarah, but her smoker's features added years. 'Goodnight f.u.c.kin' Vienna.'

'Were they killed?'

'Course they were killed. It was an explosion.'

A policeman had taken the teapot and was trying to fit it into a polythene bag. The frogman dived once more, his flippers breaking the surface briefly, then disappearing with hardly a ripple. The women on the bridge murmured, as if giving points for style. It was a strange new spectator sport: catastrophe aquatics. The frogman would collect what used to be a life, and pack it all in polythene bags for the experts to put together again.

'Shocking, I call it. They should do something about it.'

'Like what?'

But the woman didn't know.

She went back to join her mates, the word spread, the message pa.s.sed on. Sarah felt she'd fumbled the encounter, but couldn't think how to recover it. And felt clumsy, too, standing here; looking on someone else's accident. Then she saw the man on the other side of the river, standing on the ap.r.o.n of gra.s.s below the flats: he too was a voyeur. But something about him held her gaze.

He looked to be forty, though that was an outright guess. The first glance told Sarah he'd lived a life that had aged him fast, though she'd have been at a loss to supply the detail to back up that notion. His long hair flopped untidily across his forehead and was tied in a knot at the back; it also sprouted in a stringy, undernourished beard that looked fairly recent. Outfitted by Oxfam, Sarah thought: denim jacket, patched jeans, scuzzy white T-s.h.i.+rt; he could have been one of the dozens of homeless who mumbled round the city centre, carting bundles of newspaper and litter-filled plastic bags, but something took him out of the category; she couldn't fathom what. His air of concentration perhaps. Something, anyway. She'd work it out. And all the while Sarah gazed down at him he didn't once look up, yet she was sure he was as aware of her presence as he was of all those presences on the bridge, enough to have described any one of them a week hence . . . Perhaps she'd drunk more than she'd thought last night.

Enough, anyway, not to notice Wigwam until she was nearly on top of her. Or recognize, rather, for Wigwam was not unnoticeable. Bright yellow shorts this morning, with a pink, hugging T-s.h.i.+rt that walked a line between brave and downright stupid; turning a figure you might call generous into one that looked plain greedy. Though Wigwam, Sarah had long since known, cared nothing about her appearance.

'Are you all right?' were her typical opening words.

'I was miles away.'

'Poor thing.'

But Wigwam, Sarah realized, wasn't addressing her any more. 'Did you know her?' she asked.

'Maddie? Yes, of course. Didn't you?'

'Don't think so.'

'You must have done. Tall woman, blonde hair. Her daughter's just a tiny.' Wigwam's eyes filled with tears.

Sarah was remembering a flitting shape, a head of hair, an outline without a voice. 'Red overalls?'

'Maddie?'

'The child.'

'Dinah. I think so.'

She had sat on the towpath throwing crusts to the swans. Sarah remembered her now; a fair child with her hair in bunches, and grubby clothes, and bright yellow jellies. She couldn't have been much more than three. 'Swans,' she'd said to Sarah, and pointed. There'd been a mother there, but she hadn't left a mark on Sarah's memory.

It had only happened once. But now, even looking at it, she found it hard to picture a towpath without a grubby blonde child casting stale bread into the water.

'Poor love. All alone now, even if she does '

'She's alive?'

'Oh, she wasn't killed. Not Dinah.'

'I thought she was.'

'She was s.h.i.+elded by a wardrobe or something. From the blast. She was in bed, and the bed just dropped through when the floor caved in. She didn't even fall out.'

'How do you know all this?'

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