Part 41 (2/2)
”Put them in your box, my dear,” said Mrs. Peedles. ”They'll come in useful to you later on.”
I glanced at the bundle. I saw it was a collection of old plays in ma.n.u.script-prompt copies, scored, cut and interlined. The top one I noticed was ”The Bloodspot: Or the Maiden, the Miser and the Murderer;”
the second, ”The Female Highwayman.”
”Everybody's forgotten 'em,” explained Mrs. Peedles, ”but there's some good stuff in all of them.”
”But what am I to do with them?” I enquired.
”Just whatever you like, my dear,” explained Mrs. Peedles. ”It's quite safe. They're all of 'em dead, the authors of 'em. I've picked 'em out most carefully. You just take a scene from one and a scene from the other. With judgment and your talent you'll make a dozen good plays out of that little lot when your time comes.”
”But they wouldn't be my plays, Mrs. Peedles,” I suggested.
”They will if I give them to you,” answered Mrs. Peedles. ”You put 'em in your box. And never mind the bit of rent,” added Mrs. Peedles; ”you can pay me that later on.”
I kissed the kind old soul good-bye and took her gift with me to my new lodgings in Camden Town. Many a time have I been hard put to it for plot or scene, and more than once in weak mood have I turned with guilty intent the torn and crumpled pages of Mrs. Peedles's donation to my literary equipment. It is pleasant to be able to put my hand upon my heart and reflect that never yet have I yielded to the temptation.
Always have I laid them back within their drawer, saying to myself, with stern reproof:
”No, no, Paul. Stand or fall by your own merits. Never plagiarise--in any case, not from this 'little lot.'”
CHAPTER IV.
LEADS TO A MEETING.
”Don't be nervous,” said the O'Kelly, ”and don't try to do too much. You have a very fair voice, but it's not powerful. Keep cool and open your mouth.”
It was eleven o'clock in the morning. We were standing at the entrance of the narrow court leading to the stage door. For a fortnight past the O'Kelly had been coaching me. It had been nervous work for both of us, but especially for the O'Kelly. Mrs. O'Kelly, a thin, acid-looking lady, of whom I once or twice had caught a glimpse while promenading Belsize Square awaiting the O'Kelly's signal, was a serious-minded lady, with a conscientious objection to all music not of a sacred character. With the hope of winning the O'Kelly from one at least of his sinful tendencies, the piano had been got rid of, and its place in the drawing-room filled by an American organ of exceptionally lugubrious tone. With this we had had to make s.h.i.+ft, and though the O'Kelly--a veritable musical genius--had succeeded in evolving from it an accompaniment to ”Sally in Our Alley” less misleading and confusing than might otherwise have been the case, the result had not been to lighten our labours. My rendering of the famous ballad had, in consequence, acquired a dolefulness not intended by the composer. Sung as I sang it, the theme became, to employ a definition since grown hackneyed as applied to Art, a problem ballad.
Involuntarily one wondered whether the marriage would turn out as satisfactorily as the young man appeared to antic.i.p.ate. Was there not, when one came to think of it, a melancholy, a pessimism ingrained within the temperament of the complainful hero that would ill a.s.sort with those instincts toward frivolity the careful observer could not avoid discerning in the charming yet nevertheless somewhat shallow character of Sally.
”Lighter, lighter. Not so soulful,” would demand the O'Kelly, as the solemn notes rolled jerkily from the groaning instrument beneath his hands.
Once we were nearly caught, Mrs. O'Kelly returning from a district visitors' committee meeting earlier than was expected. Hastily I was hidden in a small conservatory adjutting from the first floor landing, where, crouching behind flower-pots, I listened in fear and trembling to the severe cross-examination of the O'Kelly.
”William, do not prevaricate. It was not a hymn.”
”Me dear, so much depends upon the time. Let me give ye an example of what I mean.”
”William, pray in my presence not to play tricks with sacred melodies.
If you have no respect for religion, please remember that I have.
Besides, why should you be playing hymns in any time at ten o'clock in the morning? It is not like you, William, and I do not credit your explanation. And you were singing. I distinctly heard the word 'Sally'
as I opened the door.”
”Salvation, me dear,” corrected the O'Kelly.
”Your enunciation, William, is not usually so much at fault.”
”A little hoa.r.s.eness, me dear,” explained the O'Kelly.
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