Volume I Part 8 (1/2)

As for her children, she understands neither their moral nature nor their physical wants; and beyond a universal 'Oh, naughty!' if the little ones express their lives in the rampant manner proper to young things, or as a universal 'Oh, let them have it!' if there is a howl over what is forbidden or unwise, she has no idea of discipline or management. If they teaze her, they are sent away; if they are naughty, they are whipped by papa or nurse; if they are ill, the doctor is summoned and they have medicine as he directs; but none of the finer and more intimate relations usual between mother and child exist in the home of the doll mother. The children are the property of the nurse only; unless indeed the father happens to be a specially affectionate and a specially domestic man, and then he does the work of the mother--at the best clumsily, but at the worst better than the doll could have done it.

Very shocking and revolting are all the more tragic facts of human life to the smooth-skinned easy-going doll. When it comes to her own turn to bear pain, she wonders how a good G.o.d can permit her to suffer. Had she brains enough to think, the great mystery of pain would make her atheistical in her angry surprise that she should be so hardly dealt with. As dolls have a const.i.tutional immunity from suffering, her first initiation into even a minor amount of anguish is generally a tremendous affair; and though it may be pain of a quite natural and universal character, she is none the less indignant and astonished at her portion. She invariably thinks herself worse treated than her sisters, and cannot be made to understand that others suffer as much as, and more than, herself. As she has always shrunk from witnessing trouble of any kind, and as what she may have seen has pa.s.sed over her mind without leaving any impression, she comes to her own sorrows totally inexperienced; and one of the most pitiable sights in the world is that of a poor doll woman writhing in the grasp of physical agony, and broken down or rendered insanely impatient by what other women can bear without a murmur.

When she is in the presence of the moral tragedies of life, she is as lost and bewildered as she is with the physical. All sin and crime are to her odd and inexplicable. She cannot pity the sinner, because she cannot understand the temptation; and she cannot condemn from any lofty standpoint, because she has not mind enough to see the full meaning of iniquity. It is simply something out of the ordinary run of her life, and the doll naturally dislikes disturbance, whether of habit or of thought. Yet if a noted criminal came and sat down by her, she would probably whisper to her next friend, 'How shocking!' but she would simper when he spoke, and perhaps in her heart feel flattered by the attention of even so doubtful a notoriety. If she be a doll with a bias towards naughtiness, the utmost limit to which she can go is a mild kind of curiosity about the outsides of things--the mere husk and rind of the forbidden fruit--such as wondering how such and such people look who have done such dreadful things; and what they felt the next morning; and how could they ever come to think of such horrors! She would be more interested in hearing about the dress and hair and eyes of the female plaintiff or defendant in a famous cause than many other women would be; but she would not give herself the trouble to read the evidence, and she would take all her opinions secondhand. But whether the colour of the lady's gown was brown or blue, and whether she wore her hair wisped or plaited, would be matters in which she would take as intense an interest as is possible to her.

The utmost limit to which enthusiasm can be carried with her is in the matter of dress and fas.h.i.+on; and the only subject that thoroughly arouses her is the last new colour, or the latest eccentricity of costume. Talk to her of books, and she will go to sleep; even novels, her sole reading, she forgets half an hour after she has turned the last page; while of any other kind of literature she is as profoundly ignorant as she is of mathematics; but she can discuss the mysteries of fas.h.i.+on with something like animation, these being to her what the wire is to the eyes of the dolls in the bazaar. Else she has no power of conversation. At the head of her own table she sits like a pretty waxen dummy, and can only simper out a few commonplaces, or simper without the commonplaces, satisfied if she is well appointed and looks lovely, and if her husband seems tolerably contented with the dinner. She is more in her element at a ball, where she is only asked to dance and not wanted to talk; but her ball-room days do not last for ever, and when they are over she has no available retreat.

If a rich doll woman is a mistake, a poor one who has been rich is about the greatest infliction that can be laid on a suffering household. Not all the teaching of experience can make wax and glue into flesh and blood, and nothing can train the human doll into a dignified or a capable womanhood. She still dresses in faded finery--which she calls keeping up appearances; and still has pretensions which no 'inexorable logic of facts' can destroy. She spends her money on sweets and ribbons and ignores the family need for meat and calico; and she sits by the fireside dozing over a trashy novel, while her children are in rags and her house is given over to disorder. But then she has a craze for the word 'lady-like,' and thinks it synonymous with ignorance and helplessness. She abhors the masculine-minded woman who helps her--sister, cousin, daughter--so far as she can abhor anything; but she is glad to lean on her strength, despite this abhorrence, and, while grumbling at her masculinity, does not disdain to take advantage of her power. The doll is only pa.s.sively disagreeable though; and for all that she carps under her breath, will remain in any position in which she is placed. She will not act, but she will let you act unhindered; which is something gained when you have to deal with fools.

This quiescence of hers pa.s.ses with the world for plasticity and amiability; it is neither; it is simply indolence and want of originating force. While she is young, she is nice enough to those who care only for a pretty face and a character founded on negatives; but when a man's pride of life has gone, and he has come into the phase of weakness, or under the harrow of affliction, or into the valley of the shadow of death, then she becomes in sorrowful truth the chain and bullet which make him a galley-slave for the remainder of his days, and which sign him to drudgery and despair.

As an old woman the doll has not one charm. She has learned none of that handiness, come to none of that grand maternal power of helping others, which should accompany maturity and age and has still to be thought for and protected, to the exclusion of the younger and naturally more helpless, as when she was young herself, and beautiful and fascinating, and men thought it a privilege to suffer for her sake. Nine times out of ten she has lost her temper as well as her complexion, and has become peevish and unreasonable. She gets fat and rouges; but she will not consent to get old. She takes to false hair, dyes, padded stays, a.r.s.enic or 'anti-fat,' and to artful contrivances of every description; but alas! there is no 'dolly's hospital' for her as there used to be for her battered old prototype in the nursery lumber-closet; and, whether she likes it or not, she has to succ.u.mb to the inevitable decree, and to become faded, worn out, unlovely, till the final _coup de grace_ is given and the poor doll is no more. Poor, weak, frivolous doll! it requires some faith to believe that she is of any good whatsoever in this overladen life of ours; but doubtless she has her final uses, though it would puzzle a Sanhedrim of wise men to discover them. Perhaps in the great readjustment of the future she may have her place and her work a.s.signed to her in some inter-stellar Phalansterie; when the meaning of her helpless earthly existence shall be made manifest and its absurd uselessness atoned for by some kind of celestial 'charing.'

_CHARMING WOMEN._

There are certain women who are invariably spoken of as charming. We never hear any other epithet applied to them. They are not said to be pretty, nor amiable, nor clever, though they may be all three, but simply charming; which we may take as a kind of verbal amalgam--the concentration and concretion of all praise. The main feature about these charming women is their intense feminality. There is no blurring of the outlines here; no confusion of qualities admirable enough in themselves but slightly out of place considering the s.e.x; no Amazonian virtues which leave one in doubt as to whether we have not before us Achilles in petticoats rather than a true Pyrrha or a more tender Deidamia.

A charming woman is woman all over--one who places her glory in being a woman and has no desire to be anything else. She is a woman rather than a human being, and a lady rather than a woman. One of her characteristics is the exquisite grace of her manner which so sweetly represents the tender nature within. She has not an angle anywhere. If she were to be expressed geometrically, Hogarth's Line of Beauty is the sole figure that could be used for her. She is flowing, graceful, bending in mind as in body; she is neither self-a.s.serting nor aggressive, neither rigid nor narrow; she is a creature who glides gracefully through life, and adjusts herself to her company and her circ.u.mstances in a manner little less than marvellous; working her own way without tumult or sharpness; creeping round the obstacles she cannot overthrow, and quietly wearing down more friable opposition with that gentle persistency which does so much more than turmoil and disturbance.

Even if enthusiastic--which she is for art, either as music, as painting, or yet as poetry--she is enthusiastic in such a sweet and graceful way that no one can be offended by a fire which s.h.i.+nes and does not burn. There is no touch of scorn about her and no a.s.sumption of superior knowledge. She speaks to you, poor ignorant Philistine, with the most flattering conviction that you follow her in all her flights; and when she comes out, quite naturally, with her pretty little bits of recondite lore or professional technicalities, you cannot be so boorish as to ask for an explanation of these trite matters which she makes so sure you must understand. Are you not an educated person with a soul to be saved? can you then be ignorant of things with which every one of culture is familiar? She discourses confidentially of musicians and painters unknown to fame, and speaks as if she knew the secret doings of the Conservatoire and the R. A.

council-chamber alike. The models and the methods, the loves and the hates, of the artistic world are to her things of every-day life, and you cannot tell her that she is shooting her delicate shafts wide of the mark, and that you know no more of what she means than if she were talking in the choicest Arabic.

If she has been abroad--and she generally has been more or less--she will pour out her tender little rhapsodies about palazzi and musei of which you have never heard, but every room of which she a.s.sumes you know by heart; and she will speak of out-of-the-way churches, and grim old castles perched upon vine-clad mounts, as if you were as well acquainted with them as with your native hamlet. She will bring into her discourse all manner of Italian technicalities, as if you understood the subject as well as she herself understands it; though your learning is limited to a knowledge of how much has been done in jute and tallow this last half year, or how many pockets of hops went off in the market last week. If she has a liking for high life and t.i.tles--and what charming woman has not?--she will mention the names of all manner of counts and dukes and monsignori unknown to English society, as though they were her brothers; but if you were to interrupt the gentle ripple of her speech with such rude breakwaters as 'who?' and 'what?' the charming woman would think you a horrid bore--and no man would willingly face that humiliation. One may be a rhinoceros in one's own haunts, but, as the fable tells us, even rhinoceroses are ashamed of their parentage when among gazelles.

Never self-a.s.serting, never contradictory, only sweetly and tenderly putting you right when you blunder, the charming woman nevertheless always makes you feel her superiority. True, she lays herself as it were at your feet and gives you a thousand delicate flatteries--indeed among her specialities is that of being able to set you on good terms with yourself by her art of subtle flattery; but despite her own self-abas.e.m.e.nt and your exaltation you cannot but feel her superiority; and, although she is too charming to acknowledge what would wound your pride, you know that she feels it too, and tries to hide it. All of which has the effect of making you admire her still more for her grace and tact.

The charming woman is generally notoriously in love with her husband, who is almost always inferior to her in birth, acquirements, manner, appearance. This t.i.tania-like affection of hers only shows her feminine qualities of sacrifice and wifely devotion to greater advantage, and makes other men envy more ferociously the lucky fellow who has drawn such a prize. The husband of a charming woman is indeed lucky in the world's esteem; no man more so. Though he may be one of the most ordinary, perhaps unpleasant, fellows you know, with a sour face, an underbred air, and by no means famous in his special sphere, his wife speaks of him enthusiastically as so good, so clever, so delightful! No one knows how good he is, she says; though of course he has his little peculiarities of temper and the rest of it, and perhaps every one would not bear with them as she does. But then she knows him, and knows his wonderful worth and value! If they are not seen much together, that comes from causes over which they have no control, not from anything like disinclination to each other's society. Certainly, for so happy a marriage, it is a little surprising how very seldom they are together; and how all her friends are hers only and not his, and how much she goes into society without him. On the whole, counting hours, they live very much more apart than united; but that is the misfortune of his career, of his health, or of hers--a misfortune due to any cause but that of diversity of tastes, inharmoniousness of pursuits, or lack of love.

Full of home affection and the tenderest sentiment as she is, the charming woman does sometimes the oddest-looking things, which a rough little domestic creature without graceful pretensions would not dream of doing. Her child is lying dangerously ill, perhaps dying, and she appears at the grand ball of the season, subdued certainly--how well that sweet melancholy becomes her!--but always graceful, always thoughtful for others, and attentive to the minutest detail of her social duties. And though indeed, she will tell you, she does not know how she got dressed at all, because of the state of cruel anxiety in which she is, yet she is undeniably the best dressed woman in the room and the most carefully appointed. It is against her own will that she is there, you may be sure; but she has been forced to sacrifice herself, and tear herself away for an hour. The exigencies of society are so merciless!--the world is such a terrible Juggernaut! she says, raising her eyes with plaintive earnestness to yours in the breathing-times of the waltz.

She has another trial if her husband is ordered out to Canada or the West Indies. Dearly as she loves him, and though she is heart-broken at the idea of the separation, yet her health cannot stand the climate; and she must obey her doctor's orders. She is so delicate, you know--all charming women are delicate--and the doctor tells her she could not live six months either in Toronto or Port Royal. If her lord and master had to go on diplomatic service to St. Petersburg or Madrid, she might be able to stand the climate then; but that is different. A dull station, without any of her favourite pleasures, would be more than she could bear; so she remains behind, goes out into society, and writes her husband tender and amusing letters once a month.

The charming woman is the gentlest of her s.e.x. She would not do a cruel thing nor say an unkind word for the world. When she tells you the unpleasant things which ill-natured people have said of your friends or hers, she tells them in the sweetest and dearest way imaginable. She is so sure there is not a syllable of truth in it all; and what a shame it is that people should be so ill-natured! In the gentle tone of sympathy and deprecation peculiar to her, she gives you all the ugly and uncomfortable reports which have come to her, and of which you have never heard a breath until this moment. Yet it is you who are stupid, not she who is initiative, for she tells them to you as if they were of patent notoriety to the whole world; only she does not believe them, remember! She takes the most scrupulous care to deny and defend as she retails, and you cannot cla.s.s her with the tribe of the ill-natured whom she censures, setting, as she does, the whole strength of her gentle words and generous disbelief in opposition to these ugly rumours. Yet you wish she had not told you. Her disclaimers spring so evidently from the affectionate amiability of her own mind, which cannot bear to think evil, that they have not much effect upon you. The excuse dies away from your memory, but the ill-savoured report roots; and you feel that you have lost your respect for your former friends for ever; or, if they were only hers, then, that nothing should tempt you to know them.

There is no smoke without some fire, you think; and the charming woman cannot possibly have kindled the flame herself out of sticks and leaves and rubbish of her own collecting. But how sweet and charitable she was when she told you! how much you love her for her tenderness of nature! what a guileless and delightful creature she is!

The charming woman is kind and graceful, but she does not command the stronger virtues. She flatters sweetly, but, it must be confessed, she fibs as sweetly. She sometimes owns to this, but only to fibs that do more good than harm--fibs into the utterance of which she is forced for the sake of peace and to avoid mischief. It is a feminine privilege, she says; and men agree with her. Truth at all times--bold, uncompromising, stern-faced truth--is coa.r.s.e and indelicate she says; a masculine quality as little fitted for women as courage or great bodily strength. Her husband knows that she fibs; her friends at times find her out too; but though the women throw it at her as an accusation, the men accept it as a quality without which she would be less the charming woman that she is; and not only forgive it, but like her the better for the grace and tact and suppleness she displays in the process of manufacture. Hers are not the severer virtues, but the gentler, the more insinuating; and absolute truth--truth at any price and on all occasions--does not come into the list.

Charming women, with their plastic manners and non-aggressive force, always have their own way in the end. They are the women who influence by unseen methods and who shrink from any open display of power. They know that their _metier_ is to soothe men, to put them on good terms with themselves, and so to get the benefit of the good humour they induce; and they dread nothing so much as a contest of wills. They coax and flatter for their rights, and consequently they are given privileges in excess of their rights; whereas the women who take their rights, as things to which they are ent.i.tled without favour, lose them and their privileges together. This art of self-abas.e.m.e.nt for future exaltation is one which it is given only to few to carry to perfection, but no woman is really charming without it. In fact it is part of her power; and she knows it. Though charming women are decidedly the favourites with men, they are careful to keep on good terms with their own s.e.x; and in society you may often see them almost ostentatiously surrounded by women only, whom they take pains to please or exert themselves to amuse, but whom they throw into the shade in the most astonis.h.i.+ng way.

Whatever these really charming women are, or do, or wear, is exactly the right thing; and every other woman fails in proportion to the distance she is removed from this model. When a charming woman is dressed richly, the simpler costumes of her friends look poor and mean; when she is _a la bergere_, the Court dresses about her are vulgar; when she is gay, quietness is dullness; when she is quiet, laughter is coa.r.s.e. And there is no use in trying to imitate her. She is the very Will-o'-the-wisp of her circle, and no sooner shows her light here than she flits away there; she has no sooner set one fas.h.i.+on, which her admiring friends have adopted with infinite pains and trouble, than she has struck out a new one which renders all the previous labour in vain. This is part of her very essence; and the originality which is simply perfection that cannot be repeated, and not eccentricity that no one will imitate, comes in as one of the finest and most potent of her charms. When she lends her patterns to her friends, or tells them this or that little secret, she laughs in her heart, knowing that she has shown them a path they cannot possibly follow and raised up a standard to which they cannot attain. And even should they do either, then she knows that, by the time they have begun to get up to her, she will be miles away, and that no art whatever can approximate them to her as she is. What she was she tosses among them as a worn-out garment; what she is they cannot be.

She remains still the unapproachable, the inimitable, the charming woman _par excellence_ of her set, whom none can rival.

_Ap.r.o.n-STRINGS._

Among other cla.s.sifications, the world of men and women may be divided into those who wear ap.r.o.ns and those who are tied to the strings thereof--those who determine the length of the tether and those who are bound to browse within its circuit--those who hold the reins and those who go bitted. All men and women are fond of power, but there is a wide difference in the ways in which they use it. To men belong the grave political tyrannies at which nations revolt and history is outraged, to women the small conventional laws framed against individual liberty by Mrs. Grundy and society; men rule with rods of iron and drive with whips of steel, women shorten the tether and tie up close to ap.r.o.n-strings; men coerce, women forbid. In fact, the difference is just that which lies between action and negation, compulsion and restraint; between the masculine jealousy of equality and the feminine fear of excess. If men debar women from all entrance into their larger sphere, women try to dwarf men's lives to their own measure, and not a few hold themselves aggrieved when they fail. They think that everything which is impossible to them should be forbidden to others, and they maintain that to be a lamentable extreme which is simply in excess of their own powers. Not content with supremacy in the home which is their own undisputed domain, nor satisfied with binding on men the various rules distinguis.h.i.+ng life in the drawing-room, the dining-room and the breakfast-parlour, they would, if they could, carry their code outside, and sweep into its narrow net the club-house and the mess-table, the billiard-room and the race-course, and wherever else men congregate together--delivered from the bondage of feminine conventionalities.

For almost all women have an uneasy feeling when their men are out of sight, enjoying themselves in their own way. They fear on all sides--both bodily harm and moral evil; and regard men's rougher sports and freer thoughts as a hen regards her wilful ducklings when they take to the water in which she would be drowned, and leave her high and dry lamenting their danger and self-destruction. The man they love best for his manliness they would, in their loving cowardice, do their utmost to make effeminate; and, while adoring him for all that makes him bold and strong in thought as well as in frame, they would tie him up to their ap.r.o.n-strings, and keep him there till he became as soft and narrow as themselves. Not that they would wish to do so; if you asked them they would tell you quite the contrary. But this would be the result if they had their own way, their love being at all times more timid than confident.