Part 2 (2/2)

X

_The Relativity of Evil_

As we survey the course of this wonderful evolution, it begins to become manifest that moral evil is simply the characteristic of the lower state of living as looked at from the higher state. Its existence is purely relative, yet it is profoundly real, and in a process of perpetual spiritual evolution its presence in some hideous form throughout a long series of upward stages is indispensable. Its absence would mean stagnation, quiescence, unprogressiveness. For the moment we exercise conscious choice between one course of action and another, we recognize the difference between better and worse, we foreshadow the whole grand contrast between good and bad. In the process of spiritual evolution, therefore, evil must needs be present. But the nature of evolution also requires that it should be evanescent. In the higher stages that which is worse than the best need no longer be positively bad. After the nature of that which the upward-striving soul abhors has been forever impressed upon it, amid the long vicissitudes of its pilgrimage through the dark realms of sin and expiation, it is at length equipped for its final sojourn

”In the blest kingdoms meek of joy and love.”

From the general a.n.a.logies furnished in the process of evolution, we are ent.i.tled to hope that, as it approaches its goal and man comes nearer to G.o.d, the fact of evil will lapse into a mere memory, in which the shadowed past shall serve as a background for the realized glory of the present.

Thus we have arrived at the goal of my argument. We can at least begin to realize distinctly that unless our eyes had been opened at some time, so that we might come to know the good and the evil, we should never have become fas.h.i.+oned in G.o.d's image. We should have been the denizens of a world of puppets, where neither morality nor religion could have found place or meaning. The mystery of evil remains a mystery still, but it is no longer a harsh dissonance such as greeted the poet's ear when the doors of h.e.l.l were thrown open; for we see that this mystery belongs among the profound harmonies in G.o.d's creation. This reflection may have in it something that is consoling as we look forth upon the ills of the world. Many are the pains of life, and the struggle with wickedness is hard; its course is marked with sorrow and tears. But a.s.suredly its deep impress upon the human soul is the indispensable background against which shall be set hereafter the eternal joys of heaven!

THE COSMIC ROOTS OF LOVE AND SELF-SACRIFICE

O abbondante grazia, ond' io presunsi Ficcar lo viso per la luce eterna Tanto, che la veduta vi consunsi!

Nel suo profondo vidi che s' interna, Legato con amore in un volume, Ci che per l' universo si squaderna.

DANTE, _Paradiso_, x.x.xiii. 82.

[Ill.u.s.tration]

I

_The Summer Field, and what it tells us_

There are few sights in Nature more restful to the soul than a daisied field in June. Whether it be at the dewy hour of sunrise, with blithe matin songs still echoing among the treetops, or while the luxuriant splendour of noontide fills the delicate tints of the early foliage with a pure glory of light, or in that more pensive time when long shadows are thrown eastward and the fresh breath of the sea is felt, or even under the solemn mantle of darkness, when all forms have faded from sight and the night air is musical with the murmurs of innumerable insects, amid all the varying moods through which the daily cycle runs, the abiding sense is of unalloyed happiness, the profound tranquillity of mind and heart that nothing ever brings save the contemplation of perfect beauty. One's thought is carried back for the moment to that morning of the world when G.o.d looked upon his work and saw that it was good. If in the infinite and eternal Creative Energy one might imagine some inherent impulse perpetually urging toward fresh creation, what could it be more likely to be than the divine contentment in giving objective existence to the boundless and subtle harmonies whereof our world is made? That it is a world of perfect harmony and unsullied beauty, who can doubt as he strolls through this summer field? As our thought plays lightly with its sights and sounds, there is nothing but gladness in the laugh of the bobolink; the thrush's tender note tells only of the sweet domestic companions.h.i.+p of the nest; creeping and winged things emerging from their grubs fill us with the sense of abounding life; and the myriad b.u.t.tercups, hallowed with vague memories of June days in childhood, lose none of their charm in reminding us of the profound sympathy and mutual dependence in which the worlds of flowers and insects have grown up. The blades of waving gra.s.s, the fluttering leaves upon the lilac bush, appeal to us with rare fascination; for the green stuff that fills their cellular tissues, and the tissues of all green things that grow, is the world's great inimitable worker of wonders; its marvellous alchemy takes dead matter and breathes into it the breath of life. But for that magician chlorophyll, conjuring with sunbeams, such things as animal life and conscious intelligence would be impossible; there would be no problems of creation, nor philosopher to speculate upon them. Thus the delight that sense impression gives, as we wander among b.u.t.tercups and daisies, becomes deepened into grat.i.tude and veneration, till we quite understand how the rejuvenescence of Nature should in all ages have aroused men to acts of wors.h.i.+p, and should call forth from modern masters of music, the most religious of the arts of expression, outbursts of sublimest song.

And yet we need but come a little closer to the facts to find them apparently telling us a very different story. The moment we penetrate below the superficial aspect of things the scene is changed. In the folklore of Ireland there is a widespread belief in a fairyland of eternal hope and brightness and youth situated a little way below the roots of the gra.s.s. From that land of Tir nan Og, as the peasants call it, the secret springs of life shoot forth their scions in this visible world, and thither a few favoured mortals have now and then found their way. It is into no blest country of Tir nan Og that our stern science leads us, but into a scene of ugliness and hatred, strife and ma.s.sacre.

Macaulay tells of the battlefield of Neerwinden, that the next summer after that frightful slaughter the whole countryside was densely covered with scarlet poppies, which people beheld with awe as a token of wrath in heaven over the deeds wrought on earth by human pa.s.sions. Any summer field, though mantled in softest green, is the scene of butchery as wholesale as that of Neerwinden and far more ruthless. The life of its countless tiny denizens is one of unceasing toil, of crowding and jostling, where the weaker fall unpitied by the way, of starvation from hunger and cold, of robbery utterly shameless and murder utterly cruel.

That green sward in taking possession of its territory has exterminated scores of flowering plants of the sort that human economics and aesthetics stigmatize as weeds; nor do the blades of the victorious army dwell side by side in amity, but in their eagerness to dally with the sunbeams thrust aside and supplant one another without the smallest compunction. Of the crawling insects and those that hum through the air, with the quaint snail, the burrowing worm, the bloated toad, scarce one in a hundred but succ.u.mbs to the buffets of adverse fortune before it has achieved maturity and left offspring to replace it. The early bird, who went forth in quest of the worm, was lucky if at the close of a day as full of strife and peril as ever knight-errant encountered, he did not himself serve as a meal for some giant foe in the gloaming. When we think of the hawk's talons buried in the breast of the wren, while the relentless beak tears the little wings from the quivering, bleeding body, our mood toward Nature is changed, and we feel like recoiling from a world in which such black injustice, such savage disregard for others, is part of the general scheme.

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