Part 2 (1/2)
The Czika had shown the wonderful self-control which this remarkable child never lost but for a few moments, and was going on with the collection as if nothing had happened. She did not even cast a glance at Oswald as he went back to the carriage, almost forced to do so by Franz.
The carriage drove off. The crowd had quickly seized upon the fable of Oswald's insanity, which Franz had invented with such admirable presence of mind, and dispersed all the more rapidly as the increasing coolness of the evening air reminded them forcibly of the warm supper that awaited them in their warm rooms at home.
CHAPTER IV.
It was a few hours later. The evening had come completely. The mountains of Fichtenau were wrapped in their double veils of night and mist; on the dark sky a few lonely stars peeped here and there through the drifting clouds. The narrow streets of the little town were deserted; lights, however, were s.h.i.+ning from the windows of the low, simple houses. People were sitting around the stove after their frugal suppers, and the husband told his wife, who for good reasons had not been able to venture into a crowd, what wonderful feats of strength, agility, and skill he had seen outside of the town on the great meadow; how an insane gentleman had driven up with his physician (who no doubt was bringing him to Doctor Birkenhain's great inst.i.tution), and how he had embraced the pretty gypsy girl, who was going around with the plate, before all the people. The old, half-deaf grandmother, who was nodding in her arm-chair near the stove, and only heard half of what he was saying, remarked,
”Yes, yes! gypsies are the devil's children; everybody knows that. My sainted great-grandfather lent a hand when five of them were burned on the great meadow.”
There was great feasting that night in the Green Hat, a low drover's inn near the gates of the town, and not far from the great meadow. The Green Hat was also the headquarters of all wandering rope-dancers, and therefore a most attractive place for all lovers of art among the people of Fichtenau.
The long table in the public room, which was filled with tobacco smokers, could scarcely hold the number of guests, although they were sitting closely enough on the hard benches. At the upper end, especially, the crowd was great, for there the artists sat and drank in the full consciousness of their dignity and the hearty enjoyment of a free treat. The director, Mr. Caspar Schmenckel, from Vienna, presided as a matter of course. He had laid aside all the insignia of the last part he had played, except a few patches of rouge which still adorned his bloated face; he had taken off his nightcap and the blue-checked ap.r.o.n, together with the pillow with which it was stuffed. He appeared now in the comfortable and elegant costume of a gentleman who has relieved himself of his coat and waistcoat, and who forgets, in the consciousness of his artistic fame and of his broad, richly-embroidered suspenders, that his linen is not of the cleanest. Mr. John Cotterby, of Egypt, who sat on the right hand of his lord and master, had been compelled to make a greater alteration in his toilette, especially since the artistic wardrobe boasted only of a single suit of stockinet, and it was therefore of the utmost importance for him to do all that could be done in order to preserve its delicate whiteness. Mr. John Cotterby, of Egypt, wore a short, gray coat with green tr.i.m.m.i.n.gs, and would have looked, all in all, far more like a handsome Tyrolese (which was, by-the-by, his real character) than the son of the land of mystery through which the Nile rolls its waves, if the narrow bra.s.s band which still confined his dark locks, and the broken German which he composed most artistically for the occasion, had not vouched for his mystic descent. There were two other artists sitting a little further down the table; one a modest, silent, tall man, who took his craft in earnest, and meditated deeply how he might introduce a new feature in his far-famed performance, the Gigantic Cask; the other, the clown of the company, a round, odd-looking creature, who produced a new grimace at every gla.s.s which he drank with a new guest, and thus proved the immense stock of those valuable commodities which he owned, since this process of touching gla.s.ses occurred on an average every five minutes.
Mr. Casper Schmenckel, director, etc., had been a fine-looking man until the abundance of his potations had injured the fair symmetry of his person, and he loved to recall the many gallant adventures of which he had been the hero, and in which even great ladies, whose eyes had been well pleased with the gigantic proportions of the Hercules, played a prominent part. When Mr. Schmenckel had emptied his third gla.s.s he was apt to become eloquent about this heroic age of his life, and tonight he had already more than doubled the mysterious number which loosened the chaste seal on his lips. The young men who pressed around him gla.s.s in hand would have fared better, probably, as far as their morals were concerned, if they had not honored the Green Hat on that particular evening with their presence.
Mr. Schmenckel's fancy was exuberant, and where ordinary eyes saw but a number of midges dancing in the air, his rolling orbs beheld a host of elephants. He calculated with incredible boldness upon the credulity of his listeners; above all he endeavored to surround himself and the members of his company with a nimbus of adventurous glory. The accident on the great meadow, which had brought the madman and the Czika into contact with each other, was far too useful for such a purpose not to be fully employed by Mr. Schmenckel. It is true the gypsy and her child had joined his troop quite accidentally a few days ago, as they were making their way across the mountains towards Fichtenau, and Mr.
Schmenckel knew as little of their former history as any one in the company; but his imagination was only the more perfectly free to rove at random, and he invented a magnificent story in order to satisfy the curiosity of the guests, who continually came back to the beautiful child and the gypsy woman who had appeared as a dancer in the first part of the performance.
”Yes, you see,” said Director Schmenckel, ”that is a very mysterious story, and I should be quite ready to tell you all about it, but it is so very incredible.”
Mr. Schmenckel dived with his red nose into his beer and slowly absorbed the remaining half, while his eyes twinkled with delight as he looked by turns through the swollen lids at one and the other of his friends.
”Tell us, tell us, Director!” cried half a dozen voices.
”Another b.u.mper for the Director!” cried another half dozen.
”It may be about ten or twelve years,” began Mr. Schmenckel, after having diminished the contents of the new gla.s.s to a considerable extent, ”when I was making a trip to Egypt----”
When he said Egypt all eyes turned to Mr. John Cotterby, who leaned back in his chair and smiled mysteriously.
”What were you going to do in Egypt?” asked a voice.
”May I tell, Mr. Cotterby?” asked Mr. Schmenckel.
”Fideremkankinsavalilaloramei,” replied the Egyptian, who could not imagine what his lord and master wanted to be allowed to tell.
”Thanks, Cotterby,” said Mr. Schmenckel, ”modesty adorns a man, but why should I conceal it that it was on your account I was making that journey? You must know, gentlemen, that the fame of Mr. Cotterby was in those days filling the whole Orient, and that n.o.body spoke of anything but the Flying Pigeon. I said to myself: You must induce this man, the greatest artist whom the world ever saw, to join your company, as sure as your name is Caspar Schmenckel. No sooner said than done. I went to Egypt, where I was told Mr. Cotterby was then residing, but Mr.
Cotterby was nowhere to be found. At last I learnt from an old Dervish who had sold me the talking serpent, which I shall have the honor of exhibiting to-morrow, that Mr. Cotterby was staying somewhere far away in the desert near the pyramids. May I tell why you did so, Cotterby?”
”Framtebaramta! Tell what you wish to tell,” replied the Egyptian, with a generous, modest smile.
”Mr. Cotterby, you must know, had retired for some time into the desert, and sworn a fearful oath that he would not again appear in public till he had ascended every one of the pyramids on a rope.”
”What are those pyramids?” inquired a voice.
”Pyramids!” said Mr. Schmenckel, dictatorially, ”are immense heaps of stone, which the old Egyptians raised in honor of their G.o.ds, a thousand feet high, or more, and so steep that a cat can hardly get to the top. On the top there is a pointed stone pillar, called obelisk; to this Mr. Cotterby fastened one end of a rope, while the lower end was held by two thousand black slaves of his, and thus he walked up and down, so that those who saw it felt their hair stand on an end. That was the way I found Mr. Cotterby engaged in the desert, and of course I became more anxious than ever to engage him for our company; but he refused. What was I to do? I had nothing left but to climb at night to the top of the pyramid at the risk of my life, and next morning, when Mr. Cotterby arrived there, to seize him around the waist and to cry: Either you consent to an engagement for three thousand a year, or I send you head over heels down this pyramid, as sure as my name is Caspar Schmenckel. May I tell what you replied, Cotterby?”
The Egyptian nodded a.s.sent.