Part 1 (1/2)

Hero Tales and Legends of the Rhine.

by Lewis Spence (1874-1955).

INTRODUCTION

An abundance of literature exists on the subject of the Rhine and its legends, but with few exceptions the works on it which are accessible to English-speaking peoples are antiquated in spirit and verbiage, and their authors have been content to accept the first version of such legends and traditions as came their way without submitting them to any critical examination. It is claimed for this book that much of its matter was collected on the spot, or that at least most of the tales here presented were perused in other works at the scene of the occurrences related. This volume is thus something more than a mere compilation, and when it is further stated that only the most characteristic and original versions and variants of the many tales here given have gained admittance to the collection, its value will become apparent.

It is, of course, no easy task to infuse a spirit of originality into matter which has already achieved such a measure of celebrity as have these wild and wondrous tales of Rhineland. But it is hoped that the treatment to which these stories have been subjected is not without a novelty of its own. One circ.u.mstance may be alluded to as characteristic of the manner of their treatment in this work. In most English books on Rhine legend the tales themselves are presented in a form so brief, succinct, and uninspiring as to rob them entirely of that mysterious glamour lacking which they become mere material by which to add to and ill.u.s.trate the guide-book. The absence of the romantic spirit in most English and American compilations dealing with the Rhine legends is noteworthy, and in writing this book the author?s intention has been to supply this striking defect by retaining as much of the atmosphere of mystery so dear to the German heart as will convey to the English-speaking reader a true conception of the spirit of German legend.

But it is not contended that because greater s.p.a.ce and freedom of narrative scope than is usual has been taken by the author the volume would not prove itself an acceptable companion upon a voyage on Rhine waters undertaken in holiday times of peace. Indeed, every attempt has been made so to arrange the legends that they will ill.u.s.trate a Rhine journey from sea to source?the manner in which the majority of visitors to Germany will make the voyage?and to this end the tales have been marshalled in such form that a reader sitting on the deck of a Rhine steamer may be able to peruse the legends relating to the various localities in their proper order as he pa.s.ses them. There are included, however, several tales relating to places which cannot be viewed from the deck of a steamer, but which may be visited at the cost of a short inland excursion. These are such as from their celebrity could not be omitted from any work on the legends of Rhineland, but they are few in number.

The historical development, folklore, poetry, and art of the Rhine-country have been dealt with in a special introductory chapter.

The history of the Rhine basin is a complicated and uneven one, chiefly consisting in the rapid and perplexing rise and fall of dynasties and the alternate confiscation of one or both banks of the devoted stream to the empires of France or Germany. But the evolution of a reasoned narrative has been attempted from this chaotic material, and, so far as the author is aware, it is the only one existing in English. The folklore and romance elements in Rhine legend have been carefully examined, and the best poetic material upon the storied river has been critically collected and reviewed. To those who may one day visit the Rhine it is hoped that the volume may afford a suitable introduction to a fascinating field of travel, while to such as have already viewed its glories it may serve to renew old a.s.sociations and awaken cherished memories of a river without peer or parallel in its wealth of story, its boundless mystery, and the hold which it has exercised upon all who have lingered by the hero-trodden paths that wind among its mysterious promontories and song-haunted strands.

?L.S.

CHAPTER I

TOPOGRAPHICAL AND HISTORICAL

There are many rivers whose celebrity is of much greater antiquity than that of the Rhine. The Nile and the Ganges are intimately a.s.sociated with the early history of civilization and the mysterious beginnings of wisdom; the Tiber is eloquent of that vanished Empire which was the first to carry the torch of advancement into the dark places of barbarian Europe; the name of the Jordan is sacred to thousands as that first heard in infancy and linked with lives and memories divine. But, universal as is the fame of these rivers, none of them has awakened in the b.r.e.a.s.t.s of the dwellers on their banks such a fervent devotion, such intense enthusiasm, or such a powerful patriotic appeal as has the Rhine, at once the river, the frontier, and the palladium of the German folk.

The Magic of the Rhine

But the appeal is wider, for the Rhine is peculiarly the home of a legendary mysticism almost unique. Those whose lives are spent in their creation and interpretation know that song and legend have a particular affinity for water. Hogg, the friend of Sh.e.l.ley, was wont to tell how the bright eyes of his comrade would dilate at the sight of even a puddle by the roadside. Has water a hypnotic attraction for certain minds? Be that as it may, there has crystallized round the great waterways of the world a traditionary lore which preserves the thought and feeling of the past, and retains many a circ.u.mstance of wonder and marvel from olden epochs which the modern world could ill have spared.

Varied and valuable as are the traditional tales of other streams, none possess that colour of intensity and mystery, that spell of ancient profundity which belong to the legends of the Rhine. In perusing these we feel our very souls plunged in darkness as that of the carven gloom of some Gothic cathedral or the Cimmerian depths of some ancient forest unpierced by sun-shafts. It is the Teutonic mystery which has us in its grip, a thing as readily recognizable as the Celtic glamour or the Egyptian gloom?a thing of the shadows of eld, stern, ancient, of a ponderous fantasy, instinct with the spirit of nature, of dwarfs, elves, kobolds, erlkings, the wraiths and shades of forest and flood, of mountain and mere, of castled height and swift whirlpool, the denizens of the deep valleys and mines, the bergs and heaths of this great province of romance, this rich satrapy of Faery.

A Land of Legend

Nowhere is legend so thickly strewn as on the banks of the Rhine. Each step is eloquent of tradition, each town, village, and valley. No hill, no castle but has its story, true or legendary. The Teuton is easily the world?s master in the art of conserving local lore. As one speeds down the broad breast of this wondrous river, gay with summer and flushed with the laughter of early vineyards, so close is the network of legend that the swiftly read or spoken tale of one locality is scarce over ere the traveller is confronted by another. It is a surfeit of romance, an inexhaustible h.o.a.rd of the matter of marvel.

This n.o.ble stream with its wealth of tradition has made such a powerful impression upon the national imagination that it has become intimate in the soul of the people and commands a reverence and affection which is not given by any other modern nation to its greatest and most characteristic river. The Englishman has only a mitigated pride in the Thames, as a great commercial a.s.set or, its metropolitan borders once pa.s.sed, a river of peculiarly restful character; the Frenchman evinces no very great enthusiasm toward the Seine; and if there are many Spanish songs about the ?chainless Guadalquivir,? the dons have been content to retain its Arabic name. But what German heart does not thrill at the name of the Rhine? What German cheek does not flush at the sound of that mighty thunder-hymn which tells of his determination to preserve the river of his fathers at the cost of his best blood? Nay, what man of patriotic temperament but feels a responsive chord awake within him at the thought of that majestic song, so stern, so strong, ?clad in armour,? vibrant with the clang of swords, instinct with the universal accord of a united people? To those who have heard it sung by mult.i.tudinous voices to the accompaniment of golden harps and silver trumpets it is a thing which can never be forgotten, this world-song that is at once a hymn of union, a song of the deepest love of country, a defiance and an intimation of resistance to the death.

The Song of the ?Iron Chancellor?

How potent Die Wacht am Rhein is to stir the hearts of the children of the Fatherland is proven abundantly by an apposite story regarding the great Bismarck, the ?man of blood and iron.? The scene is the German Reichstag, and the time is that curious juncture in history when the Germans, having realized that union is strength, were beginning to weld together the petty kingdoms and duchies of which their mighty empire was once composed. Gradually this task was becoming accomplished, and meanwhile Germany grew eager to a.s.sert her power in Europe, wherefore her rulers commenced to create a vast army. But Bismarck was not satisfied, and in his eyes Germany?s safety was still una.s.sured; so he appealed to the Reichstag to augment largely their armaments. The deputies looked at him askance, for a vast army meant ruinous taxation; even von Moltke and von Roon shook their heads, well aware though they were that a great European conflict might break out at any time; and, in short, Bismarck?s proposal was met by a determined negative from the whole House. ?Ach, mein Gott!? he cried, holding out his hands in a superb gesture of despair. ?Ach, mein Gott! but these soldiers we must have.? His hearers still demurred, reminding him that the people far and near were groaning under the weight of taxation, and a.s.suring him that this could not possibly be increased, when he suddenly changed his despairing gesture for a martial att.i.tude, and with sublime eloquence recited the lines:

?Es braust ein Ruf wie Donnerhall, Wie Schwertgeklirr und Wogenprall; Zum Rhein, zum Rhein, zum deutschen Rhein, Wer will die Stromes Huter sein?

Lieb Vaterland, magst ruhig sein, Fest steht und treu die Wacht am Rhein.?

The effect was magical; the entire House resounded with cheers, and the most unbounded enthusiasm prevailed. And ere the members dispersed they had told Bismarck he might have, not ten thousand, but a hundred thousand soldiers, such was the power of a.s.sociation awakened by this famous hymn, such the spell it is capable of exercising on German hearers.

Topography of the Rhine

Ere we set sail upon the dark sea of legend before us it is necessary that, like prudent mariners, we should know whence and whither we are faring. To this end it will be well that we should glance briefly at the topography of the great river we are about to explore, and that we should sketch rapidly the most salient occurrences in the strange and varied pageant of its history, in order that we may the better appreciate the wondrous tales of worldwide renown which have found birth on its banks.

Although the most German of rivers, the Rhine does not run its entire course through German territory, but takes its rise in Switzerland and finds the sea in Holland. For no less than 233 miles it flows through Swiss country, rising in the mountains of the canton of Grisons, and irrigates every canton of the Alpine republic save that of Geneva.